Horrible Bosses (2011)

Original Theatrical Release Date: July 8, 2011
Director: Seth Gordon

Three lovable losers all have one thing in common: They have horrible bosses. One is a narcissistic elitist prick. One is a conniving, sexual predator. One is a coke fiend with a penchant for martial arts weapons. Nick (Jason Bateman), Kurt (Jason Sudeikis), and Dale (Charlie Day) decide to do something about it and enlist a murder consultant named Dean “Mother Fucker” Jones (Jamie Foxx) to help them off their bosses.

When I first heard about this movie, I wasn’t too keen on going to see it. Sure, it seemed like it could be a good time but I’ve been growing increasingly tired of the “three dude bros” comedy formula made popular by movies like The Hangover. Still, my girlfriend and I popped this one in for a movie night with a friend and we enjoyed some genuine laughs, despite the “tried-and-true” movie formula.

First off, what the movie has going for it is mainly star power. Jason Bateman, Charlie Day, Kevin Spacey, Colin Farrell – you can’t beat that. Jennifer Aniston and Jason Sudeikis are just “okay”. The second thing the movie has going for it is a solid premise. Who doesn’t hate their boss, at least a little bit? This provides instant sympathy when Jason Bateman is berated for being a mere two minutes late on his clock-in. Plus, just look at how the bosses are portrayed on screen – just looking at them, without even seeing the film, you know what kind of characters they are.

Kevin Spacey – not to be trifled with.

Jennifer Aniston – lax on the dress code at work.

Colin Farrell – sleazeball, anyone?

Unfortunately, what this movie doesn’t have going for it is a compelling enough story to keep the interest for as long as the movie is. Seriously, it seemed like it took forever to end. I like my comedies short and sweet. The director could have dumped about a quarter of schlock and jokes that didn’t work and it would have been much more succinct and enjoyable. Add to that the promising premise being washed away in unfulfilling payoffs for the main characters and we have ourselves just a “meh” comedy.

With all the star power these comedians provided, along with the dark/funny premise – this should have been a knockout. As it is, I’m sure it’s fine for a watch or two but I’m guessing that it’s not going to knock your socks off.

JOE Rating: ★★★

Movie Trailer For Horrible Bosses

 

Brick (2005)

 

Original Theatrical Release Date: January 1, 2005
Director: Rian Johnson

A teenage loner, Brendan (Joseph Gordon-Levitt), seeks the whereabouts of his girlfriend, Emily (Emilie De Ravin). When it turns out that she was a victim of apparent foul play, Brendan finds himself in the seedy underbelly of a high school crime syndicate run by the notorious and mysterious Pin (Lukas Haas). Brendan must sort through his own morals and reserves of courage if he is to get any answers for Emily’s disappearance.

Brick is one of those films that was always sort of on my radar but never a film I purposely sought out. To understand why, you must understand that as a rule – I hardly ever watch gritty, ultra-realistic crime films. I see enough of that stuff on the news, so I don’t feel much particular need to seek it out in films I enjoy watching. I use films as an escapist sort of entertainment. The image on the movie jacket did little to inspire any ideas I had about the film being anything other than a movie where a girl is murdered.

With that said, I recently watched this at a friend’s house in Vermont. He and his wife suggested a few of us all watch it for a “movie night” of sorts, and I’m glad he did. First off – this is not ultra-realistic at all. This is a blend of Noir and a sort of high-school/teen drama film. You wouldn’t think such a combination would be satisfying or poignant, but you’d be just as wrong as I was. The ultra-stylistic dialogue and the snappy cinematography  and the quirky characters had me intently watching the screen for the duration of the film.

Joseph Gordon-Levitt turns in a great performance as Brendan. Lukas Haas is very hilarious and on point as The Pin while Noah Fleiss’ portrayal of a henchman named Tugger had me laughing at several points. This is a dark comedy, for sure – as it still deals with drug trafficking and death – but it’s all set against the backdrop of High School, something most of us can relate to. The noir world that the characters inhabit is very believable within its own context and pretty much everything about the film is enjoyable. If you haven’t seen this film yet, give it a shot. It’s really worth taking the time to watch. (Especially if you like films such as Kiss Kiss Bang Bang)

JOE Rating: ★★★★★

Movie Trailer For Brick

 

Sin City (2005)

Original Theatrical Release Date: April 1, 2005
Director: Frank Miller, Robert Rodriguez, Quentin Tarantino

Basin City, AKA “Sin” City, is a vile place of corruption, sex, and murder. Marv (Mickey Rourke), Dwight (Clive Owen) and Hartigan (Bruce Willis) are just three hard-boiled characters with intersecting paths who are rays of light standing against the dark. Part comic book, part noir and all thrill – this adaptation of Frank Miller’s graphic novel is very faithful to the source material.

Since the sequel to this film just came out, Sin City: A Dame To Kill For, I felt like I needed to bone up on this film franchise once more before seeing the new one.

The narrative layout of the film is interesting. Vignettes showing each “main” character and their interactions with the film’s secondary characters including villains and allies, makes the world of Sin City seem large and real. Most of the shots in the film are lifted right from Frank Miller’s pages of artwork and the casting was all done very wonderfully, particularly with Mickey Rourke as Marv. (Seriously, look at the guy). You also get to see Brittany Murphy in one of her last good roles before she died….and the same with Michael Clarke Duncan as Manute.

The special effects are all very stylized, very slick, but a couple of times they look wonky. Most of that was due to the artwork not translating well to film, because of how stylized Frank Miller’s artwork is. The black and white look of the film kept everything very visually appealing. The dialogue was great noir fare, if you’re into noir – but if you’re not into noir at all it may seem hokey and even terrible in spots.

If Robert Rodriguez and/or Quentin Tarantino were to direct a comic book film, Sin City was the perfect choice for them and you can tell that they had fun directing it, which means if you’re like me – you’ll have fun watching it.

If you’re looking for strong women characters, then this typical noir setting probably isn’t for you. The women of Old Town run their prostitution rings with cold efficiency, keeping the mob and corrupt police officers on the level, but that’s about it. Most of the other women in the film gasp and toss their hands against their foreheads while the men do the real work.

The one drawback to the film is that the three main characters – Marv, Dwight and Hartigan – are all fairly similar, making the story arcs seem pretty repetitive. Clive Owen was underwhelming as Dwight. Mickey Rourke nailed Marv (as I said before) and Bruce Willis was great as Hartigan. Rosario Dawson was kinetic as Gail, and Jessica Alba was decent as Nancy Callahan. Also, Elijah Wood was surprisingly creepy in his role as Kevin and Benicio Del Toro as Jackie Boy. They weren’t in the film for very long but they definitely added very interesting bits to the story.

JOE Rating: ★★★★

Movie Trailer For Sin City

Jim Henson’s Tale of Sand (2011)

Mac, the mysterious main character, finds himself involved in a cross-desert race with only a rucksack full of odds and ends to aid him. In the meantime, he is doggedly pursued by another mysterious man known only as “Patch”, who seems to be paying everyone off. His end goals are unknown, only that he needs to somehow make it to the finish line – wherever that may be.

In this existential dark comedy, Ramon Perez and Ian Herring beautifully and expertly bring to life the only un-produced full-length script by Jim Henson (Muppets, etc…duh) and Jerry Juhl (Muppets, Fraggle Rock). Written between 1967 and 1968, the creators take you through what feels like a Terry Gilliam dreamworld fantasy rife with surreal and amazing images.

Though the dialogue is sparse, it’s meant to be that way. What really shines are the images with Perez’s pencils and Herring’s colors bringing us as close as possible to a full cinematic experience. From Arabs, to cowboys to football players you’ll be caught up in Mac’s dreamlike experiences right up until the last page.

If you love Jim Henson, you owe it to yourself to check this out. However, it IS dark and it’s not something that’s quite for the kiddos. There’s violence, gunfire and sexual themes (boobie alert) and undertones. If that doesn’t pique your curiosity, I don’t know what will.

JOE Rating: ★★★★★

Super (2010)

Frank Darbo (Rainn Wilson) is the world’s most average husband. When his recovering-addict wife, Sarah (Liv Tyler) is seduced back to the dark side and leaves him for the sleazy, drug-dealing Jacques (Kevin Bacon) he loses control of himself, until he has a vision from God telling him that he has to become a superhero and bring Jacques to justice as a new, costumed vigilante calling himself The Crimson Bolt.

I had seen Kick-Ass, which I love, before this…so I thought this would be really similar. In some ways it is, but in a lot of ways it isn’t. This is a good thing, because some of the ways in which it’s different makes it a better film.

Rainn Wilson breathes a lot of life into his character, and even though he’s a bit insane and neurotic, you begin to feel for him. Ellen Page co-stars as his kinetic and sometimes too-energetic sidekick, Boltie. Kevin Bacon is amazing as the sleazy drug dealer and arch-nemesis of The Crimson Bolt, too.

The reason this is mostly a better film than Kick-Ass is because of how dark it gets. You think, at first, that it will be a campy, funny action-comedy. It does that, but it also goes deep into our psyches and makes us confront the worst parts of ourselves. In the end, you’ll find yourself foaming at the mouth as the violence, and body count, ramps up. The film’s mood split also serves as a reminder that being a hero doesn’t go unpunished.

You need to see this film, especially if you liked Kick-Ass. Both of them are very different movies, though.

JOE Review: ★★★★★

Escape From L.A. (1996)

Original Theatrical Release Date: August 9, 1996
Director: John Carpenter

It’s 2013 and Los Angeles is now an island for undesirables, deported from America by the U.S. Government. Once you go there, you can never get back. The President’s daughter, Utopia (A.J. Langer), steals a doomsday device and heads for the island in order to help free the prisoners there and daddy isn’t happy. He gets Snake Plissken (Kurt Russell) to go after her by having him injected with a disease that will end his life in hours and promising him the cure if he’s successful. However, a revolutionary named Cuervo Jones (Georges Corraface) and L.A.’s many dangerous denizens stand in the way.

Sequels are rarely ever able to outshine the originals, and this film is no exception.

The entire movie is a tongue-in-cheek commentary on the entire culture of Los Angeles, and that it probably the most entertaining aspect of the film. It’s an action film that doesn’t take itself too seriously, and that is fun for the most part but makes for a movie that’s hard to become attached to, unlike the first film Escape From New York.

Kurt Russell really channels his inner Clint Eastwood for this installment, and other actors such as Steve Buscemi and Peter Fonda fall into their roles with seemingly great joy. Who doesn’t want to see Bruce Campbell as the Surgeon General of Beverly Hills?

The movie plays out like an Extreme Sports story, with Kurt Russell taking on extreme forms of basketball, hang gliding and surfing, which is really strange in the context of this film, but made for some entertaining scenes.

The special effects have not held up well over time and some of them, while laughably funny, tend to take you right out of the movie. However, at this point in his career it seemed like John Carpenter was just having some fun, and the fun did shine through and it’s sort of infectious.

Still, for those who weren’t introduced to this series of films back when they originally came out, it might be hard to fully appreciate this sequel by today’s standards, though the original still holds up.

JOE Rating: ★★★

Movie Trailer For Escape From L.A.

Iron Man 3 (2013)

Original Theatrical Release: May 3, 2013
Director: Shane Black

Tony Stark (Robert Downey Jr.), aka Iron Man, hasn’t been the same since the events in The Avengers. After somehow surviving the wormhole and helping to mop up the invading aliens, he has developed post traumatic stress disorder, unable to sleep and letting his tinkering get in the way of his relationship with Pepper Potts (Gwyneth Paltrow). When a terrorist calling himself the Mandarin (Ben Kingsley) starts to attack America with a series of explosive attacks and inadvertantly puts Pepper’s bodyguard Happy Hogan (Jon Favreau) into a coma, Stark issues a challenge to the terrorist, resulting in a chain of events that will force Tony to confront his issues with himself and with his creation Iron Man, as well.

While not my favorite of the three Iron Man movies, this one was decent and I don’t really have much in the way of complaints, aside from a few sequences that could have been more exciting and the ending being wrapped up too neatly.

The film is much darker in tone than the previous movies, and it also deals much more with Tony Stark than it does with Iron Man. He must decide if it’s Tony that’s in control or if it’s  the armor that dictates who he is. It’s a journey of self-discovery for Stark, and Shane Black seemed to be able to capture the inner struggles that Tony is facing since the insane events taking place in The Avengers.

Robert Downey Jr. was amazing, as always, and likewise for the rest of the cast. We got to see more of Don Cheadle as Rhodes, and his character was developed a bit more in this film than in previous entries into the franchise. Likewise for Gwyneth Paltrow as Pepper Potts. She wasn’t just cast to banter back and forth with Tony like in the first and second films. Here we got to see her as more of an independent character with her own motivations and goals.

It was neat to see all the different armors, and the special effects were pretty great as usual.

Don’t go into this film expecting straight-on Marvel canon. The storyline for this film, at least part of it, was taken from the Extremis storyline by Warren Ellis….but it has its own spin, as is usually the case with film versions of comic book properties.

Like The Dark Knight Rises, this film was more about the man than the superhero. Keep that in mind, because some people are bound to be disappointed with the lack of actual Iron Man screen time as compared to Tony Stark screen time. However, the journey is worth it. Go see it. It’s a nice cap to the trilogy and should make things more interesting once Avengers 2 rolls around.

JOE Rating: ★ ★ ★ ★

Movie Trailer For Iron Man 3

Next Avengers: Heroes of Tomorrow (2008)

Original Theatrical Release: September 2, 2008
Director: Jay Oliva, Gary Hartle

It’s been around twelve years since the Avengers were defeated and scattered by the villainous android known as Ultron. Captain America, Wasp, Giant Man, Black Panther, Hawkeye and Black Widow are all dead. Thor (Michael Adamthwaite) is in Asgard and Hulk (Fred Tatasciore) is missing. Iron Man (Tom Kane) and Vision (Shawn Macdonald) are the only ones left but Iron Man is in charge of protecting the children of the original Avengers: James (Noah C. Crawford) – the son of Captain America and Black Widow, Torunn (Brenna O’Brien) – the daughter of Thor, Pym (Aidan Drummond) – the son of Giant Man and Wasp, Azari (Dempsey Pappion) – son of Black Panther and….Hawkeye (Adrian Petriw) – son of, well….Hawkeye.

It starts out a little slow and depressing, what with some of the kids (Pym especially) being annoying and all the cool Avengers being dead or gone.

The animation and action sequences were fairly well-done, but it might be a little too “cartoony” for some older viewers. It’s very reminiscent of a Saturday morning cartoon special, but depending on how you look at it, that could be a good thing, too.

The take on the Avengers’ kids was kind of a neat idea but some of the character motivations were a little vague and seemed thrown in there. (Thor seems to have basically let the Avengers be slaughtered). While we’re at it, for a kid’s flick, this is pretty dark. It deals with death and it deals with loss. Grown-up themes for the kiddos, in my opinion, but as long as a parent is watching with the kids and can explain all that stuff if they need to ask, it should be fine.

All-in-all, it was good to watch just as sort of a “What If?” type of thing.

JOE Rating: ★★★

Oh, and if you like The Hulk and all things Hulk-related, check out The Collectionary….where you’ll be able to find a HULKING (get it LOL) amount of merchandise for all your collecting needs.

Movie Trailer For Next Avengers: Heroes Of Tomorrow

Helheim Issue One (March 2013)

Publisher: Oni Press
Creative Team: Cullen Bunn, Joelle Jones

A small viking settlement is under attack by savage wild men and supernatural creatures. A small band of viking warriors is all that protects the village from gruesome death and destruction. During a raid, Rikard – one of their best warriors – is cut down but finds himself resurrected by the power of a witch. Now, he will stand against the dark with abilities far more powerful than any normal man.

The guy at the comic store recommended this to me and I like anything viking-related, so I was like “Sure, I’ll give this one a shot”. First off, the artwork was pretty decent. Joelle Jones did the awesome, very-stylistic illustrations. Nick Filardi used muted colors that suited the mood well. Lettering was by Ed Brisson, and I found no problems with it. It was only the first issue so it was really hard to tell whether or not I liked the writing by Cullen Bunn. The story seemed clear enough, but I think I will need to go through the entire arc to judge that.

Overall, for a first issue, it had me somewhat intrigued but the end was sort of anti-climactic. Rikard should have been showcased on the last page much better than he was, but he wasn’t. Ah, well. It was a fun viking romp, for sure, but so far it doesn’t seem to stand out especially well. We’ll see what the future holds for this series.

JOE Rating: ★★★

Here’s a sample page from Helheim #1 to check out

Labyrinth (1986)

Original Theatrical Release: June 27, 1986
Director: Jim Henson

Sarah (Jennifer Connelly) is a fifteen-year old girl who lives her life in a fantasy world after her mother dies. She is unhappy with her current stepmother (like in any good fairytale) and resents being left home to watch her baby brother Toby while her father wines and dines the would-be-replacement mother. In a fit of rage, she wishes for the Goblin King, Jareth (David Bowie) to take him away. When he does, she realizes the mistake she’s made and must traverse Jareth’s labyrinth and make her way to his castle in only thirteen hours or Toby will be gone forever.

When this movie first came out, I was five years old. Back then, Jim Henson was a god (and still is, I guess), at the height of his popularity. Sesame Street and The Muppets were king…along with Fraggle Rock and all those other Jim Henson vehicles.

This was a movie we watched every year, and I still do. Jennifer Connelly was as beautiful and talented as ever back then and David Bowie’s role in this movie is untouchable, even though at one point they were considering having Michael Jackson as Jareth. (That would be so weird!)

Some of the special effects, by today’s CGI standards, are outdated but still hold a certain charm not available to CGI characters. The sets are beautiful and Jim Henson’s creations really shine and come to life.

The characters are all amazing and even though the story is simple and sort of familiar, drawing on many fairy tale and fantasy tropes, everything else combined makes it stand out from a lot of other films and media with the same types of themes.

The music is where it’s really at, though. The mood. The relationship between Jareth and Sarah. It’s all very well-conceived and I think even if you didn’t grow up with the film you could still watch it today with your kids and let them enjoy it before they are indoctrinated with all the CGI effect-laden films and cartoons we have today.

This is one of my favorite films of all time. Can you tell? This is me, cosplaying as Jareth himself.

JOE Rating: ★★★★★

Movie Trailer For Labyrinth