Original Theatrical Release: March 13, 2009 Director: Nicolas Winding Refn
Michael Petersen (Tom Hardy) aka “Charles Bronson” is the U.K.’s most violent convict. Based on a true story, this biopic delves into the psyche of a truly twisted individual who was sent to prison for seven years after a robbery at a post office and then managed to up his sentence to over thirty years in solitary confinement due to his violent nature and poor life choices.
Nicolas Winding Refn creates a very snappy and stylized account of this man’s life, treating major points in his life as if it were performance art, while Tom Hardy bravely and brilliantly inhabits the role of Bronson completely and most convincingly with his bald head and handlebar mustache. The feel of this film, to me, was essentially Drive mixed with Warrior.
If you’re not into full frontal male nudity, however – beware…because apparently every time Bronson decided to fight someone in prison he had to get naked to do so. This resulted in a lot of fights where Tom Hardy just swings away, in more than one sense of the word. For me, it didn’t detract from the film because it seemed like a logical thing for Bronson to do and melded with the whole “performance art” theme going on.
For the most part, this film seemed like a vehicle to showcase Tom Hardy’s terrific acting, but the other actors involved played their parts well. Though the film wasn’t straight action, Hardy carried himself so kinetically that it’s hard not to keep watching and be invested and see what crazy thing he’ll do next to get himself into trouble.
This is really a beautiful film, let alone an interesting biopic. Go check it out.
A stunt driver and wheelman-for-hire (Ryan Gosling) finds himself drawn to his neighbor, the damaged and vulnerable Irene (Carey Mulligan). Though he is a loner by nature, he ends up in the middle of way more contact than he bargained for when Irene’s ex-con husband, Standard (Oscar Isaac), returns from behind bars and “Driver” needs to step in to ensure that Irene and her boy are safe from thugs trying to extort money from the newly-freed con. After agreeing to help Standard with a heist, it goes belly-up and Driver finds his own life in danger as he tries to make his way to the source of all the trouble.
First of all, this movie is based on the novel Drive by James Sallis. The film’s plot and the movie’s plot have virtually the same identical plots but many of the book’s characters have been combined to form singular characters in the movie for the sake of film, which for me, works.
Ryan Gosling is hit or miss with me. I have no doubt about his acting chops, but he often seems relegated to the same non-speaking roles aside from a few exceptions. I was looking forward to his role in this film after seeing him in Lars and the Real Girl, which is the complete opposite of his role in this film. The normal charm and boyish innocence were gone in this movie, which was refreshing, and I think he held up great next to the presence of Ron Perlman. It was nice to see Bryan Cranston in something, since he’s so great in Breaking Bad.
The soundtrack was great and the opening scene was intense and made my heart rate go up, which is a nice achievement. The whole film had sort of a 1980’s feel about it, from the movie’s logo writing to the music and dress. It was neat.
The silence of the Driver character played by Gosling worked in the context of this movie but I’d really like him to go for roles with more dialogue so I can get more of a feel for his acting ability, aside from his great use of facial expression. Still, this movie (like the book) was all about the noir feel….and Driver not having much dialogue and being so mysterious obviously works for this.
Aside from a few minor nitpicks, this movie delivered on all levels. Good action reminiscent of driving scenes straight out of The French Connection….good acting….good story.