Horrible Bosses (2011)

Original Theatrical Release Date: July 8, 2011
Director: Seth Gordon

Three lovable losers all have one thing in common: They have horrible bosses. One is a narcissistic elitist prick. One is a conniving, sexual predator. One is a coke fiend with a penchant for martial arts weapons. Nick (Jason Bateman), Kurt (Jason Sudeikis), and Dale (Charlie Day) decide to do something about it and enlist a murder consultant named Dean “Mother Fucker” Jones (Jamie Foxx) to help them off their bosses.

When I first heard about this movie, I wasn’t too keen on going to see it. Sure, it seemed like it could be a good time but I’ve been growing increasingly tired of the “three dude bros” comedy formula made popular by movies like The Hangover. Still, my girlfriend and I popped this one in for a movie night with a friend and we enjoyed some genuine laughs, despite the “tried-and-true” movie formula.

First off, what the movie has going for it is mainly star power. Jason Bateman, Charlie Day, Kevin Spacey, Colin Farrell – you can’t beat that. Jennifer Aniston and Jason Sudeikis are just “okay”. The second thing the movie has going for it is a solid premise. Who doesn’t hate their boss, at least a little bit? This provides instant sympathy when Jason Bateman is berated for being a mere two minutes late on his clock-in. Plus, just look at how the bosses are portrayed on screen – just looking at them, without even seeing the film, you know what kind of characters they are.

Kevin Spacey – not to be trifled with.

Jennifer Aniston – lax on the dress code at work.

Colin Farrell – sleazeball, anyone?

Unfortunately, what this movie doesn’t have going for it is a compelling enough story to keep the interest for as long as the movie is. Seriously, it seemed like it took forever to end. I like my comedies short and sweet. The director could have dumped about a quarter of schlock and jokes that didn’t work and it would have been much more succinct and enjoyable. Add to that the promising premise being washed away in unfulfilling payoffs for the main characters and we have ourselves just a “meh” comedy.

With all the star power these comedians provided, along with the dark/funny premise – this should have been a knockout. As it is, I’m sure it’s fine for a watch or two but I’m guessing that it’s not going to knock your socks off.

JOE Rating: ★★★

Movie Trailer For Horrible Bosses

 

Hardbodies (1984)

Original Theatrical Release Date: May 4, 1984
Director: Mark Griffiths

When three older men come to the beach to score chicks, they learn fast that just because they have the money doesn’t mean they’ll be able to charm the ladies any easier. Seeing an opportunity, young beach-bum Scotty (Grant Cramer) offers to give the three men lessons in how to “dialogue” with women. They agree and frivolous partying ensues in true 1980’s fashion.

Yes, I know what you’re thinking – and, yes…this is one of those films.

Yup, you guessed it.

There’s really nothing I can say that would justify this piece of 1980’s cinema, other than it may have been funny to someone, once. While watching, I wasn’t so much able to laugh as I was trying to figure out why it was labeled as a comedy. I guess if you can call three older dudes trying to score with a bevy of beautiful women funny, then this is it. Otherwise, it is basically the story of a ladies magnet trying to train a bunch of creepers to not be so creepy and rapey.

Most of the humor came from men being spurned in “hilarious” ways or from “ugly” jokes or from physical jokes. Aside from that, there were just a lot of boobs and man ass. (Obviously more boobs, though)

I wouldn’t really recommend this to anyone in particular. If you want the boobs, there are tons of them online and there are pornos out there with a better storyline. Aside from that, there are no real redeeming qualities about this. Revenge of the Nerds did it much better. Thanks, 1980’s.

JOE Rating: ★

Movie Trailer For Hardbodies

Gone Girl (2014)

Original Theatrical Release Date: October 3, 2014
Director: David Fincher

Author Nick Dunne (Ben Affleck) arrives home on the eve of his 5th wedding anniversary to find his wife Amy (Rosamund Pike) is missing under mysterious circumstances. After calling the police, Nick finds himself in the middle of an intense media circus as the search for Amy goes underway. Soon, the clues begin to pile up and fingers begin to point Nick’s way.

I went to see this film with a couple of friends last night as I’d been hearing good things about it. I’ve never read the novel it’s based on by Gillian Flynn (who also penned the screenplay) but according to online sources, the movie differs only slightly in some ways from the book version. Movies always differ from their book counterparts, though, so this shouldn’t really be a surprise to anyone.

It’s rare for me to want to watch a hyper-realistic crime movie – they aren’t my thing. Still, all the good things I heard about the various performances given by the actors made me want to check it out, so that’s what I did. Every single one of the actors in this movie, even Ben Affleck, really turned it up a notch. Affleck kept his cool just enough during the film to make me waffle on whether or not he had anything to do with Amy’s disappearance. Rosamund Pike, however, carried this movie with her role (in my opinion). She is not only accessible and sexy – but also terrifying. Another surprise was Neil Patrick Harris in his short role which added a lot of subtext to the film, regardless of how small a part his character played in the overall story.

The direction was great – Fincher hardly ever fails at that (except maybe with Mulholland Drive). The music was low-key enough to not interfere but still added just enough mood for a thriller. The length was a bit too long, however, clocking in at a whopping 149 minutes. The only real reason I’m giving this film four stars instead of five is the ending – which I felt was maybe a little rushed. I dunno if it was due to time, or due to something else – but the entire movie built up the characters to be solid and absolutely believable within the context of the story, except for the last half hour or so, which was unbelievable and completely took me out of the movie. I’d love to see a director’s cut in the future to see if maybe the motivations of the characters were a little more clear before some of the film hit the cutting room floor.

All in all this is one worth watching at least a couple times so you can catch all the little “easter eggs” (like the Scott Peterson novel one of the characters are reading at one point) and nuances in background scenes and in the subtleties of the characters and their actions. Good job again, Fincher – you do great work.

JOE Rating: ★★★★

Movie Trailer For Gone Girl

Red State (2011)

Original Theatrical Release Date: September 01, 2011
Director: Kevin Smith

In middle-America, all is not as sleepy and peaceful as it would seem. A fundamentalist church called The Five Points Church, led by pastor Abin Cooper (Michael Parks), preaches anti-gay and almost anti-everything hate gospel. Unfortunately, their bite is worse than their bark and when three teenage boys; Travis (Michael Angarano), Billy-Ray (Nicholas Braun), and Jarod (Kyle Gallner) – find an older woman soliciting sex on an internet site similar to Craigslist – they agree to meeting up with her for a foursome, which lands them squarely in the hungry religious jaws of the Cooper clan.

This movie blew me away. If you’re a Kevin Smith/View Askew fan like myself, you’ve come to expect a certain quality and tone of movie from the man and the studio behind him which produced films such as Clerks, Dogma and Chasing Amy. Red State is NOTHING like those other films. This is intense, this is gritty. As Smith himself points out – the Jay and Silent Bob films are like a smooth milkshake while Red State is like drinking straight whiskey. This is a film that none other than Quentin Tarantino strongly endorses, if that gives you any sort of idea as to what the tone is.

First of all, the film is especially poignant and is almost like a satire of the Westboro Baptist Church. We see it in the news every day, but in reality – the crazy religious zeal of some of these people is one incident away from an actual, real-life horror film. Red State is part horror film, part thriller and absolutely riveting.

With Michael Parks as Abin Cooper – the charismatic and terrifying patriarch of the Five Points Church – Smith hit gold. Everyone cast in this film not only does their jobs, but does them well. This movie is often overlooked because it goes beyond the fandoms of the Jay And Silent Bob/View Askew universe, which is understandable in some ways because Red State is so different from those others that it’s almost like another director is at the helm – though Smith can definitely be felt within the context of the film by the acerbic dialogue.

This film is amazing. Absolutely amazing. Do yourself a favor and go watch it. You’ll be uneasy for a long while and it’s perfect for a Halloween horror movie night.

JOE Rating:  ★★★★★

Movie Trailer For Red State

This Is Where I Leave You (2014)

Original Theatrical Release Date: September 19, 2014
Director: Shawn Levy

The Altman family siblings; Judd (Jason Bateman), Wendy (Tina Fey), Phillip (Adam Driver), and Paul (Corey Stoll) – are summoned by their mother, Hillary (Jane Fonda), to sit in mourning together for a week in a traditional Jewish practice called Shiva (which literally means ‘Seven’ in Hebrew) at their father’s dying request. This, despite their father being an atheist, brings them all together under one roof and into contact with people from their collective pasts. What ensues is loads of family antics.

I saw this film in the theater with my own siblings. It wasn’t really on my list of movies to see, but it turned out to be an okay film and I’m glad I went with my own brother and sister to see it because it really gave some nods to the sibling dynamics that we’ve all experienced.

Most of the movie has some decent moments but overall, there wasn’t much substance to grasp onto or to really sink your teeth into. It felt almost more like an episode of a long-running television show than it did a feature film. I think what really saved this was the comedian actors and actresses who headlined this movie – especially Tina Fey and Jason Bateman.

Is this a bad film? Not by any means. It just didn’t pack much punch. It wasn’t especially funny, nor especially deep or poignant. There are definitely enough laughs to merit at least one watch-through and I’m sure there are some people out there who will genuinely connect with the film more than I did. For me, it just didn’t go anywhere new. We’ve seen this movie before in multiple incarnations.

JOE Rating: ★★★

Movie Trailer For This Is Where I Leave You

Sin City (2005)

Original Theatrical Release Date: April 1, 2005
Director: Frank Miller, Robert Rodriguez, Quentin Tarantino

Basin City, AKA “Sin” City, is a vile place of corruption, sex, and murder. Marv (Mickey Rourke), Dwight (Clive Owen) and Hartigan (Bruce Willis) are just three hard-boiled characters with intersecting paths who are rays of light standing against the dark. Part comic book, part noir and all thrill – this adaptation of Frank Miller’s graphic novel is very faithful to the source material.

Since the sequel to this film just came out, Sin City: A Dame To Kill For, I felt like I needed to bone up on this film franchise once more before seeing the new one.

The narrative layout of the film is interesting. Vignettes showing each “main” character and their interactions with the film’s secondary characters including villains and allies, makes the world of Sin City seem large and real. Most of the shots in the film are lifted right from Frank Miller’s pages of artwork and the casting was all done very wonderfully, particularly with Mickey Rourke as Marv. (Seriously, look at the guy). You also get to see Brittany Murphy in one of her last good roles before she died….and the same with Michael Clarke Duncan as Manute.

The special effects are all very stylized, very slick, but a couple of times they look wonky. Most of that was due to the artwork not translating well to film, because of how stylized Frank Miller’s artwork is. The black and white look of the film kept everything very visually appealing. The dialogue was great noir fare, if you’re into noir – but if you’re not into noir at all it may seem hokey and even terrible in spots.

If Robert Rodriguez and/or Quentin Tarantino were to direct a comic book film, Sin City was the perfect choice for them and you can tell that they had fun directing it, which means if you’re like me – you’ll have fun watching it.

If you’re looking for strong women characters, then this typical noir setting probably isn’t for you. The women of Old Town run their prostitution rings with cold efficiency, keeping the mob and corrupt police officers on the level, but that’s about it. Most of the other women in the film gasp and toss their hands against their foreheads while the men do the real work.

The one drawback to the film is that the three main characters – Marv, Dwight and Hartigan – are all fairly similar, making the story arcs seem pretty repetitive. Clive Owen was underwhelming as Dwight. Mickey Rourke nailed Marv (as I said before) and Bruce Willis was great as Hartigan. Rosario Dawson was kinetic as Gail, and Jessica Alba was decent as Nancy Callahan. Also, Elijah Wood was surprisingly creepy in his role as Kevin and Benicio Del Toro as Jackie Boy. They weren’t in the film for very long but they definitely added very interesting bits to the story.

JOE Rating: ★★★★

Movie Trailer For Sin City

Shanna, The She-Devil (2006)

Shanna, The She-Devil collects issues #1-7 of the series of the same name by Marvel Comics, with art and writing by Frank Cho and colors by Jason Keith and Dave Stewart.

Shanna is a Nazi science experiment in the form of an Amazonian jungle girl with a killer body and killer instinct, living on an island teeming with prehistoric horrors. When a paramilitary group becomes stranded on the island after crash-landing, they discover Shanna and quickly learn that she is a genetically-engineered super-weapon. Luckily she is, because she’s the only one who can help defend them against T-Rexes and massive hordes of Velociraptors, among other things.

Frank Cho is one of the best artists around and I checked out the book primarily to see his work. I honestly didn’t know what to expect from the writing side of things, but the seven issues included in this trade has a pretty decent story arc and plays out like an action film.

Some may be turned off by the titillation, but Cho is a master at rendering women who aren’t just waify, sexy supermodel-types who just happen to have super-strength spouting from some unseen source – Shanna actually looks the part. Her thighs are dense and her arms and back muscular, and when she impales a dinosaur with a massive tree trunk, you believe that she did it. When you see her knocked into a car by a T-Rex and still manages to get up, you believe it. Shanna is also not stupid and while different men try to take advantage of her in the book, she sets them straight pretty fast.

The colors only add to the visuals, and the dinosaurs are all very nicely-rendered as well as backgrounds, vehicles….everything. Nothing is forgotten and everything stands out in an exceptional way.

This is worth a read if you like adventure stories, dinosaur tales and books like Red Sonja or Vampirella. You may come for the titillation and gorgeous art but you’ll stay for the substance. Give it a try.

JOE Rating: ★★★★

Jim Henson’s Tale of Sand (2011)

Mac, the mysterious main character, finds himself involved in a cross-desert race with only a rucksack full of odds and ends to aid him. In the meantime, he is doggedly pursued by another mysterious man known only as “Patch”, who seems to be paying everyone off. His end goals are unknown, only that he needs to somehow make it to the finish line – wherever that may be.

In this existential dark comedy, Ramon Perez and Ian Herring beautifully and expertly bring to life the only un-produced full-length script by Jim Henson (Muppets, etc…duh) and Jerry Juhl (Muppets, Fraggle Rock). Written between 1967 and 1968, the creators take you through what feels like a Terry Gilliam dreamworld fantasy rife with surreal and amazing images.

Though the dialogue is sparse, it’s meant to be that way. What really shines are the images with Perez’s pencils and Herring’s colors bringing us as close as possible to a full cinematic experience. From Arabs, to cowboys to football players you’ll be caught up in Mac’s dreamlike experiences right up until the last page.

If you love Jim Henson, you owe it to yourself to check this out. However, it IS dark and it’s not something that’s quite for the kiddos. There’s violence, gunfire and sexual themes (boobie alert) and undertones. If that doesn’t pique your curiosity, I don’t know what will.

JOE Rating: ★★★★★

Grand Theft Auto V (PS3 – 2013)

Los Santos: A city that never sleeps, filled with botox, gangbangers and money. Lots and lots of money. As either Michael (A former wise-guy-turned informant), Franklin (A hustler looking to make some fat stacks and a better life) or Trevor (a violent psychopath with a meandering scale of justice and morality), you find yourself thrust into the biggest heists of your careers which could make or break you, depending on the roads you take.

Having played all the previous incarnations of the GTA series (Vice City being my favorite and San Andreas being my least favorite) I was pretty excited about playing this and bought it a day or two after it came out.

The story mode is great. A lot of missions are gun-n-run, but that was obviously expected. The graphics definitely got an overhaul, most noticeably with some of the environmental stuff. (Check out videos of the water graphics if you haven’t played the game yet).

The police seem to swarm faster and angrier in V than they did in previous incarnations – sometimes I find myself in a harrowing flight from death by trigger-happy police for the most minor infractions while they burst through parked vehicles with their armored vans and fire willy-nilly into the crowds trying to murder me in cold blood.

As in previous GTA games, there are a ton of mini-games. I haven’t tried them all out yet, but they are all kind of nifty to try at least once from what I’ve seen. As Michael, I played tennis with my wife for a good half hour of real time and it was fun. One of the most controversial mini-games, of course, is when you’re at the strip club and you’re trying to touch the strippers giving you a private lap dance without getting kicked out of the club. (FYI – might not want to play this particular mini-game in front of sensitive folks or children because the strippers are topless and it’s a first-person strip-club experience. Yup….big ol’ digital boobies on your massive flat-screen television. If your grandmother didn’t think your life was fail before, she will now).

GTA V Online launched already, of course, and it has been riddled with lots and lots of problems. At first, I just couldn’t get on and then after that, I could get on but my character wouldn’t save and I couldn’t rob stores or do missions so those of us on the map just ran around killing each other with sheer boredom. After that, they finally got the game at least somewhat functioning so now I can join missions and complete robberies, but the kinks aren’t all worked out yet and there are still griefers out there so watch yourself if you go on. I had a whole squad of them following me around, trying to kill me for at least an hour.

Without even taking GTA: Online into consideration, I’d give the game the score below. They packed so much into the game that it will honestly give you hours and hours of enjoyment. The sheer amount of variety earns this game a five star from moi, despite its faults, which are minor against the entirety of the game experience. Add to that the extra depth of the online mode once they get the kinks out, and it’s just a mind-numbing amount of time one could spend playing it.

JOE Rating: ★★★★★

American Horror Story: Season 1 (2011)

American Horror Story is in an anthology format, with the first season focusing on a haunted house while later seasons are focused on an asylum and then a witch coven.

The Harmon family, a father-mother-daughter combo, moves from Boston to Los Angeles on the heels of a family scandal. Ben Harmon (Dylan McDermott) has cheated on his wife, Vivien (Connie Britton) and they hope to reconcile things by moving to a new house in a new part of the country. However, things are not what they seem at their new home – it is a dark place full of tragedies and past murders and lurid secrets, and the Harmons soon discover that they may not have the house all to themselves.

The show has an interesting format. I didn’t expect there to be a different focus for each season, which is a nice touch. I thought for sure that they couldn’t go on with the same premise for more than one season so I’m glad of the focus switch. It really allows for some flexibility with later seasons.

The show is sexy, violent and pretty terrifying at times and seems to blend all of the urban legends and horror stories we’ve all heard over the years into a compelling drama.

Sometimes, it can be a bit over-dramatic and somewhat like a soap opera, so I had to look past that at times but overall it was really enjoyable. The acting was solid, especially from veterans like Jessica Lange and Frances Conroy. Some of the characters are likable but most are pretty damaged and only likable because of their quirks as opposed to any humanity they might have.

JOE Rating: ★★★★