Sin City (2005)

Original Theatrical Release Date: April 1, 2005
Director: Frank Miller, Robert Rodriguez, Quentin Tarantino

Basin City, AKA “Sin” City, is a vile place of corruption, sex, and murder. Marv (Mickey Rourke), Dwight (Clive Owen) and Hartigan (Bruce Willis) are just three hard-boiled characters with intersecting paths who are rays of light standing against the dark. Part comic book, part noir and all thrill – this adaptation of Frank Miller’s graphic novel is very faithful to the source material.

Since the sequel to this film just came out, Sin City: A Dame To Kill For, I felt like I needed to bone up on this film franchise once more before seeing the new one.

The narrative layout of the film is interesting. Vignettes showing each “main” character and their interactions with the film’s secondary characters including villains and allies, makes the world of Sin City seem large and real. Most of the shots in the film are lifted right from Frank Miller’s pages of artwork and the casting was all done very wonderfully, particularly with Mickey Rourke as Marv. (Seriously, look at the guy). You also get to see Brittany Murphy in one of her last good roles before she died….and the same with Michael Clarke Duncan as Manute.

The special effects are all very stylized, very slick, but a couple of times they look wonky. Most of that was due to the artwork not translating well to film, because of how stylized Frank Miller’s artwork is. The black and white look of the film kept everything very visually appealing. The dialogue was great noir fare, if you’re into noir – but if you’re not into noir at all it may seem hokey and even terrible in spots.

If Robert Rodriguez and/or Quentin Tarantino were to direct a comic book film, Sin City was the perfect choice for them and you can tell that they had fun directing it, which means if you’re like me – you’ll have fun watching it.

If you’re looking for strong women characters, then this typical noir setting probably isn’t for you. The women of Old Town run their prostitution rings with cold efficiency, keeping the mob and corrupt police officers on the level, but that’s about it. Most of the other women in the film gasp and toss their hands against their foreheads while the men do the real work.

The one drawback to the film is that the three main characters – Marv, Dwight and Hartigan – are all fairly similar, making the story arcs seem pretty repetitive. Clive Owen was underwhelming as Dwight. Mickey Rourke nailed Marv (as I said before) and Bruce Willis was great as Hartigan. Rosario Dawson was kinetic as Gail, and Jessica Alba was decent as Nancy Callahan. Also, Elijah Wood was surprisingly creepy in his role as Kevin and Benicio Del Toro as Jackie Boy. They weren’t in the film for very long but they definitely added very interesting bits to the story.

JOE Rating: ★★★★

Movie Trailer For Sin City

Hell On Wheels: Season 1 (2011)

Cullen Bohannon (Anson Mount) is a former Confederate soldier in a country that’s healing after the American Civil War and the assassination of president Abraham Lincoln – and he’s searching for his wife’s killers, most of whom were Union soldiers during the war. Leaving a bunch of corpses in his wake, Cullen finds himself one of the individuals living in Hell On Wheels – the temporary, mobile town following the progress of the Transcontinental Railroad as it spreads west.

When I first saw the description of this show on Netflix, I thought it might be some sort of cheesy programming reserved for late nights at home. I was wrong on that count.

Hell On Wheels, at least the first season, was pretty enjoyable overall. The main character, Cullen, shrugs off traditional southern “Rebel” stereotypes and in a way flips it so that the Union has a few bad eggs in it, too. Cullen has his low points but overall seems to use his own code of honor.

One thing I have to say is that for a man searching for his wife’s killers, he seems to take a while to really get into the hunt. We have a few instances early on in the season where he really digs in but then it almost seems as if he forgets his mission while he’s moving on down the rails.

Since Deadwood hasn’t been on the air, I’ve been looking for similar programming and while this show isn’t as great as Deadwood, it has some of the same, dusty, late 1800’s flavoring that made Deadwood so cool. I’ll definitely be checking out the second season. Hell On Wheels, like many of its characters, is likable even if it has some flaws.

JOE Rating: ★★★★

Northlanders: The Cross And The Hammer (2009)

Publisher: Vertigo
Creative Team: Brian Wood, Ryan Kelly

Set in Viking-era Ireland, Northlanders Book Two: The Cross And The Hammer, collects issues #11-16 of the DC/Vertigo comic book series written by Brian Wood (DMZ, Demo) and illustrated by Ryan Kelly (Lucifer, The New York Four).

It is 1014 in Viking-occupied Ireland. One lone man, only known as Magnus, refuses to bow to the will of the Viking overlords and is leaving a bloody trail of insurgency in his wake. Magnus has no ties, no weaknesses, nothing to lose…except his daughter Brigid. Magnus’ killing spree and defiance catches the attention of Lord Ragnar Ragnarsson, a forensic specialist and confidant of the King who becomes obsessed with finding Magnus and ending his uprising.

When it becomes apparent that the only way to draw Magnus out of hiding is to provoke him by senselessly murdering innocent Irish families, it sends the two foes into a circle of psychological warfare and intrigue.

I was really looking forward to this volume after having already read Northlanders: Sven The Returned, which was amazing…so maybe my hopes were a little too high.

First off, don’t get me wrong. I would rather read this volume than not read this volume. Northlanders is a great series, and Brian Wood is doing some great stuff. Even the premise of the arc in this volume is decent and had me intrigued, but it all ended up falling a little flat.

Ryan Kelly is a great artist but I was honestly, the entire time, comparing his style (without meaning to) to Davide Gianfelice’s, who did the art for the issues collected in the first volume. In some ways, Kelly’s artwork is better for this Irish story but in others it just doesn’t feel up to par. There was nothing wrong for it save for the flavor, and despite some great splash page work some of it seemed a bit cartoony.

On top of that, I was sort of brought out of the story some by the way Lord Ragnar Ragnarsson spoke/wrote in the way that you might see a character do on an episode of CSI. I kept thinking to myself “This is so modern sounding. WTF is going on here?”

Another thing to watch out for is the twist ending. It seems to be all the rage nowadays to give a twist ending on everything, but I don’t think they had to do so, here. It wasn’t super-compelling as it was and then to sort of glaze over it all with a twist ending such as the one found within the pages of this TPB, it just dulled everything down even more.

Overall, I wouldn’t miss this entry into the series, but it could have been much better. I hear that Volume III is, indeed, much better…so I’ll have to check it out. So, give this a read if you follow along but I’m not so sure this will be a favored volume in the series.

JOE Rating: ★★★

Here’s A Sample Page From Northlanders, Vol. 2: The Cross And The Hammer

Warrior (2011)

Original Theatrical Release: September 9, 2011
Director: Gavin O’Connor

Tommy Conlon (Tom Hardy) is an ex-marine with a tragic past he’s trying to escape from who returns to his hometown of Pittsburgh. Once there, he begrudgingly seeks out his father and former coach, Paddy Conlon (Nick Nolte) to help him train for the “Superbowl” of MMA fights, with a five million dollar purse. However, Tommy’s brother Brendan (Joel Edgerton) is a public school teacher who is having a tough time making ends meet and hears about the fight as well, prompting him to take up his former habits as an MMA fighter to gun for the prize, too, setting the brothers on a collision course which will force them to confront their broken family issues head on.

I am not normally into sports movies, or even fighting movies that much (though Rocky was okay) but someone told me I should check this out. I was not disappointed.

It had sort of a slow middle section that some may appreciate more than others, and to me, this was the film’s only drawback. (It’s not much of a drawback, though)

However, the acting was amazing. Tom Hardy’s performance as the tortured ex-marine was top-notch. Nolte was excellent as the recovering-alcoholic father seeking redemption. Joel Edgerton was great as the teacher putting his heart and soul into the fights. There was definitely nothing to complain about in that department.

The action sequences, which I suspect most people will watch this film for initially, are really well-done. As a sometimes-viewer of UFC matches, I can attest that the fights aren’t always so exciting in real life, but the fights were done in such a way and the acting was done so well, that you feel like this is a real fight with real stakes, and you are just watching it on television at home.

This is a movie with a lot of heart and you can really identify with the plight of the characters, especially if you come from a broken home or know those kinds of people. The performances turned in by the actors is really the shining point of this film, for me, but the action is there for those of you who flock to the film for that aspect.

Seeing this, you can tell why they chose Hardy as Bane in The Dark Knight Rises. Also, does anyone else think that Joel Edgerton looks a lot like Conan O’Brien if he were to work out? Weird.

JOE Rating: ★★★★

Movie Trailer For Warrior