Sucker Punch (2011)

sucker_punch

Original Theatrical Release Date: March 25, 2011
Director: Zack Snyder

Babydoll (Emily Browning) has to deal with her abusive father. He goes too far one night and directs his attention toward her younger sister in retaliation, forcing Babydoll to take drastic action. When her attempt to kill him fails, she is placed in an institution. Attempting to cope with her new situation, Babydoll escapes into her own mind and tries to find a way out of her new prison.

I really, really wanted to like this film more than I did. Zack Snyder, because he did 300 – said he wanted to do a movie with mostly women. I liked 300 and thought this could be great. It had beautiful women in scant clothing, intense action scenes, appealing music, and fantastic imagery. It seems like the perfect formula, but unfortunately the film fell short in many places.

First off – the pacing. I’m a fan of the occasional slow-motion sequence every now and then but in Sucker Punch, I felt like the entire movie was in slow motion…and most of it literally was. If done correctly, slow-motion can be a powerful tool. However, this film almost seemed more like a music video. Actually, that’s really what it became, when you look at it objectively. Lots of slow-motion sequences set to popular music. Scantily-clad women. Fantastical action sequences. Throw in some hair metal and you’re good to go.

The story was threadbare, and Babydoll’s journey felt tedious and repetitious when it should have been exciting. The action scenes were cool for the most part but the heavy use of CGI takes you out of the established narrative sometimes, creating a break in the link between belief and disbelief. The only real reason I can think of that would make anyone want to watch this film more than once is just to see the beautiful actresses doing their thing. I can admit that I’ve now seen it a few times, because that’s where the film does succeed – visuals (and I’m a visual person). All the work the artists put into creating the various worlds inhabiting the Sucker Punch universe was very good and interesting. My main question, though, is why wasn’t this movie turned into a video game? It would almost certainly be more interesting than the movie.

For all its epic aspirations, this film could have been a lot better. See it if you must, appreciate it for its visuals, but I’m sure you’ll come away feeling sort of empty and blah. Perhaps even like you’ve been….SUCKER PUNCHED?! Hahahahahahahahaha…….. *ahem* ha.

JOE Rating: ★★

Movie Trailer for Sucker Punch

 

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Drive (2011)

Drive (2011)

A stunt driver and wheelman-for-hire (Ryan Gosling) finds himself drawn to his neighbor, the damaged and vulnerable Irene (Carey Mulligan). Though he is a loner by nature, he ends up in the middle of way more contact than he bargained for when Irene’s ex-con husband, Standard (Oscar Isaac), returns from behind bars and “Driver” needs to step in to ensure that Irene and her boy are safe from thugs trying to extort money from the newly-freed con. After agreeing to help Standard with a heist, it goes belly-up and Driver finds his own life in danger as he tries to make his way to the source of all the trouble.

First of all, this movie is based on the novel Drive by James Sallis. The film’s plot and the movie’s plot have virtually the same identical plots but many of the book’s characters have been combined to form singular characters in the movie for the sake of film, which for me, works.

Ryan Gosling is hit or miss with me. I have no doubt about his acting chops, but he often seems relegated to the same non-speaking roles aside from a few exceptions. I was looking forward to his role in this film after seeing him in Lars and the Real Girl, which is the complete opposite of his role in this film. The normal charm and boyish innocence were gone in this movie, which was refreshing, and I think he held up great next to the presence of Ron Perlman. It was nice to see Bryan Cranston in something, since he’s so great in Breaking Bad.

The soundtrack was great and the opening scene was intense and made my heart rate go up, which is a nice achievement. The whole film had sort of a 1980’s feel about it, from the movie’s logo writing to the music and dress. It was neat.

The silence of the Driver character played by Gosling worked in the context of this movie but I’d really like him to go for roles with more dialogue so I can get more of a feel for his acting ability, aside from his great use of facial expression. Still, this movie (like the book) was all about the noir feel….and Driver not having much dialogue and being so mysterious obviously works for this.

Aside from a few minor nitpicks, this movie delivered on all levels. Good action reminiscent of driving scenes straight out of The French Connection….good acting….good story.

JOE Rating: ★★★★