Pineapple Express (2008)

Pineapple Express (2008)

Original Theatrical Release: August 6, 2008
Director: David Gordon Green

When a lazy, stoner process server named Dale Denton (Seth Rogen) witnesses the murder of a Chinese drug dealer at the hands of Ted Jones (Gary Cole), the guy he was supposed to serve, he flees the scene of the crime and heads back to the guy who sells him pot (and his only friend) Saul Silver (James Franco). When it comes to light that Ted Jones is a major drug dealer, and the same guy who gave Saul a highly-rare strain of pot called Pineapple Express, the hapless duo realize that a couple of roaches left at the scene of the crime can be traced back to them. The two set out on the run from crooked cops and hired thugs, and all of them want the stoners dead.

I recently rewatched this, wondering if my original opinion had changed, and it did not. If anything, I think I like it more now than I did a couple years ago when I first saw it.

This is a stoner comedy done right. It has the appropriate amount of “touching” moments, without being sappy (like many of Adam Sandler’s comedies), has a lot of hilarious dialogue and stoner situations and, of course, has a lot of comedic talent.

Seth Rogen’s witty, sarcastic Dale Denton is a great character and we also see James Franco really dig in with his vapid, carefree portrayal of Saul Silver. Then, we have Danny McBride, who is hilarious as usual. There are lots of other cameos by other really funny people, too, like Bill Hader and Craig Robinson. It’s just a great ensemble cast.

The movie clipped along at a nice pace. Nothing really got too bogged down. There were plenty of chase scenes and awkward situational humor. I knew the inevitable rift between the main characters would come, and I disliked the way it was done in this film only because it was phoned ahead and it was hard not to see it coming when it did.

Many folks will prefer other movies by Team Apatow, like Knocked Up or Superbad. Those are great movies, too, but I think this one should be compared more to Jay and Silent Bob Strike Back or Dude, Where’s My Car?. Next to those last two stoner flicks, I really think Pineapple Express can hold its own. If you don’t enjoy this movie, chances are, you don’t really like stoner flicks in general.

For a “stupid-humor” film, though, this has a pretty smart screenplay and some really great direction by David Gordon Green.

JOE Rating: ★★★★

Movie Trailer For Pineapple Express

Advertisements

The Warriors (1979)

The Warriors (1979)

Original Theatrical Release: February 9, 1979
Director: Walter Hill

Cyrus (Roger Hill), the charismatic head of the gang known as the Gramercy Riffs, calls a summit for all the gangs to send nine unarmed representatives to. He feels that they shouldn’t be fighting amongst themselves but should team up and take on the police, who would be vastly outnumbered. However, during the summit, Cyrus is shot by Luther (David Patrick Kelly), the chaotic and cowardly leader of the Rogues, who blames it on the Warriors instead. Now with a hundred other gangs out for their blood, the Warriors must bop their way home to Coney Island until they can clear their name.

This movie is based on the novel by Sol Yurick. I have never read the book so I can’t state any differences between the film and the writing. (It’s definitely on my to-read list, though)

What I DO know is that I loved the movie. The gritty atmosphere was very predominant. From the opening scene, you know what sort of world you’re about to inhabit. Graffiti-covered subways, tough-looking gang members strolling down the streets, and the dark but high-energy music heightening the anticipation of seeing what Cyrus is all about as you take the subway with the delegates from The Warriors to the opening scene after the montage/credits at the summit.

The gangs are all really cool and distinctive, from the iconic Warriors and Baseball Furies (Baseball Furies…..picture Marilyn Manson wearing a New York Yankees outfit and swinging a bat at you) to the denim-wearing Rogues, to the dirty, 1950’s gang-looking Orphans.

There is definitely some noir/pulp flash going on in the film as well, and I can really dig that. Also, the fight scenes are really great with lots of slo-mo shots that I thought seemed unusual for the time, but which lent itself to the pacing  of the fights. The main characters died, got dirty and got hurt and you really start to root for them to get home.

This is just one of those movies that sticks with you after you see it (especially Luther’s call to the Warriors to come out of hiding). Once you do, you will see constant references to it by other shows, music artists, video games and even other films. Give it a watch.

JOE Rating:

Movie Trailer For The Warriors

Django Unchained (2012)

Django Unchained (2012)

Original Theatrical Release: December 25, 2012
Director: Quentin Tarantino

Django (Jamie Foxx) is a slave. When a German man named Dr. King Shultz (Christopher Waltz) shows up and sets him free, he does it on one condition: Django must become his deputy in the bounty-hunting biz. Django just wants to find his wife, the lovely Broomhilda Von Schaft (Kerry Washington) but she is being held as a house slave on a plantation owned by the ruthless cotton king, Calvin Candie (Leonardo DiCaprio). Django must match wits and guns with Candie in order to come out alive, much less rescue his wife.

I’d been waiting for this movie for a long time. I kept seeing trailer after trailer and then it was finally in theaters. Right now, It’s my current favorite movie that Quentin Tarantino has ever done. (Replacing Death Proof)

There was a lot of controversy over this film. Spike Lee and Kat Williams and others said it was racist, but the problem is that 1.) They never watched the film and 2.) It was NOT racist, aside from the fact that the 1800’s were racist. Tarantino is not a history scholar, he is a filmmaker, and what he did was create a very badass historical revenge fantasy.

Django is far from being helpless and stereotypical. All the white characters in the film are evil and/or stupid and/or dirty, and they all eventually get what’s coming to them. The only white character who helps Django is Schultz, but he is European and not American. (A very good choice for the purposes of this film…brilliant). The use of the “N-Word” IS gratuitous, but is probably used less than in real life in the 1800’s. I don’t think Tarantino uses it casually, or for humor, but needed to give a sense of how low people thought you were if you were African American.

The performances were all top-notch. Jamie Foxx, Leonardo DiCaprio, Samuel L. Jackson, Christopher Waltz and Kerry Washington went all out. I particularly enjoyed Christopher Waltz and Leonardo DiCaprio’s performances, and I sometimes don’t even like Leo. I think he’s getting better with age. The music is great also (I want the soundtrack) and the story is very intriguing.

The violence is so exaggerated that during one of the gunfight scenes, I was clapping loudly and laughing as buckets worth of blood was splashed against the walls and floors, small pistols firing with the force of mini cannons and just destroying man and construct in great shows of gunplay.

It was great. Go see it.

JOE Rating: ★★★★★

Movie Trailer For Django Unchained