Horrible Bosses (2011)

Original Theatrical Release Date: July 8, 2011
Director: Seth Gordon

Three lovable losers all have one thing in common: They have horrible bosses. One is a narcissistic elitist prick. One is a conniving, sexual predator. One is a coke fiend with a penchant for martial arts weapons. Nick (Jason Bateman), Kurt (Jason Sudeikis), and Dale (Charlie Day) decide to do something about it and enlist a murder consultant named Dean “Mother Fucker” Jones (Jamie Foxx) to help them off their bosses.

When I first heard about this movie, I wasn’t too keen on going to see it. Sure, it seemed like it could be a good time but I’ve been growing increasingly tired of the “three dude bros” comedy formula made popular by movies like The Hangover. Still, my girlfriend and I popped this one in for a movie night with a friend and we enjoyed some genuine laughs, despite the “tried-and-true” movie formula.

First off, what the movie has going for it is mainly star power. Jason Bateman, Charlie Day, Kevin Spacey, Colin Farrell – you can’t beat that. Jennifer Aniston and Jason Sudeikis are just “okay”. The second thing the movie has going for it is a solid premise. Who doesn’t hate their boss, at least a little bit? This provides instant sympathy when Jason Bateman is berated for being a mere two minutes late on his clock-in. Plus, just look at how the bosses are portrayed on screen – just looking at them, without even seeing the film, you know what kind of characters they are.

Kevin Spacey – not to be trifled with.

Jennifer Aniston – lax on the dress code at work.

Colin Farrell – sleazeball, anyone?

Unfortunately, what this movie doesn’t have going for it is a compelling enough story to keep the interest for as long as the movie is. Seriously, it seemed like it took forever to end. I like my comedies short and sweet. The director could have dumped about a quarter of schlock and jokes that didn’t work and it would have been much more succinct and enjoyable. Add to that the promising premise being washed away in unfulfilling payoffs for the main characters and we have ourselves just a “meh” comedy.

With all the star power these comedians provided, along with the dark/funny premise – this should have been a knockout. As it is, I’m sure it’s fine for a watch or two but I’m guessing that it’s not going to knock your socks off.

JOE Rating: ★★★

Movie Trailer For Horrible Bosses

 

Sin City (2005)

Original Theatrical Release Date: April 1, 2005
Director: Frank Miller, Robert Rodriguez, Quentin Tarantino

Basin City, AKA “Sin” City, is a vile place of corruption, sex, and murder. Marv (Mickey Rourke), Dwight (Clive Owen) and Hartigan (Bruce Willis) are just three hard-boiled characters with intersecting paths who are rays of light standing against the dark. Part comic book, part noir and all thrill – this adaptation of Frank Miller’s graphic novel is very faithful to the source material.

Since the sequel to this film just came out, Sin City: A Dame To Kill For, I felt like I needed to bone up on this film franchise once more before seeing the new one.

The narrative layout of the film is interesting. Vignettes showing each “main” character and their interactions with the film’s secondary characters including villains and allies, makes the world of Sin City seem large and real. Most of the shots in the film are lifted right from Frank Miller’s pages of artwork and the casting was all done very wonderfully, particularly with Mickey Rourke as Marv. (Seriously, look at the guy). You also get to see Brittany Murphy in one of her last good roles before she died….and the same with Michael Clarke Duncan as Manute.

The special effects are all very stylized, very slick, but a couple of times they look wonky. Most of that was due to the artwork not translating well to film, because of how stylized Frank Miller’s artwork is. The black and white look of the film kept everything very visually appealing. The dialogue was great noir fare, if you’re into noir – but if you’re not into noir at all it may seem hokey and even terrible in spots.

If Robert Rodriguez and/or Quentin Tarantino were to direct a comic book film, Sin City was the perfect choice for them and you can tell that they had fun directing it, which means if you’re like me – you’ll have fun watching it.

If you’re looking for strong women characters, then this typical noir setting probably isn’t for you. The women of Old Town run their prostitution rings with cold efficiency, keeping the mob and corrupt police officers on the level, but that’s about it. Most of the other women in the film gasp and toss their hands against their foreheads while the men do the real work.

The one drawback to the film is that the three main characters – Marv, Dwight and Hartigan – are all fairly similar, making the story arcs seem pretty repetitive. Clive Owen was underwhelming as Dwight. Mickey Rourke nailed Marv (as I said before) and Bruce Willis was great as Hartigan. Rosario Dawson was kinetic as Gail, and Jessica Alba was decent as Nancy Callahan. Also, Elijah Wood was surprisingly creepy in his role as Kevin and Benicio Del Toro as Jackie Boy. They weren’t in the film for very long but they definitely added very interesting bits to the story.

JOE Rating: ★★★★

Movie Trailer For Sin City

Kick Ass 2 (2013)

Dave Lizewski (Aaron Taylor-Johnson), aka the crime-fighting everyman named Kick-Ass who inspired many people to take arms and assume the role of city protectors is looking to form a superhero team with none other than Hit Girl (Chloë Grace Moretz) – the closest thing to a real superhero that Dave has ever seen. However, Hit Girl has her own problems with the “Queen Bee” of the school, Brooke (Claudia Lee), who’s raining on her parade and her new adoptive father-figure Detective Marcus Williams (Morris Chestnut) who forbids her from participating in antics as Hit Girl. This leaves Dave to look elsewhere, which leads him to Colonel Stars and Stripes (Jim Carrey) and his ragtag group of superhero hopefuls. As Dave tries to continue on his path as defender of the innocent, he must contend with the likes of The Motherfucker (Christopher Mintz-Plasse) – formerly Red Mist, who has gone insane with revenge bloodlust resulting from Kick-Ass killing his crime-kingpin father, Frank D’Amico (Mark Strong)….as well as all of the hired killers that money can buy.

In my opinion, this film was much more enjoyable than Kick-Ass, the previous entry. While I love both movies, this one kept my interest the entire time and it did not waver. The characters, especially Colonel Stars and Stripes and Mother Russia (Olga Kurkulina) really jumped out and distinguished themselves within the context of the film.

The action was fast-paced, there weren’t a lot of slogging story problems and the special effects were decent. There were a couple of silly elements which almost ruined some of the movie for me, but other than that the only thing I can really complain about is Hit Girl and her dealings with high school students and high school life: Nobody really cares. We spent far too much time dealing with the likes of Brooke, and exposing ourselves to Hit Girl’s vulnerable side…but Hit Girl doesn’t NEED a vulnerable side. I wanted to see more of her, well…hitting stuff.

So, if you liked the first one or other films in this genre (Super, Defendor) then you’re sure to love Kick-Ass 2.

JOE Rating: ★★★★

Hell On Wheels: Season 1 (2011)

Cullen Bohannon (Anson Mount) is a former Confederate soldier in a country that’s healing after the American Civil War and the assassination of president Abraham Lincoln – and he’s searching for his wife’s killers, most of whom were Union soldiers during the war. Leaving a bunch of corpses in his wake, Cullen finds himself one of the individuals living in Hell On Wheels – the temporary, mobile town following the progress of the Transcontinental Railroad as it spreads west.

When I first saw the description of this show on Netflix, I thought it might be some sort of cheesy programming reserved for late nights at home. I was wrong on that count.

Hell On Wheels, at least the first season, was pretty enjoyable overall. The main character, Cullen, shrugs off traditional southern “Rebel” stereotypes and in a way flips it so that the Union has a few bad eggs in it, too. Cullen has his low points but overall seems to use his own code of honor.

One thing I have to say is that for a man searching for his wife’s killers, he seems to take a while to really get into the hunt. We have a few instances early on in the season where he really digs in but then it almost seems as if he forgets his mission while he’s moving on down the rails.

Since Deadwood hasn’t been on the air, I’ve been looking for similar programming and while this show isn’t as great as Deadwood, it has some of the same, dusty, late 1800’s flavoring that made Deadwood so cool. I’ll definitely be checking out the second season. Hell On Wheels, like many of its characters, is likable even if it has some flaws.

JOE Rating: ★★★★

Man of Steel (2013)

Original Theatrical Release Date: June 14, 2013
Director: Zack Snyder

Kal-El was sent from his dying planet, Krypton,  as an infant by his father Jor-El (Russell Crowe) and his mother Faora-Ul (Ayelet Zurer). With him, they sent the hopes and wishes of their entire Kryptonian race. Raised by human parents after crash-landing on Earth, Kal-El was renamed Clark Kent (Henry Cavill) and eventually had to come to terms with his extraordinary and god-like abilities, using those abilities to help others though they didn’t always realize it. However, when another survivor from Krypton – Zod (Michael Shannon) shows up and demands that Earth give up this “Superman” or face dire consequences, Clark/Kal must choose a side. The Kryptonians or the Earthlings.

Now, before I get down to brass tacks, I need to say something: I am not the biggest Superman fan in the world. Don’t get me wrong. I love the basic idea of his character, and his abilities are cool for the most part…but the dude is just too invulnerable. Sure, he’s got his weaknesses but they sort of change over time depending on the needs of the story line (in the comics, anyway). Plus, they’re really specific weaknesses – like Kryptonite, a rare green rock from space – really?! Also, Superman is an alien and it’s hard to identify with him already on account of his insane god-like abilities – but when you also throw in the fact that he’s not even human, then there is definitely a disconnect.

With that said, I don’t think this was the worst Superman movie I’ve ever seen.

I came into this film with no real expectations other than to be entertained for a while. I was entertained for the most part, for sure. Zack Snyder’s direction was the usual fare of fight sequences and thoughtful, introspective scenes. The writing by David Goyer was decent, but some of the elements were too clearly designed to be almost like a parable. The acting was decent by Henry Cavill and the rest of the cast, and it was nice to see Russell Crowe back in shape a little bit. He’d been looking a little chubby the past few years. However, some of the special effects were wonky and some of the story elements had me going “really?”, and that’s all on top of the movie being way too long. Two and a half hours with not much really to show for it.

Now, I had been entertaining the idea that this would be sort of a darker version of Superman, sort of how Christopher Nolan brought Batman back to his gothic roots. I was right in a way, but wow…I was not expecting the level of wanton destruction Superman caused during the fighting with Zod. In other incarnations of Superman, Supes would have tried to direct the fight to the countryside or somewhere uninhabited….but in the film, Superman uppercuts his opponents through skyscrapers, toppling the buildings, and he doesn’t have time to save anyone. Crazy. My other gripe was the way in which Jonathan Kent’s (Kevin Costner) character was handled. The writers wanted him to be “Uncle Ben” to Clark but it didn’t translate nearly in the same way as the poignant character of Uncle Ben did to Marvel’s Spider-Man.

All in all, it was decent as an action flick. I wouldn’t go in thinking much more than that, even if you’re a Superman fan. I am interested to see if they change anything up during the sequel. Guess we’ll find out! (EDIT: I’m feeling like the upcoming sequel will be a shit show, but I hope they prove me wrong. They are CRAMMING IN so many characters. It’s crazy.)

JOE Rating: ★★★

Movie Trailer For Man Of Steel

Star Trek: Into Darkness (2013)

Original Theatrical Release: May 16, 2013
Director: J. J. Abrams

It seems that Captain James T. Kirk (Chris Pine) of the USS Starship Enterprise has a hard time reeling in his rule-breaking habits. When he breaks the Prime Directive to save the life of his friend and crew member, Spock (Zachary Quinto) the ship is handed back to Captain Pike (Bruce Greenwood), the ship’s original captain. When it seems that Kirk still has a lot of learning left to do, he pulls together when a Starfleet secret emerges to unravel the entire government in a play for revenge in the form of a one-man army, Khan (Benedict Cumberbatch) – but all might not be as it seems.

This movie is essentially a remake of Star Trek II: Wrath Of Khan but there are enough differences that it’s really only the same due to some characters and plot themes. If you’ve seen the original, you may prefer it to this newer incarnation but who knows.

The movie opens with a scene you’d probably find in a Star Wars movie, so I think JJ Abrams has his Star Wars cap on right now in anticipation of the 2015 films. With that being said, I think the same holds true for this second installment as held true for the previous Star Trek film from 2009 – some Trekkies may take issue with the fact that it feels more like Wars than Trek. However,  Into Darkness still has a lot to offer, especially for people like me who didn’t get into the original Star Trek films as much.

My major issues with the film were mostly some spots where terrible acting and some bad sound effects detracted from the action and story. Peter Weller had a terrible scene where I was just laughing because of how ridiculous he sounded during a rant. Also, one fight sequence on a ship made it seem like Abrams was using sound effects left over from Kevin Sorbo’s Hercules television series.

Other than that, some of the character interactions seemed a bit forced and tired, such as the Uhura/Spock dynamic, which I know they threw in because they needed a solid love story (because Kirk’s weird, borderline-bestiality womanizing isn’t enough)…but the dynamic isn’t exactly working because Uhura seems to just let her emotions overtake her while Spock, of all people, does the same – illogical. I was giving it a chance to work after Star Trek from 2009, but it just doesn’t feel right.

Alice Eve as Carol was very appealing to the eye, but her character is really just a plot device. I’m not going to complain about an underwear scene featuring her, other than that it seemed just thrown in there for sexuality’s sake and nothing else. Aside from her role as a plot device and as eye candy, she was pretty useless as a character.

All in all, this was a fun movie. Very good visually (aside from an entire scene with JJ Abrams’ signature lens flare blocking out the characters talking to one another) and I think Benedict Cumberbatch’s acting was the best part of the film. He made a damn good villain, for sure. (Also much less goofy-looking than his predecessor from Star Trek II: The Wrath Of Khan – though they should have used an Indian actor for the role in this one, as much as I like Cumberbatch)

Star Trek: Into Darkness is not the worst Star Trek film I’ve seen, by any means, but it could have performed a little better. Still, it’s fun for a night out at the movies and I don’t regret seeing it.

JOE Rating: ★★★

Movie Trailer For Star Trek: Into Darkness

Star Trek (2009)

Original Theatrical Release: May 08, 2009
Director: J. J. Abrams

James Tiberius Kirk (Chris Pine) is a hot-headed young man with a lot of potential. Under the tutelage of Captain Christopher Pike (Bruce Greenwood), he is expected to rise in rank although he sometimes goes against the grain and earns the ire of instructors such as Spock (Zachary Quinto). When the planet of Vulcan becomes endangered, the newly-commissioned USS Enterprise and her crew must come together to stop an evil Romulan named Nero (Eric Bana).

Let me start out by saying that I was never a massive Star Trek fan, so I’m not sure how my review would hold up against a true fan of the original series. I did watch a lot of the original, with Leonard Nimoy and William Shatner as Spock and Kirk, but it was such a long time ago that I don’t remember a lot of it. I am more familiar with Star Trek: The Next Generation, and even then, I’m a little fuzzy on the Star Trek mythos.

With that said, I do have to say that I enjoyed this entry into the Star Trek franchise. Say what you will about JJ Abrams, but the man knows how to direct action. There were plenty of fight scenes to wet the palate, and there is even a Beastie Boys cameo (in the form of music – lest we forget, the Beastie Boys are huge Star Trek nerds) during a cool action scene.

In this first film, the characters (I think) were a little more true to their television counterparts than in the second film, Star Trek: Into Darkness. I actually liked the casting choices of Zoe Saldana as Uhura and Zachary Quinto as Spock. (And, of course we get to see Leonard Nimoy back as Spock as well. Shhhhh!) I think Chris Pine plays a great Kirk. He is arrogant, a womanizer and indeed looks “corn-fed”. You want to hate him but his charm wins out.

Bana was lackluster as Nero – screaming and full of rage.  The Romulan ship was pretty neat. Not sure I was sold on the Uhura/Spock love entanglement, however.

All in all, this film might frustrate some hardcore Trekkies I know, but people must remember that it’s supposed to be an alternate timeline. Whether or not that helps, I’m not sure. As a non-Trekkie, I found this an easy introduction to the Star Trek characters, and I enjoyed the ride. It didn’t get too involved in the normal political mess (boring) of the television program and instead focused on the action and drama.

(Oh, and the weird thing is that you get to see Chris Hemsworth as Captain Kirk’s dad. Yup.)

JOE Rating: ★★★★

Movie Trailer For Star Trek

 

Commando (1985)

Original Theatrical Release: October 4, 1985
Director: Mark L. Lester

Retired colonel John Matrix (Arnold Schwarzenegger), lives with his daughter Jenny (Alyssa Milano) in the mountains. An exiled Latin-American dictator named Arius (Dan Hedaya) sends henchmen to find Matrix and force him to assassinate the president of his country, using Jenny as a hostage. Matrix becomes a one-man army as he fights to get his daughter back from the clutches of an evil madman.

No matter what I think of the actual film, this is one of those movies that’s just classic and re-watchable over and over again.

Despite some bad acting, sloppy politics and logic, and some cheesy one-liners and action scenes, this movie is a real guilty pleasure as far as Schwarzenegger movies are concerned.

There are better action movies from the time period, for sure. The one female character is annoying and almost all the bad guys have fake-looking mustaches and can’t hit the broad side of a barn with their bullet sprays, but it’s one of those films you can watch with your buddies and laugh at. (Also, it made me feel like a creepy perv seeing Alyssa Milano so young in this movie after seeing her in a film like Embrace of the Vampire which was made about a decade later)

JOE Rating: ★★★

Movie Trailer For Commando

 

 

Blade (1998)

Original Theatrical Release: August 21, 1998
Director: Stephen Norrington

Blade (Wesley Snipes) is a Vampire/Human hybrid that has all of the vampires’ strengths and none of their weaknesses, and he has vowed to destroy every last one of the bloodsuckers that he comes across with his crazy arsenal of weapons and martial arts training. A vampire named Deacon Frost (Stephen Dorff) has other plans for humanity and is tired of vampires having to stay below the surface of civilization, so Blade must put a stop to his machinations with the help of his mentor, Whistler (Kris Kristofferson) or else mankind will be enslaved, or wiped out, by Frost and his vampire army.

People often forget about this Marvel movie that came out before the X-Men brought Marvel flicks into the spotlight. It, unfortunately, was left in the dust despite it being a halfway-decent comic-to-movie translation from that era. Based on the comic book title published by Marvel of the same name, Blade does a great job capturing the essence of the original character.

The special effects in this film look a little dated, but other than that, the action dominates in this short-of-story movie that has Wesley Snipes doing what he does best: kicking ass and talking in a deep voice.

The film is flashy and fun, but forgettable. It seems to have regained some popularity as of late with an animated Blade show, so who knows…maybe this will also get a reboot like the original Spider-Man  (My review for that movie linked here) movie did? I think with today’s special effects capabilities and Marvel’s rising ability to make big-budget films, this one could be given a great overhaul.

As it is, most of the actors do their jobs well. Kris Kristofferson is a real badass sidekick for Blade and Stephen Dorff is a really great villain. As said above, Wesley Snipes killed it in this film.

JOE Rating: ★★★

Movie Trailer For Blade

The Warriors (1979)

Original Theatrical Release: February 9, 1979
Director: Walter Hill

Cyrus (Roger Hill), the charismatic head of the gang known as the Gramercy Riffs, calls a summit for all the gangs to send nine unarmed representatives to. He feels that they shouldn’t be fighting amongst themselves but should team up and take on the police, who would be vastly outnumbered. However, during the summit, Cyrus is shot by Luther (David Patrick Kelly), the chaotic and cowardly leader of the Rogues, who blames it on the Warriors instead. Now with a hundred other gangs out for their blood, the Warriors must bop their way home to Coney Island until they can clear their name.

This movie is based on the novel by Sol Yurick. I have never read the book so I can’t state any differences between the film and the writing. (It’s definitely on my to-read list, though)

What I DO know is that I loved the movie. The gritty atmosphere was very predominant. From the opening scene, you know what sort of world you’re about to inhabit. Graffiti-covered subways, tough-looking gang members strolling down the streets, and the dark but high-energy music heightening the anticipation of seeing what Cyrus is all about as you take the subway with the delegates from The Warriors to the opening scene after the montage/credits at the summit.

The gangs are all really cool and distinctive, from the iconic Warriors and Baseball Furies (Baseball Furies…..picture Marilyn Manson wearing a New York Yankees outfit and swinging a bat at you) to the denim-wearing Rogues, to the dirty, 1950’s gang-looking Orphans.

There is definitely some noir/pulp flash going on in the film as well, and I can really dig that. Also, the fight scenes are really great with lots of slo-mo shots that I thought seemed unusual for the time, but which lent itself to the pacing  of the fights. The main characters died, got dirty and got hurt and you really start to root for them to get home.

This is just one of those movies that sticks with you after you see it (especially Luther’s call to the Warriors to come out of hiding). Once you do, you will see constant references to it by other shows, music artists, video games and even other films. Give it a watch.

JOE Rating: ★★★★★

Movie Trailer For The Warriors