Red State (2011)

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Original Theatrical Release Date: September 01, 2011
Director: Kevin Smith

In middle-America, all is not as sleepy and peaceful as it would seem. A fundamentalist church called The Five Points Church, led by pastor Abin Cooper (Michael Parks), preaches anti-gay and almost anti-everything hate gospel. Unfortunately, their bite is worse than their bark and when three teenage boys; Travis (Michael Angarano), Billy-Ray (Nicholas Braun), and Jarod (Kyle Gallner) – find an older woman soliciting sex on an internet site similar to Craigslist – they agree to meeting up with her for a foursome, which lands them squarely in the hungry religious jaws of the Cooper clan.

This movie blew me away. If you’re a Kevin Smith/View Askew fan like myself, you’ve come to expect a certain quality and tone of movie from the man and the studio behind him which produced films such as Clerks, Dogma and Chasing Amy. Red State is NOTHING like those other films. This is intense, this is gritty. As Smith himself points out – the Jay and Silent Bob films are like a smooth milkshake while Red State is like drinking straight whiskey. This is a film that none other than Quentin Tarantino strongly endorses, if that gives you any sort of idea as to what the tone is.

First of all, the film is especially poignant and is almost like a satire of the Westboro Baptist Church. We see it in the news every day, but in reality – the crazy religious zeal of some of these people is one incident away from an actual, real-life horror film. Red State is part horror film, part thriller and absolutely riveting.

With Michael Parks as Abin Cooper – the charismatic and terrifying patriarch of the Five Points Church – Smith hit gold. Everyone cast in this film not only does their jobs, but does them well. This movie is often overlooked because it goes beyond the fandoms of the Jay And Silent Bob/View Askew universe, which is understandable in some ways because Red State is so different from those others that it’s almost like another director is at the helm – though Smith can definitely be felt within the context of the film by the acerbic dialogue.

This film is amazing. Absolutely amazing. Do yourself a favor and go watch it. You’ll be uneasy for a long while and it’s perfect for a Halloween horror movie night.

JOE Rating:  ★★★★★

Movie Trailer For Red State

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Northlanders: The Cross And The Hammer (2009)

Northlanders: The Cross And The Hammer (2009)

Publisher: Vertigo
Creative Team: Brian Wood, Ryan Kelly

Set in Viking-era Ireland, Northlanders Book Two: The Cross And The Hammer, collects issues #11-16 of the DC/Vertigo comic book series written by Brian Wood (DMZ, Demo) and illustrated by Ryan Kelly (Lucifer, The New York Four).

It is 1014 in Viking-occupied Ireland. One lone man, only known as Magnus, refuses to bow to the will of the Viking overlords and is leaving a bloody trail of insurgency in his wake. Magnus has no ties, no weaknesses, nothing to lose…except his daughter Brigid. Magnus’ killing spree and defiance catches the attention of Lord Ragnar Ragnarsson, a forensic specialist and confidant of the King who becomes obsessed with finding Magnus and ending his uprising.

When it becomes apparent that the only way to draw Magnus out of hiding is to provoke him by senselessly murdering innocent Irish families, it sends the two foes into a circle of psychological warfare and intrigue.

I was really looking forward to this volume after having already read Northlanders: Sven The Returned, which was amazing…so maybe my hopes were a little too high.

First off, don’t get me wrong. I would rather read this volume than not read this volume. Northlanders is a great series, and Brian Wood is doing some great stuff. Even the premise of the arc in this volume is decent and had me intrigued, but it all ended up falling a little flat.

Ryan Kelly is a great artist but I was honestly, the entire time, comparing his style (without meaning to) to Davide Gianfelice’s, who did the art for the issues collected in the first volume. In some ways, Kelly’s artwork is better for this Irish story but in others it just doesn’t feel up to par. There was nothing wrong for it save for the flavor, and despite some great splash page work some of it seemed a bit cartoony.

On top of that, I was sort of brought out of the story some by the way Lord Ragnar Ragnarsson spoke/wrote in the way that you might see a character do on an episode of CSI. I kept thinking to myself “This is so modern sounding. WTF is going on here?

Another thing to watch out for is the twist ending. It seems to be all the rage nowadays to give a twist ending on everything, but I don’t think they had to do so, here. It wasn’t super-compelling as it was and then to sort of glaze over it all with a twist ending such as the one found within the pages of this TPB, it just dulled everything down even more.

Overall, I wouldn’t miss this entry into the series, but it could have been much better. I hear that Volume III is, indeed, much better…so I’ll have to check it out. So, give this a read if you follow along but I’m not so sure this will be a favored volume in the series.

JOE Rating: ★★★

Here’s A Sample Page From Northlanders, Vol. 2: The Cross And The Hammer
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