Godzilla (2014)

Original Theatrical Release Date: May 16, 2014
Director: Gareth Edwards

A Japanese power plant is destroyed by an unknown force in 1999. Joe Brody (Bryan Cranston) narrowly avoids death, but his wife is not so lucky. Years later, Ford Brody (Aaron Taylor-Johnson), Joe’s son,  has mostly severed contact with his obsessed father, who searches for answers to the disaster in Japan. When Joe is arrested, Ford reluctantly travels to Japan to bail him out and the two of them find themselves witness to the awakening of a creature who lurks in the ocean’s waters underneath the radioactive ruins of the Janjira nuclear plant. To battle this new menace, Godzilla rises from the deep once more.

There are a couple of weird things about this movie.

1. It’s more of a disaster movie than anything else.
2. Godzilla, for whom the movie was named, is barely in it.

With that said – this movie was very enjoyable, at least to me. It was by no means perfect, but considering all the Godzilla and Godzilla-inspired garbage we’ve had to collectively endure since the big lizard made his debut back in the day, I’ll take that as a solid win.

Gareth Edwards and the screenwriters made the right decision by including more of the human side to get us, as the audience, invested in what’s happening. Sure, it could’ve been all “Hey, it’s Godzilla – lets have him pound on an irradiated unicorn to Nikki Minaj’s Anaconda as the backdrop for 45 minutes”, and maybe that still would’ve been fun…but when we know the humans who are about to take a dirt nap, we care a bit more. Still, I think they could’ve brought in Godzilla a bit earlier, or at least stretched out Bryan Cranston’s part a bit more. Aaron Taylor-Johnson was pretty vanilla in his depiction of a son with a dead mother and an insanely obsessed father, which made Cranston’s small screen time seem like the entire focus of the film for the first hour or so.

When Godzilla finally does emerge from the sea and start kicking kaiju ass, it’s handled very well. There are casualties that one would expect from big monsters duking it out in the city. They also managed to give Godzilla a decent look and the special effects were pretty nice as well, despite being CGI. They integrated that aspect much better than some other films out there.

If you’re looking for some decent kaiju action or if you are a Godzilla fan or even a disaster movie junkie – give this one a try. It’s just enough to satisfy and well-done enough to not leaving you feeling empty like some of its predecessors managed to do.

JOE Rating: ★★★★

Movie Trailer For Godzilla

Drive (2011)

A stunt driver and wheelman-for-hire (Ryan Gosling) finds himself drawn to his neighbor, the damaged and vulnerable Irene (Carey Mulligan). Though he is a loner by nature, he ends up in the middle of way more contact than he bargained for when Irene’s ex-con husband, Standard (Oscar Isaac), returns from behind bars and “Driver” needs to step in to ensure that Irene and her boy are safe from thugs trying to extort money from the newly-freed con. After agreeing to help Standard with a heist, it goes belly-up and Driver finds his own life in danger as he tries to make his way to the source of all the trouble.

First of all, this movie is based on the novel Drive by James Sallis. The film’s plot and the movie’s plot have virtually the same identical plots but many of the book’s characters have been combined to form singular characters in the movie for the sake of film, which for me, works.

Ryan Gosling is hit or miss with me. I have no doubt about his acting chops, but he often seems relegated to the same non-speaking roles aside from a few exceptions. I was looking forward to his role in this film after seeing him in Lars and the Real Girl, which is the complete opposite of his role in this film. The normal charm and boyish innocence were gone in this movie, which was refreshing, and I think he held up great next to the presence of Ron Perlman. It was nice to see Bryan Cranston in something, since he’s so great in Breaking Bad.

The soundtrack was great and the opening scene was intense and made my heart rate go up, which is a nice achievement. The whole film had sort of a 1980’s feel about it, from the movie’s logo writing to the music and dress. It was neat.

The silence of the Driver character played by Gosling worked in the context of this movie but I’d really like him to go for roles with more dialogue so I can get more of a feel for his acting ability, aside from his great use of facial expression. Still, this movie (like the book) was all about the noir feel….and Driver not having much dialogue and being so mysterious obviously works for this.

Aside from a few minor nitpicks, this movie delivered on all levels. Good action reminiscent of driving scenes straight out of The French Connection….good acting….good story.

JOE Rating: ★★★★

Breaking Bad: Season 1 (2008)

Original Air Date: January 20, 2008
Stations Airing: AMC
Number Of Episodes In Season: 7

Walter White (Bryan Cranston) is a high school chemistry teacher who discovers that he only has two more years left to live because of his unexpected stage III cancer. With nothing left to lose, and no other means to provide for his family, he enlists the aid of Jesse Pinkman (Aaron Paul), a bright but broken junkie and former student to help him distribute some crystal meth, which “Walt” is very proficient at creating. Soon, the duo find themselves not only at odds with each other but also crossing paths with heavy-duty drug dealers like the insane and violent Tuco (Raymond Cruz) as Walt and Jesse shoulder in on the meth-dealing business.

I had been extremely excited for this show upon seeing the original trailers on AMC back when I had cable. When it finally came on, I was not disappointed. I missed most of the original airing, but recently caught up on all the episodes using Netflix.

Right off the bat, the series and season one starts off at a decent pace, and you really get to both fear and love Walt by the end. I would say that the beginning half of the season is a nice segway into the dark, frenetic and chaotic second half with episodes like Crazy Handful of Nothin’ where Walt shaves his head and begins to really embrace his inner gangster. The dichotomy of Walter White, chemistry teacher with an extreme illness and Heisenberg, the meth-producing hard-ass is amazing and I can think of no better-written show in memory that could stand up to this series.

The relationship between Walt and Jesse is really, extremely well-done and is the subject of discussion even now among some of my friends. One of my friends, actually, (if you’re interested at all) has many theories about the show, especially when it comes to color symbolism. Check her out, but be careful because there might be spoilers if you haven’t seen the entire series yet. She makes some good points and observations, for sure, though. Her name is Erin Enberg and her website is HERE.

Breaking Bad has inspired so much conversation, between things like plot and characters, to other things like color symbolism. It’s that good. Do yourself a favor and check it out if you haven’t already. Just be prepared to become addicted to the show and not see the light of day until the series is over.

And even if you’ve already followed the show through to its satisfying conclusion, I found that it’s best to re-watch the series again right away from the beginning. You’ll really see how the characters have changed, mostly for the worse. Now get out of here and go watch it.

JOE Rating: ★★★★★

Trailer For Season One Of Breaking Bad