Drive (2011)

A stunt driver and wheelman-for-hire (Ryan Gosling) finds himself drawn to his neighbor, the damaged and vulnerable Irene (Carey Mulligan). Though he is a loner by nature, he ends up in the middle of way more contact than he bargained for when Irene’s ex-con husband, Standard (Oscar Isaac), returns from behind bars and “Driver” needs to step in to ensure that Irene and her boy are safe from thugs trying to extort money from the newly-freed con. After agreeing to help Standard with a heist, it goes belly-up and Driver finds his own life in danger as he tries to make his way to the source of all the trouble.

First of all, this movie is based on the novel Drive by James Sallis. The film’s plot and the movie’s plot have virtually the same identical plots but many of the book’s characters have been combined to form singular characters in the movie for the sake of film, which for me, works.

Ryan Gosling is hit or miss with me. I have no doubt about his acting chops, but he often seems relegated to the same non-speaking roles aside from a few exceptions. I was looking forward to his role in this film after seeing him in Lars and the Real Girl, which is the complete opposite of his role in this film. The normal charm and boyish innocence were gone in this movie, which was refreshing, and I think he held up great next to the presence of Ron Perlman. It was nice to see Bryan Cranston in something, since he’s so great in Breaking Bad.

The soundtrack was great and the opening scene was intense and made my heart rate go up, which is a nice achievement. The whole film had sort of a 1980’s feel about it, from the movie’s logo writing to the music and dress. It was neat.

The silence of the Driver character played by Gosling worked in the context of this movie but I’d really like him to go for roles with more dialogue so I can get more of a feel for his acting ability, aside from his great use of facial expression. Still, this movie (like the book) was all about the noir feel….and Driver not having much dialogue and being so mysterious obviously works for this.

Aside from a few minor nitpicks, this movie delivered on all levels. Good action reminiscent of driving scenes straight out of The French Connection….good acting….good story.

JOE Rating: ★★★★

The Wolverine (2013)

A mentally-wounded Wolverine (Hugh Jackman) takes to the hermit life in a rugged, backwoods mountain town after the events in X-Men: The Last Stand. When he is approached by associates of an old friend from Japan to come to Tokyo, he reluctantly agrees to fulfill a dying man’s wish. Once there, he finds himself embroiled in a fight between ninja and Yakuza on which the fate of a young woman, Mariko (Tao Okamoto), rests.

I have to admit that I had a lot of apprehension going in to see this film. X-Men 3 and X-Men Origins: Wolverine had both really, REALLY let me down. In a big way. So, I didn’t really have much in the way of expectations.

With that said, the movie turned out to be actually good, and I was pleasantly surprised, especially since a lot of it was true to the Miller/Claremont miniseries from the 1980’s.

We get to see the badass Wolverine/Logan that we want to see, slicing up Yakuza and ninjas in all his adamantium glory. BUT – even though we get to see him slice up SOME ninjas, I really wanted to see more of a fight instead of having to see Logan turned into a parody of a porcupine. C’mon, man, where was your rage?

There were many nods to the comics, as I said before, , which was a nice touch and something that Fox has been lacking lately. This time, they did a lot of things correctly and they also made it accessible enough for casual viewers who just want to see a good action flick or want to see shirtless Hugh Jackman flex his muscles.

The characters were all really nice, and the movie being set in Japan gave the aesthetics a distinct quality that was very appealing to the eye.

All in all, this movie is decent. It’s not perfect, but it’s definitely not X-Men Origins: Wolverine. Go see it if you liked the earlier X-Men films and wondered what happened to the once-mighty franchise. This installment definitely makes some amends.

JOE Rating: ★★★★