After Ron Burgundy (Will Ferrell) is fired by his boss – Mack Tannen (Harrison Ford) and Ron’s wife, Veronica Corningstone (Christina Applegate) is given a promotion, Ron is unexpectedly asked by Freddie Shapp (Dylan Baker) to head one of the news teams on the new 24-hour Global News Network. To do so, he gathers his old team – Champ Kind (David Koechner), Brick Tamland (Steve Carell) and Brian Fantana (Paul Rudd) – but finds that maybe he’s bitten off more than he can chew.
I went with a bunch of my friends to see this. I figured it was going to be one of those kind of movies, and I was right. So, let me start things off with the obvious: It was a funny movie. However, it wasn’t quite as consistently funny (in my opinion) as the first film.
Most of the jokes we see in this second installment of the legend of Ron Burgundy are recycled from the first flick and beefed up a little more. It’s not a terrible thing, but I would have liked to have seen more original material as well as more play on the fact that this takes place in the 1980’s. In the first film, the sense of 1970’s style was pervasive, but you barely notice the time period in this film and at times, could even be interchangeable. Also, Anchorman 2 is a little bit longer so it’s pretty noticeable.
Still, there are enough genuinely funny parts involved, and there was an effort made to up the ante so that counts for something. If you didn’t like the first film – don’t bother….because it basically is the first film in new trappings. If you loved the first film, try to be content with how great the first one was and look at this second film as a separate entity. Don’t have crazy expectations and you’ll have a good time.
Also, one other thing – the amount of cameos in this film was impressive and worth watching for that alone.
When three parapsychology professors – Dr. Peter Venkman (Bill Murray), Dr. Raymond Stantz (Dan Aykroyd) and Dr. Egon Spengler (Harold Ramis) – lose their government grant, they go into business on their own as paranormal exterminators, eventually hiring on Winston Zeddmore (Ernie Hudson) as the fourth Ghostbuster once their business takes off and they can’t handle the volume. However, an ancient Babylonian demon appears in Dana Barrett’s (Sigourney Weaver) refrigerator and summons an army of ghosts which invade New York City, leaving it up to the Ghostbusters to save the day.
I don’t know why I haven’t reviewed this movie yet – it’s pretty much the perfect film.
In any case, those who weren’t born in the 80’s may not appreciate this film franchise. I’ve found that to be the case no matter how good a film is. However, I still think Ghostbusters holds its own against most of today’s comedies, and I think I can say that without being a snob.
The comedic genius of Bill Murray and Dan Aykroyd and Rick Moranis is just unbeatable. Sigourney Weaver was the Megan Fox of her time (but with much better acting talent) and Harold Ramis plays the perfect counterpoint to Murray. Some of the effects are dated, but not too badly. I’ve seen worse production quality on films nowadays, to be honest.
This movie has it all: Action, comedy, horror, sex appeal and proton packs. What more could you ask for? Go see it, if you haven’t. It’s on Netflix!
JOE Rating: ★★★★★
PS – I met Ernie Hudson recently while I was at Super Megafest in Massachusetts. In case you didn’t catch me posing with him, here are a couple pictures of Zeddmore and I together. I was dressed up as Obi-Wan Kenobi from Star Wars: Episode One, and I got him to use my lightsaber. Initially, he didn’t seem to want to, but once I turned it on he started waving it around for the camera and making karate noises. It was the best day of my life. How can you beat a Ghostbuster swinging around a lightsaber? Here are some pics:
Me, teaching Ernie Hudson (Winston from Ghostbusters) some new tricks!
American Horror Story is in an anthology format, with the first season focusing on a haunted house while later seasons are focused on an asylum and then a witch coven.
The Harmon family, a father-mother-daughter combo, moves from Boston to Los Angeles on the heels of a family scandal. Ben Harmon (Dylan McDermott) has cheated on his wife, Vivien (Connie Britton) and they hope to reconcile things by moving to a new house in a new part of the country. However, things are not what they seem at their new home – it is a dark place full of tragedies and past murders and lurid secrets, and the Harmons soon discover that they may not have the house all to themselves.
The show has an interesting format. I didn’t expect there to be a different focus for each season, which is a nice touch. I thought for sure that they couldn’t go on with the same premise for more than one season so I’m glad of the focus switch. It really allows for some flexibility with later seasons.
The show is sexy, violent and pretty terrifying at times and seems to blend all of the urban legends and horror stories we’ve all heard over the years into a compelling drama.
Sometimes, it can be a bit over-dramatic and somewhat like a soap opera, so I had to look past that at times but overall it was really enjoyable. The acting was solid, especially from veterans like Jessica Lange and Frances Conroy. Some of the characters are likable but most are pretty damaged and only likable because of their quirks as opposed to any humanity they might have.
Original TheatricalRelease: May 23, 1980 Director: Stanley Kubrick
Jack Torrance (Jack Nicholson) and his wife Wendy (Shelley Duvall) become the winter caretakers of a massive seasonal hotel in the mountains. At first, everything is ideal. Jack has all the space he needs in order to write his next novel while Wendy enjoys the beautiful scenery and time with their son, Danny (Danny Lloyd), who seems to have a form of autism. However, it’s not long before the Torrance family discovers that maybe they’re not alone in that big hotel, and that maybe it has dark secrets. The family begins to unravel and soon it becomes a fight for survival.
The Shining is scary even by today’s standards because it not only has the supernatural element of the haunted hotel ( who doesn’t think a massive old hotel is creepy in the first place?) but also a writer haunted by his own demons; alcoholism and anger among them. Seeing a family slowly unravel is scary enough but when there’s a little kid involved, most of us become extra-invested. Children are often defenseless against an adult in real life, let alone ghosts, and when your parents don’t believe that ghosts exist? Well, then, you’re outta’ luck, kid.
Jack Nicholson’s performance is right up there for me among the best I’ve witnessed because I’ve SEEN Jack Torrance before. I KNOW guys like that, who get drunk and take out their frustrations on the world around them. I immediately identify and sympathize with the kiddo and his mom. On top of that, we have Stephen King at his best writing the story that the screenplay was adapted from…and you have Stanley Kubrick, an amazing director with all those long, ominous shots (who doesn’t remember the camera going over the car as it’s winding through the mountain roads? Or the long shot of the hallway as Danny rides his Big-Wheel in hesitant fear?) It’s a horror masterpiece, where lots of amazing talent converged. None of the remakes have touched on its original terror.