Interstellar (2014)

Original Theatrical Release Date: November 7, 2014
Director: Christopher Nolan

In the near future, Earth and its inhabitants are in danger. Crops are being destroyed by something called “The Blight” and food is growing scarce. The entire planet is beginning to resemble the American Dust Bowl of the early 1900’s. A farmer, Cooper (Matthew McConaughey), is a former engineer and pilot who is struggling with the way the world now works and his own wasted potential. When his daughter Murph (Mackenzie Foy) discovers coordinates through a strange magnetic phenomenon in her room, he heads toward the location the coordinates indicated and finds himself helming a mission at the behest of  the remnants of the NASA space program to make a last-ditch effort at colonizing another planet in order to save humanity.

This movie had a lot going on in it, and a lot going for it. Christopher Nolan, even if he makes the occasional yawner *cough*DarkKnightRises*cough* also knows his stuff – despite what critics might think about his film making missteps. I went to see this in theaters with my girlfriend and although the movie was a little too long for my tastes (169 minutes!) what I experienced was at least worth one viewing, although this is one of those movies you could watch multiple times in order to see all the little things you might’ve missed or may not have gotten the first time through.

The acting was all really well-done, although I’ve never been a massive fan of McConaughey. However, he does decent work and this film is no exception. He’s actually been churning out some decent material recently, come to think of it. I will never get tired of Anne Hathaway (because I naturally have a crush on every brunette actress in the land) so it was nice to see her opposite McConaughey for the duration of the film.

As far as the science behind the film goes? That, I leave up to you to decide and I can’t really get into a ton of the specifics without spoiling everything – but I really think this movie requires a suspension of disbelief in order to enjoy it fully.

With that said, there are some cool action scenes (really only a couple) and there is a surprise (at least for me) cameo by Matt Damon that I thought was really neat, and the robot TARS voiced by Bill Irwin was really, really cool. For me, TARS made the film, elevating a lot of dialogue and character interactions with brief spots of humor.

All-in-all, this was a very enjoyable film and I would definitely watch it again, but it had some small problems and could have used some more editing to cut out some flashy and uninteresting parts. (As much as I love Lithgow, his character really didn’t add anything at all to the story).

JOE Rating: ★★★★

Movie Trailer For Interstellar

 

Horrible Bosses (2011)

Original Theatrical Release Date: July 8, 2011
Director: Seth Gordon

Three lovable losers all have one thing in common: They have horrible bosses. One is a narcissistic elitist prick. One is a conniving, sexual predator. One is a coke fiend with a penchant for martial arts weapons. Nick (Jason Bateman), Kurt (Jason Sudeikis), and Dale (Charlie Day) decide to do something about it and enlist a murder consultant named Dean “Mother Fucker” Jones (Jamie Foxx) to help them off their bosses.

When I first heard about this movie, I wasn’t too keen on going to see it. Sure, it seemed like it could be a good time but I’ve been growing increasingly tired of the “three dude bros” comedy formula made popular by movies like The Hangover. Still, my girlfriend and I popped this one in for a movie night with a friend and we enjoyed some genuine laughs, despite the “tried-and-true” movie formula.

First off, what the movie has going for it is mainly star power. Jason Bateman, Charlie Day, Kevin Spacey, Colin Farrell – you can’t beat that. Jennifer Aniston and Jason Sudeikis are just “okay”. The second thing the movie has going for it is a solid premise. Who doesn’t hate their boss, at least a little bit? This provides instant sympathy when Jason Bateman is berated for being a mere two minutes late on his clock-in. Plus, just look at how the bosses are portrayed on screen – just looking at them, without even seeing the film, you know what kind of characters they are.

Kevin Spacey – not to be trifled with.

Jennifer Aniston – lax on the dress code at work.

Colin Farrell – sleazeball, anyone?

Unfortunately, what this movie doesn’t have going for it is a compelling enough story to keep the interest for as long as the movie is. Seriously, it seemed like it took forever to end. I like my comedies short and sweet. The director could have dumped about a quarter of schlock and jokes that didn’t work and it would have been much more succinct and enjoyable. Add to that the promising premise being washed away in unfulfilling payoffs for the main characters and we have ourselves just a “meh” comedy.

With all the star power these comedians provided, along with the dark/funny premise – this should have been a knockout. As it is, I’m sure it’s fine for a watch or two but I’m guessing that it’s not going to knock your socks off.

JOE Rating: ★★★

Movie Trailer For Horrible Bosses

 

Gone Girl (2014)

Original Theatrical Release Date: October 3, 2014
Director: David Fincher

Author Nick Dunne (Ben Affleck) arrives home on the eve of his 5th wedding anniversary to find his wife Amy (Rosamund Pike) is missing under mysterious circumstances. After calling the police, Nick finds himself in the middle of an intense media circus as the search for Amy goes underway. Soon, the clues begin to pile up and fingers begin to point Nick’s way.

I went to see this film with a couple of friends last night as I’d been hearing good things about it. I’ve never read the novel it’s based on by Gillian Flynn (who also penned the screenplay) but according to online sources, the movie differs only slightly in some ways from the book version. Movies always differ from their book counterparts, though, so this shouldn’t really be a surprise to anyone.

It’s rare for me to want to watch a hyper-realistic crime movie – they aren’t my thing. Still, all the good things I heard about the various performances given by the actors made me want to check it out, so that’s what I did. Every single one of the actors in this movie, even Ben Affleck, really turned it up a notch. Affleck kept his cool just enough during the film to make me waffle on whether or not he had anything to do with Amy’s disappearance. Rosamund Pike, however, carried this movie with her role (in my opinion). She is not only accessible and sexy – but also terrifying. Another surprise was Neil Patrick Harris in his short role which added a lot of subtext to the film, regardless of how small a part his character played in the overall story.

The direction was great – Fincher hardly ever fails at that (except maybe with Mulholland Drive). The music was low-key enough to not interfere but still added just enough mood for a thriller. The length was a bit too long, however, clocking in at a whopping 149 minutes. The only real reason I’m giving this film four stars instead of five is the ending – which I felt was maybe a little rushed. I dunno if it was due to time, or due to something else – but the entire movie built up the characters to be solid and absolutely believable within the context of the story, except for the last half hour or so, which was unbelievable and completely took me out of the movie. I’d love to see a director’s cut in the future to see if maybe the motivations of the characters were a little more clear before some of the film hit the cutting room floor.

All in all this is one worth watching at least a couple times so you can catch all the little “easter eggs” (like the Scott Peterson novel one of the characters are reading at one point) and nuances in background scenes and in the subtleties of the characters and their actions. Good job again, Fincher – you do great work.

JOE Rating: ★★★★

Movie Trailer For Gone Girl

Red State (2011)

Original Theatrical Release Date: September 01, 2011
Director: Kevin Smith

In middle-America, all is not as sleepy and peaceful as it would seem. A fundamentalist church called The Five Points Church, led by pastor Abin Cooper (Michael Parks), preaches anti-gay and almost anti-everything hate gospel. Unfortunately, their bite is worse than their bark and when three teenage boys; Travis (Michael Angarano), Billy-Ray (Nicholas Braun), and Jarod (Kyle Gallner) – find an older woman soliciting sex on an internet site similar to Craigslist – they agree to meeting up with her for a foursome, which lands them squarely in the hungry religious jaws of the Cooper clan.

This movie blew me away. If you’re a Kevin Smith/View Askew fan like myself, you’ve come to expect a certain quality and tone of movie from the man and the studio behind him which produced films such as Clerks, Dogma and Chasing Amy. Red State is NOTHING like those other films. This is intense, this is gritty. As Smith himself points out – the Jay and Silent Bob films are like a smooth milkshake while Red State is like drinking straight whiskey. This is a film that none other than Quentin Tarantino strongly endorses, if that gives you any sort of idea as to what the tone is.

First of all, the film is especially poignant and is almost like a satire of the Westboro Baptist Church. We see it in the news every day, but in reality – the crazy religious zeal of some of these people is one incident away from an actual, real-life horror film. Red State is part horror film, part thriller and absolutely riveting.

With Michael Parks as Abin Cooper – the charismatic and terrifying patriarch of the Five Points Church – Smith hit gold. Everyone cast in this film not only does their jobs, but does them well. This movie is often overlooked because it goes beyond the fandoms of the Jay And Silent Bob/View Askew universe, which is understandable in some ways because Red State is so different from those others that it’s almost like another director is at the helm – though Smith can definitely be felt within the context of the film by the acerbic dialogue.

This film is amazing. Absolutely amazing. Do yourself a favor and go watch it. You’ll be uneasy for a long while and it’s perfect for a Halloween horror movie night.

JOE Rating:  ★★★★★

Movie Trailer For Red State

Brick (2005)

 

Original Theatrical Release Date: January 1, 2005
Director: Rian Johnson

A teenage loner, Brendan (Joseph Gordon-Levitt), seeks the whereabouts of his girlfriend, Emily (Emilie De Ravin). When it turns out that she was a victim of apparent foul play, Brendan finds himself in the seedy underbelly of a high school crime syndicate run by the notorious and mysterious Pin (Lukas Haas). Brendan must sort through his own morals and reserves of courage if he is to get any answers for Emily’s disappearance.

Brick is one of those films that was always sort of on my radar but never a film I purposely sought out. To understand why, you must understand that as a rule – I hardly ever watch gritty, ultra-realistic crime films. I see enough of that stuff on the news, so I don’t feel much particular need to seek it out in films I enjoy watching. I use films as an escapist sort of entertainment. The image on the movie jacket did little to inspire any ideas I had about the film being anything other than a movie where a girl is murdered.

With that said, I recently watched this at a friend’s house in Vermont. He and his wife suggested a few of us all watch it for a “movie night” of sorts, and I’m glad he did. First off – this is not ultra-realistic at all. This is a blend of Noir and a sort of high-school/teen drama film. You wouldn’t think such a combination would be satisfying or poignant, but you’d be just as wrong as I was. The ultra-stylistic dialogue and the snappy cinematography  and the quirky characters had me intently watching the screen for the duration of the film.

Joseph Gordon-Levitt turns in a great performance as Brendan. Lukas Haas is very hilarious and on point as The Pin while Noah Fleiss’ portrayal of a henchman named Tugger had me laughing at several points. This is a dark comedy, for sure – as it still deals with drug trafficking and death – but it’s all set against the backdrop of High School, something most of us can relate to. The noir world that the characters inhabit is very believable within its own context and pretty much everything about the film is enjoyable. If you haven’t seen this film yet, give it a shot. It’s really worth taking the time to watch. (Especially if you like films such as Kiss Kiss Bang Bang)

JOE Rating: ★★★★★

Movie Trailer For Brick

 

Sin City (2005)

Original Theatrical Release Date: April 1, 2005
Director: Frank Miller, Robert Rodriguez, Quentin Tarantino

Basin City, AKA “Sin” City, is a vile place of corruption, sex, and murder. Marv (Mickey Rourke), Dwight (Clive Owen) and Hartigan (Bruce Willis) are just three hard-boiled characters with intersecting paths who are rays of light standing against the dark. Part comic book, part noir and all thrill – this adaptation of Frank Miller’s graphic novel is very faithful to the source material.

Since the sequel to this film just came out, Sin City: A Dame To Kill For, I felt like I needed to bone up on this film franchise once more before seeing the new one.

The narrative layout of the film is interesting. Vignettes showing each “main” character and their interactions with the film’s secondary characters including villains and allies, makes the world of Sin City seem large and real. Most of the shots in the film are lifted right from Frank Miller’s pages of artwork and the casting was all done very wonderfully, particularly with Mickey Rourke as Marv. (Seriously, look at the guy). You also get to see Brittany Murphy in one of her last good roles before she died….and the same with Michael Clarke Duncan as Manute.

The special effects are all very stylized, very slick, but a couple of times they look wonky. Most of that was due to the artwork not translating well to film, because of how stylized Frank Miller’s artwork is. The black and white look of the film kept everything very visually appealing. The dialogue was great noir fare, if you’re into noir – but if you’re not into noir at all it may seem hokey and even terrible in spots.

If Robert Rodriguez and/or Quentin Tarantino were to direct a comic book film, Sin City was the perfect choice for them and you can tell that they had fun directing it, which means if you’re like me – you’ll have fun watching it.

If you’re looking for strong women characters, then this typical noir setting probably isn’t for you. The women of Old Town run their prostitution rings with cold efficiency, keeping the mob and corrupt police officers on the level, but that’s about it. Most of the other women in the film gasp and toss their hands against their foreheads while the men do the real work.

The one drawback to the film is that the three main characters – Marv, Dwight and Hartigan – are all fairly similar, making the story arcs seem pretty repetitive. Clive Owen was underwhelming as Dwight. Mickey Rourke nailed Marv (as I said before) and Bruce Willis was great as Hartigan. Rosario Dawson was kinetic as Gail, and Jessica Alba was decent as Nancy Callahan. Also, Elijah Wood was surprisingly creepy in his role as Kevin and Benicio Del Toro as Jackie Boy. They weren’t in the film for very long but they definitely added very interesting bits to the story.

JOE Rating: ★★★★

Movie Trailer For Sin City

Guardians Of The Galaxy – (2014)

Original Theatrical Release: August 01, 2014
Director: James Gunn

Peter Quill (Chris Pratt) is an intergalactic outlaw and treasure hunter who calls himself Star-Lord. When he nabs a mysterious artifact in the form of a powerful orb, he discovers that it is being sought after by a powerful individual known as Ronan The Accuser (Lee Pace), who will stop at nothing to get it. The orb, as well as Peter’s outlaw status, puts him in contact with other misfits like Rocket (Bradley Cooper), Groot (Vin Diesel), Gamora (Zoe Saldana), and Drax the Destroyer (Dave Bautista) – all of whom must band together to survive Ronan’s crusade.

Guardians of the Galaxy was always a fringe title. It never really registered with me. I was pretty familiar with most of the characters, especially Rocket, Gamora, and Groot – but Spider-Man was usually the title I gravitated toward with mainstream comics. Maybe some Avengers or X-Men stuff. But not Guardians of the Galaxy. And if they are lesser-known to me and I’ve been reading comics since I was a wee lad, I can only imagine the reactions of some folks to these characters who are new to comics or who have no idea about the franchise. A musclebound killer? A green-skinned femme fatale? A walking tree in desperate need of a dictionary? An angry, anthropomorphic raccoon who fires guns? A sarcastic, egotistical human male flying around space like he’s a badass? Who knew it’d be so good and work so well as a film?

The key to the whole film’s success is the fact that the above characters sure ARE cool – but also the film’s resonance with our pop culture psyches via Peter Quill’s Awesome Mix-Tape that he plays on his Sony Walkman. (He was abducted by aliens in the late 1980’s – long story, and I don’t want to give anything away – so go see the film and see for yourself). The soundtrack had people swaying and bopping their heads in their seats during the showing I went to. It also makes Peter Quill accessibly human. Music is an access point that knows no language boundaries to be enjoyed.

Aside from the interesting characters and the amazing soundtrack, the casting was well done. The only complaints that I really had about the film were actually the villains. The heroes were well-established and had screen time together so that we really felt like they bonded, but Ronan’s motivation was flat and predictable. Ditto with Nebula (Karen Gillan). I would have liked to see more established backstory and/or screen time for those characters. As it is, they are very generic “we want ALL the power” villains. That is a really small gripe, though, because the main focus was really supposed to be on the Guardians themselves –  and Gunn (as well as the cast) not only excelled at that but as of right now, this is my favorite Marvel film to date.

Go see it, and make sure to stay for the end credits for a surprise cameo!

JOE Rating: ★★★★★

Movie Trailer For Guardians Of The Galaxy

Drive (2011)

A stunt driver and wheelman-for-hire (Ryan Gosling) finds himself drawn to his neighbor, the damaged and vulnerable Irene (Carey Mulligan). Though he is a loner by nature, he ends up in the middle of way more contact than he bargained for when Irene’s ex-con husband, Standard (Oscar Isaac), returns from behind bars and “Driver” needs to step in to ensure that Irene and her boy are safe from thugs trying to extort money from the newly-freed con. After agreeing to help Standard with a heist, it goes belly-up and Driver finds his own life in danger as he tries to make his way to the source of all the trouble.

First of all, this movie is based on the novel Drive by James Sallis. The film’s plot and the movie’s plot have virtually the same identical plots but many of the book’s characters have been combined to form singular characters in the movie for the sake of film, which for me, works.

Ryan Gosling is hit or miss with me. I have no doubt about his acting chops, but he often seems relegated to the same non-speaking roles aside from a few exceptions. I was looking forward to his role in this film after seeing him in Lars and the Real Girl, which is the complete opposite of his role in this film. The normal charm and boyish innocence were gone in this movie, which was refreshing, and I think he held up great next to the presence of Ron Perlman. It was nice to see Bryan Cranston in something, since he’s so great in Breaking Bad.

The soundtrack was great and the opening scene was intense and made my heart rate go up, which is a nice achievement. The whole film had sort of a 1980’s feel about it, from the movie’s logo writing to the music and dress. It was neat.

The silence of the Driver character played by Gosling worked in the context of this movie but I’d really like him to go for roles with more dialogue so I can get more of a feel for his acting ability, aside from his great use of facial expression. Still, this movie (like the book) was all about the noir feel….and Driver not having much dialogue and being so mysterious obviously works for this.

Aside from a few minor nitpicks, this movie delivered on all levels. Good action reminiscent of driving scenes straight out of The French Connection….good acting….good story.

JOE Rating: ★★★★

The Last of Us (PS3 – 2013)

It’s twenty years after a zombie-like pandemic broke out across the globe. As Joel, a survivor living in a Boston-area quarantine camp, you have experienced the loss of everything you know and loved in your past life. As a survivor, you’re in a constant struggle for resources and when your dealings land you with an opportunity to smuggle a young girl, who may have the key within her to saving humanity to a band of freedom fighters calling themselves the Fireflies,  you find yourself in a dangerous and intense quest across the continent as you evade roving bands of human scavengers intent on murdering you and taking your possessions and also evading the clickers….humans who’ve been infected with the spores that have turned them into zombie-like creatures which use sonar to hunt their prey.

The opening of this game packs a punch like no other I’ve seen in recent memory. The writing is superb, the graphics are great, the gameplay is seamless most of the time and moves back and forth between gameplay and cutscenes effortlessly.

The enemies are cunning and terrifying. Not since I originally played Fatal Frame or Silent Hill have I been this unsettled within the atmosphere of a video game.

Play this, play this, play this. It’s like The Road mixed with Resident Evil.

JOE Rating: ★★★★★

American Horror Story: Season 1 (2011)

American Horror Story is in an anthology format, with the first season focusing on a haunted house while later seasons are focused on an asylum and then a witch coven.

The Harmon family, a father-mother-daughter combo, moves from Boston to Los Angeles on the heels of a family scandal. Ben Harmon (Dylan McDermott) has cheated on his wife, Vivien (Connie Britton) and they hope to reconcile things by moving to a new house in a new part of the country. However, things are not what they seem at their new home – it is a dark place full of tragedies and past murders and lurid secrets, and the Harmons soon discover that they may not have the house all to themselves.

The show has an interesting format. I didn’t expect there to be a different focus for each season, which is a nice touch. I thought for sure that they couldn’t go on with the same premise for more than one season so I’m glad of the focus switch. It really allows for some flexibility with later seasons.

The show is sexy, violent and pretty terrifying at times and seems to blend all of the urban legends and horror stories we’ve all heard over the years into a compelling drama.

Sometimes, it can be a bit over-dramatic and somewhat like a soap opera, so I had to look past that at times but overall it was really enjoyable. The acting was solid, especially from veterans like Jessica Lange and Frances Conroy. Some of the characters are likable but most are pretty damaged and only likable because of their quirks as opposed to any humanity they might have.

JOE Rating: ★★★★