Drive (2011)

Drive (2011)

A stunt driver and wheelman-for-hire (Ryan Gosling) finds himself drawn to his neighbor, the damaged and vulnerable Irene (Carey Mulligan). Though he is a loner by nature, he ends up in the middle of way more contact than he bargained for when Irene’s ex-con husband, Standard (Oscar Isaac), returns from behind bars and “Driver” needs to step in to ensure that Irene and her boy are safe from thugs trying to extort money from the newly-freed con. After agreeing to help Standard with a heist, it goes belly-up and Driver finds his own life in danger as he tries to make his way to the source of all the trouble.

First of all, this movie is based on the novel Drive by James Sallis. The film’s plot and the movie’s plot have virtually the same identical plots but many of the book’s characters have been combined to form singular characters in the movie for the sake of film, which for me, works.

Ryan Gosling is hit or miss with me. I have no doubt about his acting chops, but he often seems relegated to the same non-speaking roles aside from a few exceptions. I was looking forward to his role in this film after seeing him in Lars and the Real Girl, which is the complete opposite of his role in this film. The normal charm and boyish innocence were gone in this movie, which was refreshing, and I think he held up great next to the presence of Ron Perlman. It was nice to see Bryan Cranston in something, since he’s so great in Breaking Bad.

The soundtrack was great and the opening scene was intense and made my heart rate go up, which is a nice achievement. The whole film had sort of a 1980’s feel about it, from the movie’s logo writing to the music and dress. It was neat.

The silence of the Driver character played by Gosling worked in the context of this movie but I’d really like him to go for roles with more dialogue so I can get more of a feel for his acting ability, aside from his great use of facial expression. Still, this movie (like the book) was all about the noir feel….and Driver not having much dialogue and being so mysterious obviously works for this.

Aside from a few minor nitpicks, this movie delivered on all levels. Good action reminiscent of driving scenes straight out of The French Connection….good acting….good story.

JOE Rating: ★★★★

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X-Men #1 (July 2013)

X-Men #1 (July 2013)

Publisher: Marvel Comics
Creative Team: Brian Wood, Olivier Coipel,

Jubilee is headed to the Jean Grey School For Higher Learning with a special baby in tow, hoping to give the infant the same chance at life she had when she first arrived at the (then) Charles Xavier School for the Gifted. However, she is being tailed by John Sublime, for reasons unknown. Storm, Rogue, and Kitty Pryde move to help her but they don’t realize what’s at stake, for them and for the Earth.

First off, I really dig Brian Wood’s (TMZ, Northlanders) writing. I am currently reading his Northlanders (links to my reviews HERE and HERE) series and so I wanted to give this X-Title a try. I haven’t really gotten into a lot of the newer X-Books, aside from All-New X-Men, but the novelty of an all-female team intrigued me enough to check it out.

Olivier Coipel’s (Legion Of Super Heroes, Thor) artwork is great and it works in concert with Wood’s writing very well. The issue reads somewhat at the same pace as if you were watching an action flick, despite being a little vague and confusing at times, which brings me to…

There were a couple things I didn’t like about it, but they were mostly minor. I think that having an all-female team is interesting, but I can’t help but think about the double-standard being held when almost every other book has to have strong female characters and not just have all male characters on teams. Also, the villain chosen for the X-Men to face in this instance is sort of underwhelming and seems set up (with him being an “attractive” male character, but also being evil) to deliver a sort of girl-power message in the end, after they face him with his slicked-back hair and unbuttoned shirts and all. Sure, this has been done before with the genders reversed (attractive, evil female) but this seems sort of forced, like it’s just because it’s an all-female team that the villain has to be a good-looking dude.

Still, with that said, if they can stay away from the same types of tropes that plague man-centric comic titles, this one should be pretty decent. New takes on team rosters and new group dynamics are always fun to explore within the Marvel Universe. In any case, I hope to give this a chance with a few more issues. So far, I am intrigued and can’t wait to see where the current story arc goes.

This title is an experiment and I think most people will like it well enough if they give it a shot.

JOE Rating: ★★★★

Here’s A Sample Page From X-Men #1
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