The Hobbit: The Desolation of Smaug (2013)

Following close on the heels of the previous installment, The Hobbit: An Unexpected Journey (2012), the adventure picks up as Bilbo Baggins (Martin Freeman), Gandalf the Grey (Ian McKellan) and the dwarves – led by the king-to-be; Thorin Oakenshield (Richard Armitage) finally find themselves close to Erebor, which they must reclaim from the terrifying dragon, Smaug (Benedict Cumberbatch).

After Journey, I honestly didn’t have much hope for the second installment. While the first film was “ok” – it felt bloated and it was pretty boring overall, even though Jackson tried to spice things up by throwing bits from The Lord of the Rings in there. Thankfully, they amped up the action in this middle chapter (which makes total sense because the content in the film covers the middle, and most exciting, part of the book). This is a good thing in many ways, but I honestly felt like they could have summed up the first film with only a few scenes included in this second film (that was almost three hours as it was, I’ll give you that) and tacked it on, rather than Jackson making three films out of the book (which people seem to despise). This second installment really only covers five chapters worth of material, so the development still feels a bit thin in the big picture – just when the steam starts gathering, the film ends.

The other side of this is that Jackson introduced a new character, Tauriel, (Evangeline Lilly) in order to “expand the world of the Elves” and to create another female character in a mostly male-dominated character cast – which has been proven to be pretty controversial.

To be clear: I love Tauriel. Evangeline Lilly is great to look at, is very dynamic and kick-ass, and although her acting style hasn’t seemed to change much since her days on Lost, she brings another dynamic to the stuffy ways of the Elves. If you’re a Tolkien purist, you’re going to probably hate Tauriel – but in terms of cinematic enjoyment, she is the epitome. The true adaptation was lost in the first film, anyway, with lots of different aspects that Jackson introduced. As a separate entity that still pays homage to the original, I believe this film and the Tauriel character succeeds.

Still, the movie could have been a little shorter and on a side note: did Orlando Bloom look kind of puffy and weird in this film, or was that just me? Also, keep an eye out in Lake Town to see if you can spot Stephen Colbert! Yup. He’s in it!

JOE Rating: ★★★★

Northlanders: The Cross And The Hammer (2009)

Publisher: Vertigo
Creative Team: Brian Wood, Ryan Kelly

Set in Viking-era Ireland, Northlanders Book Two: The Cross And The Hammer, collects issues #11-16 of the DC/Vertigo comic book series written by Brian Wood (DMZ, Demo) and illustrated by Ryan Kelly (Lucifer, The New York Four).

It is 1014 in Viking-occupied Ireland. One lone man, only known as Magnus, refuses to bow to the will of the Viking overlords and is leaving a bloody trail of insurgency in his wake. Magnus has no ties, no weaknesses, nothing to lose…except his daughter Brigid. Magnus’ killing spree and defiance catches the attention of Lord Ragnar Ragnarsson, a forensic specialist and confidant of the King who becomes obsessed with finding Magnus and ending his uprising.

When it becomes apparent that the only way to draw Magnus out of hiding is to provoke him by senselessly murdering innocent Irish families, it sends the two foes into a circle of psychological warfare and intrigue.

I was really looking forward to this volume after having already read Northlanders: Sven The Returned, which was amazing…so maybe my hopes were a little too high.

First off, don’t get me wrong. I would rather read this volume than not read this volume. Northlanders is a great series, and Brian Wood is doing some great stuff. Even the premise of the arc in this volume is decent and had me intrigued, but it all ended up falling a little flat.

Ryan Kelly is a great artist but I was honestly, the entire time, comparing his style (without meaning to) to Davide Gianfelice’s, who did the art for the issues collected in the first volume. In some ways, Kelly’s artwork is better for this Irish story but in others it just doesn’t feel up to par. There was nothing wrong for it save for the flavor, and despite some great splash page work some of it seemed a bit cartoony.

On top of that, I was sort of brought out of the story some by the way Lord Ragnar Ragnarsson spoke/wrote in the way that you might see a character do on an episode of CSI. I kept thinking to myself “This is so modern sounding. WTF is going on here?”

Another thing to watch out for is the twist ending. It seems to be all the rage nowadays to give a twist ending on everything, but I don’t think they had to do so, here. It wasn’t super-compelling as it was and then to sort of glaze over it all with a twist ending such as the one found within the pages of this TPB, it just dulled everything down even more.

Overall, I wouldn’t miss this entry into the series, but it could have been much better. I hear that Volume III is, indeed, much better…so I’ll have to check it out. So, give this a read if you follow along but I’m not so sure this will be a favored volume in the series.

JOE Rating: ★★★

Here’s A Sample Page From Northlanders, Vol. 2: The Cross And The Hammer