Northlanders: The Cross And The Hammer (2009)

Publisher: Vertigo
Creative Team: Brian Wood, Ryan Kelly

Set in Viking-era Ireland, Northlanders Book Two: The Cross And The Hammer, collects issues #11-16 of the DC/Vertigo comic book series written by Brian Wood (DMZ, Demo) and illustrated by Ryan Kelly (Lucifer, The New York Four).

It is 1014 in Viking-occupied Ireland. One lone man, only known as Magnus, refuses to bow to the will of the Viking overlords and is leaving a bloody trail of insurgency in his wake. Magnus has no ties, no weaknesses, nothing to lose…except his daughter Brigid. Magnus’ killing spree and defiance catches the attention of Lord Ragnar Ragnarsson, a forensic specialist and confidant of the King who becomes obsessed with finding Magnus and ending his uprising.

When it becomes apparent that the only way to draw Magnus out of hiding is to provoke him by senselessly murdering innocent Irish families, it sends the two foes into a circle of psychological warfare and intrigue.

I was really looking forward to this volume after having already read Northlanders: Sven The Returned, which was amazing…so maybe my hopes were a little too high.

First off, don’t get me wrong. I would rather read this volume than not read this volume. Northlanders is a great series, and Brian Wood is doing some great stuff. Even the premise of the arc in this volume is decent and had me intrigued, but it all ended up falling a little flat.

Ryan Kelly is a great artist but I was honestly, the entire time, comparing his style (without meaning to) to Davide Gianfelice’s, who did the art for the issues collected in the first volume. In some ways, Kelly’s artwork is better for this Irish story but in others it just doesn’t feel up to par. There was nothing wrong for it save for the flavor, and despite some great splash page work some of it seemed a bit cartoony.

On top of that, I was sort of brought out of the story some by the way Lord Ragnar Ragnarsson spoke/wrote in the way that you might see a character do on an episode of CSI. I kept thinking to myself “This is so modern sounding. WTF is going on here?”

Another thing to watch out for is the twist ending. It seems to be all the rage nowadays to give a twist ending on everything, but I don’t think they had to do so, here. It wasn’t super-compelling as it was and then to sort of glaze over it all with a twist ending such as the one found within the pages of this TPB, it just dulled everything down even more.

Overall, I wouldn’t miss this entry into the series, but it could have been much better. I hear that Volume III is, indeed, much better…so I’ll have to check it out. So, give this a read if you follow along but I’m not so sure this will be a favored volume in the series.

JOE Rating: ★★★

Here’s A Sample Page From Northlanders, Vol. 2: The Cross And The Hammer

Django Unchained (2012)

Original Theatrical Release: December 25, 2012
Director: Quentin Tarantino

Django (Jamie Foxx) is a slave. When a German man named Dr. King Shultz (Christopher Waltz) shows up and sets him free, he does it on one condition: Django must become his deputy in the bounty-hunting biz. Django just wants to find his wife, the lovely Broomhilda Von Schaft (Kerry Washington) but she is being held as a house slave on a plantation owned by the ruthless cotton king, Calvin Candie (Leonardo DiCaprio). Django must match wits and guns with Candie in order to come out alive, much less rescue his wife.

I’d been waiting for this movie for a long time. I kept seeing trailer after trailer and then it was finally in theaters. Right now, It’s my current favorite movie that Quentin Tarantino has ever done. (Replacing Death Proof)

There was a lot of controversy over this film. Spike Lee and Kat Williams and others said it was racist, but the problem is that 1.) They never watched the film and 2.) It was NOT racist, aside from the fact that the 1800’s were racist. Tarantino is not a history scholar, he is a filmmaker, and what he did was create a very badass historical revenge fantasy.

Django is far from being helpless and stereotypical. All the white characters in the film are evil and/or stupid and/or dirty, and they all eventually get what’s coming to them. The only white character who helps Django is Schultz, but he is European and not American. (A very good choice for the purposes of this film…brilliant). The use of the “N-Word” IS gratuitous, but is probably used less than in real life in the 1800’s. I don’t think Tarantino uses it casually, or for humor, but needed to give a sense of how low people thought you were if you were African American.

The performances were all top-notch. Jamie Foxx, Leonardo DiCaprio, Samuel L. Jackson, Christopher Waltz and Kerry Washington went all out. I particularly enjoyed Christopher Waltz and Leonardo DiCaprio’s performances, and I sometimes don’t even like Leo. I think he’s getting better with age. The music is great also (I want the soundtrack) and the story is very intriguing.

The violence is so exaggerated that during one of the gunfight scenes, I was clapping loudly and laughing as buckets worth of blood was splashed against the walls and floors, small pistols firing with the force of mini cannons and just destroying man and construct in great shows of gunplay.

It was great. Go see it.

JOE Rating: ★★★★★

Movie Trailer For Django Unchained