Sucker Punch (2011)

Original Theatrical Release Date: March 25, 2011
Director: Zack Snyder

Babydoll (Emily Browning) has to deal with her abusive father. He goes too far one night and directs his attention toward her younger sister in retaliation, forcing Babydoll to take drastic action. When her attempt to kill him fails, she is placed in an institution. Attempting to cope with her new situation, Babydoll escapes into her own mind and tries to find a way out of her new prison.

I really, really wanted to like this film more than I did. Zack Snyder, because he did 300 – said he wanted to do a movie with mostly women. I liked 300 and thought this could be great. It had beautiful women in scant clothing, intense action scenes, appealing music, and fantastic imagery. It seems like the perfect formula, but unfortunately the film fell short in many places.

First off – the pacing. I’m a fan of the occasional slow-motion sequence every now and then but in Sucker Punch, I felt like the entire movie was in slow motion…and most of it literally was. If done correctly, slow-motion can be a powerful tool. However, this film almost seemed more like a music video. Actually, that’s really what it became, when you look at it objectively. Lots of slow-motion sequences set to popular music. Scantily-clad women. Fantastical action sequences. Throw in some hair metal and you’re good to go.

The story was threadbare, and Babydoll’s journey felt tedious and repetitious when it should have been exciting. The action scenes were cool for the most part but the heavy use of CGI takes you out of the established narrative sometimes, creating a break in the link between belief and disbelief. The only real reason I can think of that would make anyone want to watch this film more than once is just to see the beautiful actresses doing their thing. I can admit that I’ve now seen it a few times, because that’s where the film does succeed – visuals (and I’m a visual person). All the work the artists put into creating the various worlds inhabiting the Sucker Punch universe was very good and interesting. My main question, though, is why wasn’t this movie turned into a video game? It would almost certainly be more interesting than the movie.

For all its epic aspirations, this film could have been a lot better. See it if you must, appreciate it for its visuals, but I’m sure you’ll come away feeling sort of empty and blah. Perhaps even like you’ve been….SUCKER PUNCHED?! Hahahahahahahahaha…….. *ahem* ha.

JOE Rating: ★★

Movie Trailer for Sucker Punch

 

The Sandman Volume 1: Preludes & Nocturnes (1991)

Publisher: DC/Vertigo
Creative Team: Neil Gaiman, Sam Keith, Mike Dringenberg, Malcolm Jones III

Set in the DC Universe, The Sandman Volume 1 collects issues 1-8 of the comic book series written by Neil Gaiman and illustrated by Sam Keith, Mike Dringenberg and Malcolm Jones III.

A wizard who wants to live forever attempts to summon and trap Death, but inadvertantly traps her younger brother, Dream (aka Morpheus). Fearing retaliation, the wizard and his cohorts keep Morpheus imprisoned in a magical cell for a couple of lifetimes. When his captors make a mistake and Morpheus breaks free, he is weak from his time in imprisonment and also finds that his captors have stolen and have sold three of his possessions which help give him power. His helm, his bag of dust and his ruby pendant. With these items he will be close to full strength again, so he sets out to find them…but they are spread wide and though he is a god, Morpheus finds that some of them are guarded more closely than he would think. Teaming with well-known DC Comics characters like John Constantine and Martian Manhunter, Morpheus must go to Hell and back to find his things. Literally.

While this is not the strongest entry in the Sandman series, issues 1-8 are a great introduction to the world Morpheus inhabits and is a good set up to the wonderment that follows in later volumes. The artwork is great, but the colors in the collection versus the originals are a little bit off, a little bit darker. This might be problematic for some purists, but I think for the tone of the piece, the colors suit it well. Then again, the original colors were more dreamlike. It’s a coin toss on which you’ll like better.

This beginning collection is a story about starting over. Morpheus was content with where he was and with his station, overconfident that he had everything nailed down. When this was proven false by his imprisonment by a bunch of mortals, it shook him up a little. Weakened and forced to find alternate ways to deal with things, Morpheus becomes a compelling character. Though a god, he is still fallible.

The characters are all really interesting. We get to meet the perky character of Death, we get to see a new and frightening/sad interpretation of Cain and Abel. There are dangerous and fantastical dream creatures and lots of magic thrown in.

If other DC characters weren’t tossed into the mix, you wouldn’t even think of it as a comic book story that exists in the world of superheroes, but Neil Gaiman has seamlessly integrated Morpheus and his mythos into the existing DC canon.

Give this a read, and especially the later collections.

JOE Rating: ★★★★

Check Out This Sample Page From Sandman: Preludes & Nocturnes!

The Matrix (1999)

Original Theatrical Release: March 31, 1999
Director: Andy Wachowski, Lana Wachowski (As the Wachowski Brothers)

Neo (Keanu Reeves), a computer hacker, feels a bit out of place in the world. He’s constantly on the search for something he feels is missing in his life and finds it in the form of Trinity (Carrie-Ann Moss) who explains to him that not everything is what he thinks. She leads him to Morpheus (Laurence Fishburne), who tells Neo that he may just be the one who can save mankind from their evil machine overlords.

When I first saw this movie in theaters, I don’t remember having any special expectations of it. My uncle and I had just returned from a trip to Boston, where we tried out the Omnitheater; a massive screen that wraps around you and makes you feel like you’re actually there. Still jittery from that experience, we were uncomfortable in the normal theater as The Matrix started, re-living the discomfort we experienced just a day or two before in Boston.

When the movie started, though, and the beautiful images and great story unfolded on the screen, it was all forgotten. From the moment Trinity leaped into the air and froze before kicking the police officer in the chest, I was hooked and my jaw was dropped open in enjoyment and appreciation the entire time.

I hadn’t seen anything like it, up until that time. I don’t really like the sequels as much, but Matrix: Reloaded isn’t bad. (I really disliked Revolutions, but I will get to that in another review)

This movie changed the game in cinema-land and we are still seeing copycats and works inspired by the Matrix even in 2013.

The actors were all great (yeah, even Keanu). The soundtrack was amazing. The cinematography and special effects were astounding. The fight choreography from Yuen Woo Ping was great, and the script by the Wachowski Brothers was tight. The film was just one slick package all around, and I don’t think we’ll have another great spectacle like it for quite a while. (Watch, I bet there will be a re-boot soon).

JOE Rating: ★★★★★

Movie Trailer For The Matrix

Vanilla Sky (2001)

Original Theatrical Release: December 14, 2001
Director: Cameron Crowe

David Aames (Tom Cruise) is a successful publisher who inherited the majority of his father’s money and business and lives a carefree life where nothing ever goes wrong and everyone caters to his every need. During David’s posh birthday party, his friend Brian Shelby (Jason Lee) shows up with who could very well be the girl of David’s dreams – Sofia Serrano (Penelope Cruz). David has to decide if she’s worth changing his life for. However, there are consequences to every action, and a very manic and depressed “fuck buddy” of David’s, named Julie Gianni (Cameron Diaz) waits on the sidelines in quiet anger and desperation.

Let me first tell you that I am often not a fan of Tom Cruise. Or Cameron Diaz. Or Penelope Cruz. About the only actor I initially liked in this movie in other projects is the amazing Jason Lee.

None of that matters, though, because this movie completely blew me away.

It’s a remake of the Spanish film Abre Los Ojos (Open Your Eyes) in which Penelope Cruz reprises her role. Many think that Abre Los Ojos is far superior, but to each his own. I felt that Vanilla Sky hit harder with me under Cameron Crowe’s direction.

I rented this one night on a lark, not really knowing what to expect. Tom Cruise turns in one of the most memorable performances of his career, donning makeup that makes him look disfigured throughout the film when he’s not wearing the facial prosthetic/regenerative mask. Cameron Diaz has mostly unimpressed me (aside from There’s Something About Mary) but she was perfect for Julie Gianni’s moody, depressed character. Jason Lee was awesome as Brian, the best friend character….and Penelope Cruz was charming as the independent Sophia. Oh, and KURT RUSSEL. Seriously.

I have seen this movie so many times that I can quote it by heart. It made me laugh, it made me cry. The music was amazing (I bought the soundtrack after seeing the film), the cinematography was gorgeous.

This is a highly underrated film and didn’t get much attention when it first came out. I think it has staying power and an extremely strong message that I definitely identified with. It’s commentary on life, on love, on material possessions and existential thought. Go see it.

JOE Rating: ★★★★★

Movie Trailer For Vanilla Sky