Original Theatrical Release:October 21, 2005 Director:Shane Black
Harry Lockhart (Robert Downey Jr.) is a bumbling thief who ends up masquerading as an actor for an audition to escape police. Getting the part, he is to be trained by a police officer known as Gay Perry (Val Kilmer). Harry soon finds himself at the center of a murder mystery that puts not only his own life in danger but also that of his childhood sweetheart, Harmony Faith Lane (Michelle Monaghan).
This film, before Iron Man, was supposed to have been Robert Downey Jr.’s comeback role but for whatever reason, it didn’t do too well at the box office and only enjoyed a cult following after it was released on DVD.
With a lot of noir elements and a lot of charm, this movie is great during the first half but then gets super-bogged down toward the end and almost feels like two different movies, which is probably why it didn’t do too well initially.
Robert Downey Jr. is in fine form here, and you can see why he made such a comeback (eventually). Val Kilmer also turns in his best performance, in my opinion, since The Salton Sea.
Other than slight pacing problems at the end, this dark comedy is sure to engage you at least for a while, especially if you’re into Raymond Chandler.
Original Release Date: August 21, 2002 Publisher: Hyperion Author: Michael Tierno
Michael Tierno takes Aristotle’s Poetics and breaks them down, utilizing Aristotle’s ideas about how storytelling should be done on the stage and applies it to story structure for the big screen and writing in general. Citing examples of other films to successfully use (intentionally or not) Aristotle’s formulas for success, Tierno makes a good case for why you should follow suit and also doles out advice on how to get your script seen by the bigwigs, having been a story analyst for Miramax Films himself.
The book is set up with small chapters that cover various things in high detail but with minimal confusion and the page count is relatively low for a reference book dealing with a subject that has so many facets to it. Aristotle was amazing when it came to story structure and the rules for writing comedies, tragedies and drama in general and this all still holds up today.
The price wasn’t bad. I bought mine on Amazon.com for only about $10, but you can find it brand new for only a bit more than that.
This is very informative for a screenwriter like myself who wants to improve their work, and you will find yourself going back to it for reference again and again.
JOE Rating: ★★★★★
Check Out A FREE Preview Of Aristotle’s Poetics For ScreenwritersHERE
Original Release Date: July 15, 2004 Publisher: Writer’s Digest Author: Monica Wood
Monica Wood has put together a mash-up of various writing prompts. Some are photographs, some are questions, some are scenarios and all are aimed at helping you get through your writer’s block or giving you ideas for new stories.
This volume is pretty helpful, as far as these types of books go. There aren’t any page numbers, which can make it hard (if you’re using it in a class or something) to keep track of certain prompts you need or might like. A lot of the prompts are fun but they seem like they could have been a lot cooler. Some feel more like wasted page space.
You can find many prompts for free online, so the asking price of $20.00 is a bit steep. I got mine for free so I didn’t have to worry about it (I won it) but I can picture a lot of people being turned off by its price. Look for it in used bookstores and in libraries.
The size is nice and fits easily inside any backpack and probably some handbags. Wood has also come out with a second volume, so I may get that at some point, but so far I haven’t been able to get through all the prompts from this volume.