Horrible Bosses (2011)

Original Theatrical Release Date: July 8, 2011
Director: Seth Gordon

Three lovable losers all have one thing in common: They have horrible bosses. One is a narcissistic elitist prick. One is a conniving, sexual predator. One is a coke fiend with a penchant for martial arts weapons. Nick (Jason Bateman), Kurt (Jason Sudeikis), and Dale (Charlie Day) decide to do something about it and enlist a murder consultant named Dean “Mother Fucker” Jones (Jamie Foxx) to help them off their bosses.

When I first heard about this movie, I wasn’t too keen on going to see it. Sure, it seemed like it could be a good time but I’ve been growing increasingly tired of the “three dude bros” comedy formula made popular by movies like The Hangover. Still, my girlfriend and I popped this one in for a movie night with a friend and we enjoyed some genuine laughs, despite the “tried-and-true” movie formula.

First off, what the movie has going for it is mainly star power. Jason Bateman, Charlie Day, Kevin Spacey, Colin Farrell – you can’t beat that. Jennifer Aniston and Jason Sudeikis are just “okay”. The second thing the movie has going for it is a solid premise. Who doesn’t hate their boss, at least a little bit? This provides instant sympathy when Jason Bateman is berated for being a mere two minutes late on his clock-in. Plus, just look at how the bosses are portrayed on screen – just looking at them, without even seeing the film, you know what kind of characters they are.

Kevin Spacey – not to be trifled with.

Jennifer Aniston – lax on the dress code at work.

Colin Farrell – sleazeball, anyone?

Unfortunately, what this movie doesn’t have going for it is a compelling enough story to keep the interest for as long as the movie is. Seriously, it seemed like it took forever to end. I like my comedies short and sweet. The director could have dumped about a quarter of schlock and jokes that didn’t work and it would have been much more succinct and enjoyable. Add to that the promising premise being washed away in unfulfilling payoffs for the main characters and we have ourselves just a “meh” comedy.

With all the star power these comedians provided, along with the dark/funny premise – this should have been a knockout. As it is, I’m sure it’s fine for a watch or two but I’m guessing that it’s not going to knock your socks off.

JOE Rating: ★★★

Movie Trailer For Horrible Bosses

 

12 O’Clock Boys (2013)

Original Theatrical Release: January 31, 2014
Director: Lofty Nathan

Pug, a young man from a dangerous block in Baltimore, Maryland is enthralled by a band of people who partake in illegal street riding calling themselves the 12 O’Clock Boys. When his older brother, Tibba, dies – Pug looks to the Boys for guidance, much to the worry of his mother, Coco, and others in Pug’s family. Pug must weigh his obsession with bikes and this group against a rising police response to the riding and his inner desires to become a veterinarian.

To be clear – I kind of accidentally stumbled into this documentary. I went with my girlfriend to a place called the Space Gallery in Portland, Maine – and we were supposed to be going to a women’s writer group Q&A seminar. As we sat down and waited, we wondered why the audience was overwhelmingly male. We had our answer in a few minutes as the documentary started. We had come on the wrong day, and we already paid so we stayed – and I’m glad we did.

First off, the style was fresh and kinetic. Lofty Nathan, the director, filled the frame with choice morsels that assisted the narrative in telling the deep and complicated story that is Pug’s life and upbringing. Not once did he delve into stereotypical urban characters – but let each person identify themselves through their own ways. Some were gangsters, some were struggling parents, some were police officers, some were just kids.

Rather than glamorize the dangerous lifestyle led by the 12 O’Clock Boys, Nathan portrayed them as human beings in a tough situation relying on what they feel is their only release other than gang activity, drugs or other less-positive things. Through Pug and his own tough life, we understand that belonging to a group and being good at something (even if it’s just being able to wheelie really well) is what we all strive for. We all secretly want to be a 12 O’Clock Boy.

A good documentarian holds a mirror up to the rest of us and says “Look. This is you – this is your reality” and makes us reflect on it, think about it. I felt that way when watching this film. I do love documentaries but this is one of the better ones I’ve seen in a while. Lofty Nathan does not insert himself directly into the narrative as is sometimes the case with other documentarians, but we see through his eyes the disarray that this suburb, inner-city culture has become and all the problems that stem from it.

In Pug we have someone who is truly likable and easy to care about. We see his struggles and we want him to get on that bike. We see him training and we root for him as he gets better and better at riding and doing wheelies. We see the danger and we wish someone would stop him before he gets in over his head. It’s a really complicated emotional response evoked, at least in my case. Pug starts out somewhat innocent but then slowly evolves (or de-volves, possibly) once his world view perspective is changed over and over again.

On the other side of things, just visually it’s entertaining to watch. There are many dynamic shots and kinetic images on display for the visually-oriented folks out there like me. There are lots of slow-motion shots of the riding as well as fast-paced chase scenes and tension-ridden conflicts between police and the Boys.

12 O’Clock Boys is the total package. Go watch it.

JOE Rating: ★★★★★

Movie Trailer For 12 O’Clock Boys

Pineapple Express (2008)

Original Theatrical Release: August 6, 2008
Director: David Gordon Green

When a lazy, stoner process server named Dale Denton (Seth Rogen) witnesses the murder of a Chinese drug dealer at the hands of Ted Jones (Gary Cole), the guy he was supposed to serve, he flees the scene of the crime and heads back to the guy who sells him pot (and his only friend) Saul Silver (James Franco). When it comes to light that Ted Jones is a major drug dealer, and the same guy who gave Saul a highly-rare strain of pot called Pineapple Express, the hapless duo realize that a couple of roaches left at the scene of the crime can be traced back to them. The two set out on the run from crooked cops and hired thugs, and all of them want the stoners dead.

I recently rewatched this, wondering if my original opinion had changed, and it did not. If anything, I think I like it more now than I did a couple years ago when I first saw it.

This is a stoner comedy done right. It has the appropriate amount of “touching” moments, without being sappy (like many of Adam Sandler’s comedies), has a lot of hilarious dialogue and stoner situations and, of course, has a lot of comedic talent.

Seth Rogen’s witty, sarcastic Dale Denton is a great character and we also see James Franco really dig in with his vapid, carefree portrayal of Saul Silver. Then, we have Danny McBride, who is hilarious as usual. There are lots of other cameos by other really funny people, too, like Bill Hader and Craig Robinson. It’s just a great ensemble cast.

The movie clipped along at a nice pace. Nothing really got too bogged down. There were plenty of chase scenes and awkward situational humor. I knew the inevitable rift between the main characters would come, and I disliked the way it was done in this film only because it was phoned ahead and it was hard not to see it coming when it did.

Many folks will prefer other movies by Team Apatow, like Knocked Up or Superbad. Those are great movies, too, but I think this one should be compared more to Jay and Silent Bob Strike Back or Dude, Where’s My Car?. Next to those last two stoner flicks, I really think Pineapple Express can hold its own. If you don’t enjoy this movie, chances are, you don’t really like stoner flicks in general.

For a “stupid-humor” film, though, this has a pretty smart screenplay and some really great direction by David Gordon Green.

JOE Rating: ★★★★

Movie Trailer For Pineapple Express

Kiss Kiss, Bang Bang (2005)

Original Theatrical Release: October 21, 2005
Director: Shane Black

Harry Lockhart (Robert Downey Jr.) is a bumbling thief who ends up masquerading as an actor for an audition to escape police. Getting the part, he is to be trained by a police officer known as Gay Perry (Val Kilmer). Harry soon finds himself at the center of a murder mystery that puts not only his own life in danger but also that of his childhood sweetheart, Harmony Faith Lane (Michelle Monaghan).

This film, before Iron Man, was supposed to have been Robert Downey Jr.’s comeback role but for whatever reason, it didn’t do too well at the box office and only enjoyed a cult following after it was released on DVD.

With a lot of noir elements and a lot of charm, this movie is great during the first half but then gets super-bogged down toward the end and almost feels like two different movies, which is probably why it didn’t do too well initially.

Robert Downey Jr. is in fine form here, and you can see why he made such a comeback (eventually). Val Kilmer also turns in his best performance, in my opinion, since The Salton Sea.

Other than slight pacing problems at the end, this dark comedy is sure to engage you at least for a while, especially if you’re into Raymond Chandler.

JOE Rating: ★★★★

Movie Trailer For Kiss Kiss Bang Bang