Edge Of Tomorrow (2014)

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Original Theatrical Release Date: June 6, 2014
Director: Doug Liman

Earth is under attack by a mysterious and aggressive alien race and the world’s armies need all the help they can get. Major William Cage (Tom Cruise) is forced into combat against his will, having never seen a fighting day in his life. During his first battle, Cage dies within mere minutes – but then awakens, alive again,  to find that he is stuck in a “time loop” where any death finds him awakening at the start of the day. With the help of the “Full Metal Bitch” aka Rita (Emily Blunt), Cage must figure out what his new found abilities mean and how he can use them to defeat the alien menace.

If you’ve ever read any of my reviews, you know I’m not a huge Tom Cruise fan. I like him well enough in a few movies (Legend, Vanilla Sky, Tropic Thunder, The Last Samurai, Magnolia) but he just sort of never stayed on my “I’m-excited-to-see-this-actor-perform” radar. One of my former co-workers really hated the guy (because he hates Scientologists) but another co-worker was/is obsessed with him and told me to see this film. I’m glad I did see it, because it was a decent romp of a science fiction action flick – sort of like Groundhog Day meets Starship Troopers.

One of my favorite Tom Cruise films was Vanilla Sky and the reason for this is because he played against type. In Vanilla Sky, he played a self-obsessed, whiny, insecure rich guy. In Edge of Tomorrow, he plays a cowardly, frightened military officer. It’s better to see Cruise in these types of roles, at least in my opinion. It shows that he’s willing to put aside his leading man ego at least part of the time, and the man can act.

Emily Blunt really was the “Full Metal Bitch” in this film. I would say that she was much more of a badass than Tom Cruise, even. She just has that deadpan stare sometimes that is somehow both sexy and intimidating. The film is only so long, but I think that they should’ve slipped in more of her story somewhere because she was a pretty interesting character. I mean, look at her:

 

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Another unexpected surprise was Bill Paxton. You can never have enough Bill Paxton. He’s not in the film much, but does a decent job as an overbearing drill sergeant.

As far as other aspects of the film go – the aliens were pretty cool, although it can be hard to wrap your head around a race of beings who can control time. That’s pretty crazy. Still, they looked scary and awesome and most of the special effects were well done so there weren’t a lot of “unbelievable” scenes in which the CGI failed.

All in all, Edge Of Tomorrow (aka Live, Die, Repeat) will definitely fill an afternoon with decent science fiction action. There are films which are much better, but you could also do much, much worse.

JOE Rating: ★★★

Movie Trailer For Edge of Tomorrow

 

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Bronson (2008)

Bronson (2008)

Original Theatrical Release: March 13, 2009
Director: Nicolas Winding Refn

Michael Petersen (Tom Hardy) aka “Charles Bronson” is the U.K.’s most violent convict. Based on a true story, this biopic delves into the psyche of a truly twisted individual who was sent to prison for seven years after a robbery at a post office and then managed to up his sentence to over thirty years in solitary confinement due to his violent nature and poor life choices.

Nicolas Winding Refn creates a very snappy and stylized account of this man’s life, treating major points in his life as if it were performance art, while Tom Hardy bravely and brilliantly inhabits the role of Bronson completely and most convincingly with his bald head and handlebar mustache. The feel of this film, to me, was essentially Drive mixed with Warrior.

If you’re not into full frontal male nudity, however – beware…because apparently every time Bronson decided to fight someone in prison he had to get naked to do so. This resulted in a lot of fights where Tom Hardy just swings away, in more than one sense of the word. For me, it didn’t detract from the film because it seemed like a logical thing for Bronson to do and melded with the whole “performance art” theme going on.

For the most part, this film seemed like a vehicle to showcase Tom Hardy’s terrific acting, but the other actors involved played their parts well. Though the film wasn’t straight action, Hardy carried himself so kinetically that it’s hard not to keep watching and be invested and see what crazy thing he’ll do next to get himself into trouble.

This is really a beautiful film, let alone an interesting biopic. Go check it out.

JOE Rating: ★★★★★

Movie Trailer For Bronson

 

The Sandman Volume 1: Preludes & Nocturnes (1991)

The Sandman Volume 1: Preludes & Nocturnes (1988)

Publisher: DC/Vertigo
Creative Team: Neil Gaiman, Sam Keith, Mike Dringenberg, Malcolm Jones III

Set in the DC Universe, The Sandman Volume 1 collects issues 1-8 of the comic book series written by Neil Gaiman and illustrated by Sam Keith, Mike Dringenberg and Malcolm Jones III.

A wizard who wants to live forever attempts to summon and trap Death, but inadvertantly traps her younger brother, Dream (aka Morpheus). Fearing retaliation, the wizard and his cohorts keep Morpheus imprisoned in a magical cell for a couple of lifetimes. When his captors make a mistake and Morpheus breaks free, he is weak from his time in imprisonment and also finds that his captors have stolen and have sold three of his possessions which help give him power. His helm, his bag of dust and his ruby pendant. With these items he will be close to full strength again, so he sets out to find them…but they are spread wide and though he is a god, Morpheus finds that some of them are guarded more closely than he would think. Teaming with well-known DC Comics characters like John Constantine and Martian Manhunter, Morpheus must go to Hell and back to find his things. Literally.

While this is not the strongest entry in the Sandman series, issues 1-8 are a great introduction to the world Morpheus inhabits and is a good set up to the wonderment that follows in later volumes. The artwork is great, but the colors in the collection versus the originals are a little bit off, a little bit darker. This might be problematic for some purists, but I think for the tone of the piece, the colors suit it well. Then again, the original colors were more dreamlike. It’s a coin toss on which you’ll like better.

This beginning collection is a story about starting over. Morpheus was content with where he was and with his station, overconfident that he had everything nailed down. When this was proven false by his imprisonment by a bunch of mortals, it shook him up a little. Weakened and forced to find alternate ways to deal with things, Morpheus becomes a compelling character. Though a god, he is still fallible.

The characters are all really interesting. We get to meet the perky character of Death, we get to see a new and frightening/sad interpretation of Cain and Abel. There are dangerous and fantastical dream creatures and lots of magic thrown in.

If other DC characters weren’t tossed into the mix, you wouldn’t even think of it as a comic book story that exists in the world of superheroes, but Neil Gaiman has seamlessly integrated Morpheus and his mythos into the existing DC canon.

Give this a read, and especially the later collections.

JOE Rating: ★★★★

Check Out This Sample Page From Sandman: Preludes & Nocturnes!
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The Prestige (2006)

The Prestige (2006) Original Theatrical Release: October 20, 2006
Director: Christopher Nolan

Robert Angier (Hugh Jackman) and his wife Julia McCullough (Piper Perabo) along with Alfred Borden (Christian Bale) are all assistants to a master magician, all trying to learn his secrets. When something goes awry during a performance and Julia dies, Robert blames Alfred for her death and the two become bitter enemies and eventually master magicians themselves. They are in a magical arms-race, where one tries to outdo the other for supremacy on the stage. When Alfred comes up with a trick the likes of which nobody has seen, Robert becomes obsessed with trying to discover his secret – leading him to dark experiments that no man was ever meant to tamper with.

This is one of those films that sort of flew under the radar. Christopher Nolan hit it big with Batman Begins, but not many people even remember this film or talk about it despite its star power and cool premise. It also came out at the same time as another magician-centric movie called The Illusionist, which some folks consider to be the better film between the two magic movies.

David Bowie as Nikola Tesla was a huge bonus in this movie for me, as well as the always-lovely Scarlett Johansson’s role as Olivia Wenscombe (ironically also a secret agent in this movie, just like she was as Black Widow in Iron Man and The Avengers respectively)….but those are just on a personal level. Bale and Jackman are great at going head-to-head with each other and this is one of Jackman’s best serious dramatic roles to date. It has a heavy sci-fi theme that once you get into is actually really great, and it ends up unfolding like a sort of parable.

Go see it for the actors. Go see it for the great direction by Nolan. Go see it for David Bowie and Michael Caine. It’s good stuff. The only downside, for me, was that it was maybe a little too long in letting the story unfold but on the other hand,  it constantly keeps you guessing and keeps you on your toes.

JOE Rating:

Movie Trailer For The Prestige

Timeline (2003)

Timeline (2003)

Original Theatrical Release: November 26, 2003
Director: Richard Donner

An archaeological team has been working hard, digging up the past. When their leader, Professor Johnston (Billy Connolly), goes missing – his son Chris (Paul Walker) wants answers. After discovering a piece of parchment along with the professor’s glasses and a signature that is carbon-dated to the year 1357, the group is told by a secretive company that they have accidentally sent Professor Johnston back in time. Armed with their wits and protected by a group of combat experts, the archaeology team must survive in the past long enough to find the professor and make it back to the future…but they only have eight hours before they’ll be stuck in the past forever, and they’ve landed smack-dab in the middle of a war between England and France.

Timeline. When I first heard about the film, I had extremely high hopes. It was based on a Michael Crichton novel of the same name. The premise was cool, for sure, but the film just didn’t have enough momentum for me. For sci-fi fans, the sci-fi is sort of weak and not done well and for action fans, there wasn’t really enough cool action sequences included for a movie about medieval war. Even the love story part of it was brief and didn’t have much meat to it.

The characters are basically “faxed” into the past so as far as time travel movies go, it was also weak. The premise alone was not enough to carry the film. The biggest turn-off for me was the acting. These characters, all archaeology students, WENT BACK IN TIME and witnessed history first hand. What did they do? Walk around like it was nothing. The whole thing felt like an episode of Buffy the Vampire Slayer to me. (Meaning, there are all these crazy things going on, and in Buffy, the characters treated it like normal, everyday occurrences….same in this movie). Not only would TIME TRAVEL blow their minds, but getting to see things and how they were really done back then would give these people intellectual boners. Them not caring led to me not caring.

I think it’s worth watching at least once, but there are other, better movies dealing with time travel. I just wish that this one had been as cool as it could have been.

JOE Rating: ★★★

Movie Trailer For Timeline