Sin City (2005)

Original Theatrical Release Date: April 1, 2005
Director: Frank Miller, Robert Rodriguez, Quentin Tarantino

Basin City, AKA “Sin” City, is a vile place of corruption, sex, and murder. Marv (Mickey Rourke), Dwight (Clive Owen) and Hartigan (Bruce Willis) are just three hard-boiled characters with intersecting paths who are rays of light standing against the dark. Part comic book, part noir and all thrill – this adaptation of Frank Miller’s graphic novel is very faithful to the source material.

Since the sequel to this film just came out, Sin City: A Dame To Kill For, I felt like I needed to bone up on this film franchise once more before seeing the new one.

The narrative layout of the film is interesting. Vignettes showing each “main” character and their interactions with the film’s secondary characters including villains and allies, makes the world of Sin City seem large and real. Most of the shots in the film are lifted right from Frank Miller’s pages of artwork and the casting was all done very wonderfully, particularly with Mickey Rourke as Marv. (Seriously, look at the guy). You also get to see Brittany Murphy in one of her last good roles before she died….and the same with Michael Clarke Duncan as Manute.

The special effects are all very stylized, very slick, but a couple of times they look wonky. Most of that was due to the artwork not translating well to film, because of how stylized Frank Miller’s artwork is. The black and white look of the film kept everything very visually appealing. The dialogue was great noir fare, if you’re into noir – but if you’re not into noir at all it may seem hokey and even terrible in spots.

If Robert Rodriguez and/or Quentin Tarantino were to direct a comic book film, Sin City was the perfect choice for them and you can tell that they had fun directing it, which means if you’re like me – you’ll have fun watching it.

If you’re looking for strong women characters, then this typical noir setting probably isn’t for you. The women of Old Town run their prostitution rings with cold efficiency, keeping the mob and corrupt police officers on the level, but that’s about it. Most of the other women in the film gasp and toss their hands against their foreheads while the men do the real work.

The one drawback to the film is that the three main characters – Marv, Dwight and Hartigan – are all fairly similar, making the story arcs seem pretty repetitive. Clive Owen was underwhelming as Dwight. Mickey Rourke nailed Marv (as I said before) and Bruce Willis was great as Hartigan. Rosario Dawson was kinetic as Gail, and Jessica Alba was decent as Nancy Callahan. Also, Elijah Wood was surprisingly creepy in his role as Kevin and Benicio Del Toro as Jackie Boy. They weren’t in the film for very long but they definitely added very interesting bits to the story.

JOE Rating: ★★★★

Movie Trailer For Sin City

V For Vendetta (2005)

Original Theatrical Release: March 17, 2006
Director: James McTeigue

A shadowy and theatrical freedom fighter, only known as V (Hugo Weaving), wages a war with terrorist tactics against a corrupt and totalitarian government. When he rescues a girl named Evey (Natalie Portman) from some also-corrupt secret police, she becomes entangled in his endeavors and may be the best ally he’s known.

The first half of this film opens up with a lot of panache. I was caught up right off the bat with the atmosphere and the established setting. This carried me through all the way to the middle of the film where I felt that the movie was bogged down a lot and lost its frenetic pacing.

The source material, of course, was Alan Moore’s graphic novel of the same name and the film managed to evoke most of what Moore was trying to accomplish, but in the end, I think, the source material always does things that a movie cannot. Also, the graphic novel focused more on V’s attempts to enlist Evey to carry out his legacy, whereas the movie, I felt, showed that he cared about Evey’s involvement but ultimately wanted to inspire a revolution rather than solely rely on her.

The two works are completely different in my mind, which is something I always try to do when looking at one work which is based on another work. I think overall, the film managed to capture some qualities of the graphic novel but it was ultimately the Wachowski’s own message that came across.

The action scenes were all well-done and there wasn’t a terrible amount of CGI. Hugo Weaving was the best thing about this movie because I never envisioned V’s dialogue being able to be correctly brought onto the screen but he did it with great skill. Natalie Portman was lovely and talented, as usual and it was great she was willing to shave her head for the role. Kudos.

This is a great film, and could have been exceptional but for the mid-movie backstory dump that slogged the film down. Still, go watch it, it’s a lot of fun.

JOE Rating: ★★★★

Movie Trailer For V For Vendetta