Sin City (2005)

Original Theatrical Release Date: April 1, 2005
Director: Frank Miller, Robert Rodriguez, Quentin Tarantino

Basin City, AKA “Sin” City, is a vile place of corruption, sex, and murder. Marv (Mickey Rourke), Dwight (Clive Owen) and Hartigan (Bruce Willis) are just three hard-boiled characters with intersecting paths who are rays of light standing against the dark. Part comic book, part noir and all thrill – this adaptation of Frank Miller’s graphic novel is very faithful to the source material.

Since the sequel to this film just came out, Sin City: A Dame To Kill For, I felt like I needed to bone up on this film franchise once more before seeing the new one.

The narrative layout of the film is interesting. Vignettes showing each “main” character and their interactions with the film’s secondary characters including villains and allies, makes the world of Sin City seem large and real. Most of the shots in the film are lifted right from Frank Miller’s pages of artwork and the casting was all done very wonderfully, particularly with Mickey Rourke as Marv. (Seriously, look at the guy). You also get to see Brittany Murphy in one of her last good roles before she died….and the same with Michael Clarke Duncan as Manute.

The special effects are all very stylized, very slick, but a couple of times they look wonky. Most of that was due to the artwork not translating well to film, because of how stylized Frank Miller’s artwork is. The black and white look of the film kept everything very visually appealing. The dialogue was great noir fare, if you’re into noir – but if you’re not into noir at all it may seem hokey and even terrible in spots.

If Robert Rodriguez and/or Quentin Tarantino were to direct a comic book film, Sin City was the perfect choice for them and you can tell that they had fun directing it, which means if you’re like me – you’ll have fun watching it.

If you’re looking for strong women characters, then this typical noir setting probably isn’t for you. The women of Old Town run their prostitution rings with cold efficiency, keeping the mob and corrupt police officers on the level, but that’s about it. Most of the other women in the film gasp and toss their hands against their foreheads while the men do the real work.

The one drawback to the film is that the three main characters – Marv, Dwight and Hartigan – are all fairly similar, making the story arcs seem pretty repetitive. Clive Owen was underwhelming as Dwight. Mickey Rourke nailed Marv (as I said before) and Bruce Willis was great as Hartigan. Rosario Dawson was kinetic as Gail, and Jessica Alba was decent as Nancy Callahan. Also, Elijah Wood was surprisingly creepy in his role as Kevin and Benicio Del Toro as Jackie Boy. They weren’t in the film for very long but they definitely added very interesting bits to the story.

JOE Rating: ★★★★

Movie Trailer For Sin City

Guardians Of The Galaxy – (2014)

Original Theatrical Release: August 01, 2014
Director: James Gunn

Peter Quill (Chris Pratt) is an intergalactic outlaw and treasure hunter who calls himself Star-Lord. When he nabs a mysterious artifact in the form of a powerful orb, he discovers that it is being sought after by a powerful individual known as Ronan The Accuser (Lee Pace), who will stop at nothing to get it. The orb, as well as Peter’s outlaw status, puts him in contact with other misfits like Rocket (Bradley Cooper), Groot (Vin Diesel), Gamora (Zoe Saldana), and Drax the Destroyer (Dave Bautista) – all of whom must band together to survive Ronan’s crusade.

Guardians of the Galaxy was always a fringe title. It never really registered with me. I was pretty familiar with most of the characters, especially Rocket, Gamora, and Groot – but Spider-Man was usually the title I gravitated toward with mainstream comics. Maybe some Avengers or X-Men stuff. But not Guardians of the Galaxy. And if they are lesser-known to me and I’ve been reading comics since I was a wee lad, I can only imagine the reactions of some folks to these characters who are new to comics or who have no idea about the franchise. A musclebound killer? A green-skinned femme fatale? A walking tree in desperate need of a dictionary? An angry, anthropomorphic raccoon who fires guns? A sarcastic, egotistical human male flying around space like he’s a badass? Who knew it’d be so good and work so well as a film?

The key to the whole film’s success is the fact that the above characters sure ARE cool – but also the film’s resonance with our pop culture psyches via Peter Quill’s Awesome Mix-Tape that he plays on his Sony Walkman. (He was abducted by aliens in the late 1980’s – long story, and I don’t want to give anything away – so go see the film and see for yourself). The soundtrack had people swaying and bopping their heads in their seats during the showing I went to. It also makes Peter Quill accessibly human. Music is an access point that knows no language boundaries to be enjoyed.

Aside from the interesting characters and the amazing soundtrack, the casting was well done. The only complaints that I really had about the film were actually the villains. The heroes were well-established and had screen time together so that we really felt like they bonded, but Ronan’s motivation was flat and predictable. Ditto with Nebula (Karen Gillan). I would have liked to see more established backstory and/or screen time for those characters. As it is, they are very generic “we want ALL the power” villains. That is a really small gripe, though, because the main focus was really supposed to be on the Guardians themselves –  and Gunn (as well as the cast) not only excelled at that but as of right now, this is my favorite Marvel film to date.

Go see it, and make sure to stay for the end credits for a surprise cameo!

JOE Rating: ★★★★★

Movie Trailer For Guardians Of The Galaxy

Thor: The Dark World (2013)

Faced with cleaning up Asgard after Loki’s (Tom Hiddleston) treachery in the first Thor film and in The Avengers, Thor (Chris Hemsworth) has a huge task ahead before he can be with Jane Foster (Natalie Portman) on Earth. Between Thor and his flame on Midgard (Earth) stands Malekith (Christopher Eccleston) and the remnants of the Dark Elves, who want to return the universe to darkness. With Odin (Anthony Hopkins) wanting to step down from the throne and his brother Loki imprisoned, Thor must find the strength to stop the Dark Elf threat and return order to Asgard once and for all.

The tricky thing about making a Thor film is to not make it like a Superman film. Unfortunately, while this wasn’t the worst film I’ve seen….it’s just not unique enough to truly set it apart from other superhero films in the genre and it’s definitely not different enough from Man of Steel to set it apart from DC Comics’ much more popular, titular character.

The comic book version of Thor really is interesting. He’s noble and follows a code of honor but can also be a real misogynistic asshole. I mean, he’s a viking. He’s a demigod. He’s a womanizing tough guy with a heart of gold, somehow. So what we have in the movie version is a lame, good-looking, soft, warrior-archetype Superman clone with a hammer and an accent.

While I love Natalie Portman, her character in this film (and in the first) is mostly superfluous and unnecessary. It’s a way to tie him to Midgard, but the chemistry and connection between Thor and Jane doesn’t really exist on-screen and so when Thor wants to return to Earth to be with her, it’s just not believable. They should have focused more on his relationship with Sif (who is much more interesting than Jane, and a much stronger woman character). Whatever time Sif and Thor share onscreen is more dramatic and poignant than time spent between Jane and Thor. (I also want to note that people think Jane’s character is a sexist trope, but Thor is a demigod. She’s meant to be smitten by him. Guys would be equally as smitten by Sif if she showed up, as long as she didn’t disembowel them.)

Thor: The Dark World had the promise of being a more rich and intensive film experience than the first film, but really….it sort of fell short. Loki was the one saving grace of the film, not only because Hiddleston is a fantastic actor but because Loki’s character is allowed to roam free in the realm of human morality. Thor has that ability, too. He’s not just a jock with a hammer. He’s not just an alien demigod with a penchant for eating mutton and bedding babes. He’s Thor. He’s badass. Too bad he really wasn’t in this film.

It’s worth seeing at least once to complete the Avengers tie-ins (and it IS Thor), and there’s kind of a weird/creepy/unexpected cameo bit after the credits with someone you wouldn’t expect to see in a Marvel film. It just should’ve been better.

JOE Rating: ★★★