Red State (2011)

Original Theatrical Release Date: September 01, 2011
Director: Kevin Smith

In middle-America, all is not as sleepy and peaceful as it would seem. A fundamentalist church called The Five Points Church, led by pastor Abin Cooper (Michael Parks), preaches anti-gay and almost anti-everything hate gospel. Unfortunately, their bite is worse than their bark and when three teenage boys; Travis (Michael Angarano), Billy-Ray (Nicholas Braun), and Jarod (Kyle Gallner) – find an older woman soliciting sex on an internet site similar to Craigslist – they agree to meeting up with her for a foursome, which lands them squarely in the hungry religious jaws of the Cooper clan.

This movie blew me away. If you’re a Kevin Smith/View Askew fan like myself, you’ve come to expect a certain quality and tone of movie from the man and the studio behind him which produced films such as Clerks, Dogma and Chasing Amy. Red State is NOTHING like those other films. This is intense, this is gritty. As Smith himself points out – the Jay and Silent Bob films are like a smooth milkshake while Red State is like drinking straight whiskey. This is a film that none other than Quentin Tarantino strongly endorses, if that gives you any sort of idea as to what the tone is.

First of all, the film is especially poignant and is almost like a satire of the Westboro Baptist Church. We see it in the news every day, but in reality – the crazy religious zeal of some of these people is one incident away from an actual, real-life horror film. Red State is part horror film, part thriller and absolutely riveting.

With Michael Parks as Abin Cooper – the charismatic and terrifying patriarch of the Five Points Church – Smith hit gold. Everyone cast in this film not only does their jobs, but does them well. This movie is often overlooked because it goes beyond the fandoms of the Jay And Silent Bob/View Askew universe, which is understandable in some ways because Red State is so different from those others that it’s almost like another director is at the helm – though Smith can definitely be felt within the context of the film by the acerbic dialogue.

This film is amazing. Absolutely amazing. Do yourself a favor and go watch it. You’ll be uneasy for a long while and it’s perfect for a Halloween horror movie night.

JOE Rating:  ★★★★★

Movie Trailer For Red State

The Hunger Games: Catching Fire (2013)

After Katniss Everdeen (Jennifer Lawrence) and Peeta Mellark (Josh Hutcherson) emerge victorious (and both alive) from the 74th Annual Hunger Games, they return home for a short while before being enlisted to embark on a “Winner’s Tour” and are forced to travel to all the other districts to congratulate them on their fallen tributes from the Games. However, Katniss and Peeta’s defiance in the face of President Snow (Donald Sutherland) has attracted the attention and imaginations of a new wave of rebels, determined to bring down the morally corrupt government around them. This forces Snow to arrange for a twist to the games – and on the 75th year, all previous surviving winners are made to participate in the Games once more, including Katniss and Peeta.

This second installment was far better than the first. While Hunger Games set up the franchise, it didn’t paint a complete picture of the plights of the common people and their struggles. Catching Fire is much more intimate and lets us in on the futility of resistance but also on the hope these people embrace whenever it arises.

The acting by the two main characters was much more polished, and Katniss has gone from being a bit of an annoyance (Screaming, running out into the open because she can’t control her emotions) to actually being a kickass, strong female character. Likewise, Peeta hasn’t all of a sudden become a master combatant after one stint in the games as I’d expected him to do, but he does hold his own. Respectable abilities, but not unbelievable.

The movie is pretty long (two and a half hours….phew) but the director, Francis Lawrence, does such a great job of pacing the film that it doesn’t really feel as long while you’re watching, and by the end you’re going to want to see what happens next (though there seemed to be some ripped-off elements of The Matrix there).

One other notable addition to this film is that of Philip Seymour Hoffman – who usually turns any performance into gold. His role had a subtlety to it that I think you’d have to watch the film multiple times to get.

In closing, go see this film even if you didn’t really like the first film, The Hunger Games. This is really what the first film SHOULD have been. It does everything the first film did but does it better. It’s a little long, but worth it.

JOE Rating: ★★★★

Pineapple Express (2008)

Original Theatrical Release: August 6, 2008
Director: David Gordon Green

When a lazy, stoner process server named Dale Denton (Seth Rogen) witnesses the murder of a Chinese drug dealer at the hands of Ted Jones (Gary Cole), the guy he was supposed to serve, he flees the scene of the crime and heads back to the guy who sells him pot (and his only friend) Saul Silver (James Franco). When it comes to light that Ted Jones is a major drug dealer, and the same guy who gave Saul a highly-rare strain of pot called Pineapple Express, the hapless duo realize that a couple of roaches left at the scene of the crime can be traced back to them. The two set out on the run from crooked cops and hired thugs, and all of them want the stoners dead.

I recently rewatched this, wondering if my original opinion had changed, and it did not. If anything, I think I like it more now than I did a couple years ago when I first saw it.

This is a stoner comedy done right. It has the appropriate amount of “touching” moments, without being sappy (like many of Adam Sandler’s comedies), has a lot of hilarious dialogue and stoner situations and, of course, has a lot of comedic talent.

Seth Rogen’s witty, sarcastic Dale Denton is a great character and we also see James Franco really dig in with his vapid, carefree portrayal of Saul Silver. Then, we have Danny McBride, who is hilarious as usual. There are lots of other cameos by other really funny people, too, like Bill Hader and Craig Robinson. It’s just a great ensemble cast.

The movie clipped along at a nice pace. Nothing really got too bogged down. There were plenty of chase scenes and awkward situational humor. I knew the inevitable rift between the main characters would come, and I disliked the way it was done in this film only because it was phoned ahead and it was hard not to see it coming when it did.

Many folks will prefer other movies by Team Apatow, like Knocked Up or Superbad. Those are great movies, too, but I think this one should be compared more to Jay and Silent Bob Strike Back or Dude, Where’s My Car?. Next to those last two stoner flicks, I really think Pineapple Express can hold its own. If you don’t enjoy this movie, chances are, you don’t really like stoner flicks in general.

For a “stupid-humor” film, though, this has a pretty smart screenplay and some really great direction by David Gordon Green.

JOE Rating: ★★★★

Movie Trailer For Pineapple Express

All-New X-Men #1 (January 2013)

Publisher: Marvel Comics
Creative Team: Brian Michael Bendis, Stuart Immonen, Wade Von Grawbadger, Marte Gracia

Cyclops, one of the most prominent members of the X-Men and one of its original members, is now a fugitive wanted by almost every costumed hero and government entity in existence after the Phoenix Force corrupted him and he killed his former mentor, Professor Charles Xavier. Dying from another mutant transformation, and out of ideas, Hank McCoy (aka Beast) goes back in time to bring back the younger version of Cyclops to hopefully talk some sense into the present-day version. Maybe together they can save mutantkind.

I hadn’t really heard much about this series as I’d been out of the comic loop for a few months, but I noticed the older costumes on the cover. I am hoping to cosplay as the 60’s version of Cyclops, so I figured I’d pick up the first three issues to not only use for reference, but also to see what it was all about.

I was pleasantly surprised.

Issue #1 opens with Beast writhing on the ground, dying from a new manifestation of his mutation. He prays that he is allowed to do something good for mutantkind before he dies, and then we move on to Cyclops and his new teammates, Magneto and Emma Frost, liberating and recruiting new mutants who are popping up everywhere.

This first issue started out just a LITTLE slower than I would have liked, but the action picks up toward the end enough to have kept me hooked until the next issue. Bendis knows what he’s doing, I think we all know that. There were a couple of typos I noticed here and there (way to go, editor), but otherwise it was a good read.

The art by Stuart Immonen (Pencils), Wade Von Grawbadger (Inks) and Marte Gracia (Colorist) was amazing. Sometimes I noticed that, for whatever reason, it looked like Immonen phoned it in on the faces in some of the smaller panels but he really does action very well. The inks give his work some solid depth and the coloring, of course, makes it pop.

I think this series is going to do pretty well.

JOE Rating: ★★★★

Here’s a sample page from All-New X-Men #1!

V For Vendetta (2005)

Original Theatrical Release: March 17, 2006
Director: James McTeigue

A shadowy and theatrical freedom fighter, only known as V (Hugo Weaving), wages a war with terrorist tactics against a corrupt and totalitarian government. When he rescues a girl named Evey (Natalie Portman) from some also-corrupt secret police, she becomes entangled in his endeavors and may be the best ally he’s known.

The first half of this film opens up with a lot of panache. I was caught up right off the bat with the atmosphere and the established setting. This carried me through all the way to the middle of the film where I felt that the movie was bogged down a lot and lost its frenetic pacing.

The source material, of course, was Alan Moore’s graphic novel of the same name and the film managed to evoke most of what Moore was trying to accomplish, but in the end, I think, the source material always does things that a movie cannot. Also, the graphic novel focused more on V’s attempts to enlist Evey to carry out his legacy, whereas the movie, I felt, showed that he cared about Evey’s involvement but ultimately wanted to inspire a revolution rather than solely rely on her.

The two works are completely different in my mind, which is something I always try to do when looking at one work which is based on another work. I think overall, the film managed to capture some qualities of the graphic novel but it was ultimately the Wachowski’s own message that came across.

The action scenes were all well-done and there wasn’t a terrible amount of CGI. Hugo Weaving was the best thing about this movie because I never envisioned V’s dialogue being able to be correctly brought onto the screen but he did it with great skill. Natalie Portman was lovely and talented, as usual and it was great she was willing to shave her head for the role. Kudos.

This is a great film, and could have been exceptional but for the mid-movie backstory dump that slogged the film down. Still, go watch it, it’s a lot of fun.

JOE Rating: ★★★★

Movie Trailer For V For Vendetta