Hey, all – if anyone is still reading this blog, you know it’s now 2018 and I haven’t really posted on this one in about four years. This is mostly due to having another blog which I enjoy writing on very much called Away With Words here on WordPress. However, that blog is a very different sort of blog with various personal stories, book reviews, and short fiction along with writing prompts and travel and opinion pieces.
Here’s the thing – I miss doing reviews. Aside from the books, my other blog isn’t really a space for that. So, I am dipping my toes in once again, and I plan to start slow and catch up on some reviews of games and movies and anything else I’ve seen/played since 2014 (sounds like a lot already). We’ll see how it goes. If people like the new reviews, maybe I’ll stick with it. Who knows.
In any case, thank you for the continued interest in this blog to all of you who’ve popped in over the past four years, off and on. I hope the new ones live up to the old.
In Red Dead Redemption 2, players assume control of Arthur Morgan – the ornery, unofficial right-hand man to Dutch Van Der Linde (players may remember Dutch from his prominent role in Red Dead Redemption – and, yes – this is a prequel, taking place in between Red Dead Redemption and Red Dead Revolver). As Arthur, players will assist Dutch and the gang in various heists and will eventually decide if they wish to be pure evil or become a wild west version of Robin Hood. Along the way, there will be lots of backstabbing, betrayal, and bloodshed no matter which path you choose.
If you’re familiar at all with Red Dead Redemption – you’ll be right at home. If not, then don’t worry – there are plenty of opportunities in-game for you to practice different skills and controls. And, if like me you’re familiar with the rest of the Red Dead games – there’s enough changes to keep things fresh and exciting. As Dutch would say – “Don’t worry.”
The game is massive – and that’s not even including Red Dead Redemption 2‘s online mode – which essentially makes the game endlessly replayable. There’s at least 60+ hours of content in the main story alone, with lots of side quests and exploration to do aside from the main story.
Though the game’s online mode is still a bit buggy and the economy is somewhat broken – the online play is still in beta, and it’s said that Rockstar is ironing out a lot of the problems already. Even with the bugs and the broken currency, I’ve still had a blast online getting mercilessly murdered by fellow players for simply walking in their relative vicinity. However, where RDR2 really shines is its story mode – an epic western which meanders over miles of in-game terrain. Even though we all know what happens to Dutch and the gang via the story we experienced in the original Red Dead Redemption – we don’t necessarily know what happens to Arthur Morgan, which is great because it keeps an element of surprise within the story we already expect, enabling Rockstar to deliver a western tale with much more emotional weight than you’d think, truly delivering on all fronts.
The graphics are amazing, the score is amazing, the gameplay is addictive, and the characters and setting are compelling. The amount of detail that went into this game is unbelievable. Play it, and you surely won’t regret it (unless you hate westerns or open world games for some reason). This is pretty much a perfect game in my eyes.
Original Theatrical Release Date: February 7, 2014 Director: George Clooney
Frank Stokes (George Clooney) is tasked by FDR to assemble a team of art experts – The Monuments Men – to retrieve stolen artwork from the Nazis during World War II and return the masterpieces to their respective owners. Once behind enemy lines, Stokes and his crew come to realize what they are truly fighting for – the history and culture of all mankind.
To be honest, I’d never even heard of this film. My girlfriend and I decided to rent it on a whim while we were browsing the RedBox outside our local convenience store. We were sort of on a Bill Murray kick (he plays Richard Campbell in The Monuments Men) and that was what prompted us to try it out.
First off, this is based on a true story. I’m not exactly sure how faithful the movie was in terms of historical accuracy but judging by the photos of the real operation they show during the end credits, it seems to be pretty legit.
The cast choices were all pretty solid – George Clooney, Bill Murray, Matt Damon, Cate Blanchett, John Goodman, Bob Balaban – can’t really go wrong with any of those people. Clooney is the only one who just seems to constantly play the same character in different movies and this one is no exception.
Though the story was interesting enough from a historical point of view, the excitement didn’t really build a lot in movie form, meaning that while I enjoyed very much learning about this facet of World War II that I had never heard of, I think I would be more interested in reading about it and getting every single detail, historically accurate, than watching this film. There was no real drive that I could feel within the narrative. The film is mostly propelled by the star power of the actors, which can sometimes be okay – but not here. The characters were never really fleshed out. Not even the main character, played by Clooney himself. We get the idea that it’s a bunch of dudes who aren’t really meant to succeed as soldiers and that they risked a lot by going out into a warzone, but there is no real urgency.
As it is, the film is a sort of impressionistic account of a very intriguing story that could have been fleshed out into something even more amazing. Don’t expect to be blown away by this one, people.
Original Theatrical Release Date: April 1, 2005 Director: Frank Miller, Robert Rodriguez, Quentin Tarantino
Basin City, AKA “Sin” City, is a vile place of corruption, sex, and murder. Marv (Mickey Rourke), Dwight (Clive Owen) and Hartigan (Bruce Willis) are just three hard-boiled characters with intersecting paths who are rays of light standing against the dark. Part comic book, part noir and all thrill – this adaptation of Frank Miller’s graphic novel is very faithful to the source material.
Since the sequel to this film just came out, Sin City: A Dame To Kill For, I felt like I needed to bone up on this film franchise once more before seeing the new one.
The narrative layout of the film is interesting. Vignettes showing each “main” character and their interactions with the film’s secondary characters including villains and allies, makes the world of Sin City seem large and real. Most of the shots in the film are lifted right from Frank Miller’s pages of artwork and the casting was all done very wonderfully, particularly with Mickey Rourke as Marv. (Seriously, look at the guy). You also get to see Brittany Murphy in one of her last good roles before she died….and the same with Michael Clarke Duncan as Manute.
The special effects are all very stylized, very slick, but a couple of times they look wonky. Most of that was due to the artwork not translating well to film, because of how stylized Frank Miller’s artwork is. The black and white look of the film kept everything very visually appealing. The dialogue was great noir fare, if you’re into noir – but if you’re not into noir at all it may seem hokey and even terrible in spots.
If Robert Rodriguez and/or Quentin Tarantino were to direct a comic book film, Sin City was the perfect choice for them and you can tell that they had fun directing it, which means if you’re like me – you’ll have fun watching it.
If you’re looking for strong women characters, then this typical noir setting probably isn’t for you. The women of Old Town run their prostitution rings with cold efficiency, keeping the mob and corrupt police officers on the level, but that’s about it. Most of the other women in the film gasp and toss their hands against their foreheads while the men do the real work.
The one drawback to the film is that the three main characters – Marv, Dwight and Hartigan – are all fairly similar, making the story arcs seem pretty repetitive. Clive Owen was underwhelming as Dwight. Mickey Rourke nailed Marv (as I said before) and Bruce Willis was great as Hartigan. Rosario Dawson was kinetic as Gail, and Jessica Alba was decent as Nancy Callahan. Also, Elijah Wood was surprisingly creepy in his role as Kevin and Benicio Del Toro as Jackie Boy. They weren’t in the film for very long but they definitely added very interesting bits to the story.
Author Roger Sabin weaves together a tight narrative of the entire history of the comic book medium, moving from its beginnings in the Middle Ages (yes, that’s right, way back in medieval times) and how it has evolved into the art form and pop culture powerhouse we know and love today. Explore how the comic book moved from being newspaper fodder to hard-hitting social commentary and how it fell from grace before rising like a phoenix once the comic book witch hunt ended after the 1950’s. With plenty of great full-cover photo references to go along with the narrative, Sabin creates a helpful tome of comic book knowledge that will give you a one-up on all of your nerdy comic book friends who THINK they’ve heard everything there is to hear about comic books. I picked this book up at the library because I was writing a research paper and was pleased with just how much information was packed into its pages. It provided a good chunk of my research content and on top of that, I learned a ton of new stuff.
I have seen some folks posting about this, saying it was biased or what have you, but I didn’t really get any of those vibes from anything within. It was a great trip down memory lane, too, seeing all the old comic book covers and comic book pages displayed throughout the entirety of the book.
Give this a shot if you can find it. I think it’s on Amazon.com. It would make a killer addition to the coffee table collection, or in an office somewhere.
Deodato Taumaturgo Borges Filho – AKA Mike Deodato – is one of the biggest talents in comic books today. His pencils have appeared in works such as Thor, Incredible Hulk, Thunderbolts, Amazing Spider-Man and Dark Avengers – and they present a realistic-looking take on the Marvel Universe that gives weight to this imaginary world of caped crusaders and dastardly villains.
Each chapter of the book is dedicated to his work on different titles – like Thor, Elektra, Incredible Hulk, Amazing Spider-Man, Spectacular Spider-Man, Spider-Man Unlimited, Thunderbolts, Avengers, New Avengers, Dark Avengers, Secret Avengers, Wolverine: Origins, X-Men: Legacy, X-Men: Unlimited, Witches, Tigra, Moon Knight, Punisher and more.
Additional chapters focus on Mike’s development as a comic book artist and samples of his cover art from 2002-2010. It’s nice to hear in Mike’s own words about how he became the artist he is today, and the cover samples are nice to look at.
Basically, unless you hate Deodato’s art style then this book is for you. Art galore and Marvel goodness all mixed up in one easily-accessible coffee-table book.
Shanna, The She-Devil collects issues #1-7 of the series of the same name by Marvel Comics, with art and writing by Frank Cho and colors by Jason Keith and Dave Stewart.
Shanna is a Nazi science experiment in the form of an Amazonian jungle girl with a killer body and killer instinct, living on an island teeming with prehistoric horrors. When a paramilitary group becomes stranded on the island after crash-landing, they discover Shanna and quickly learn that she is a genetically-engineered super-weapon. Luckily she is, because she’s the only one who can help defend them against T-Rexes and massive hordes of Velociraptors, among other things.
Frank Cho is one of the best artists around and I checked out the book primarily to see his work. I honestly didn’t know what to expect from the writing side of things, but the seven issues included in this trade has a pretty decent story arc and plays out like an action film.
Some may be turned off by the titillation, but Cho is a master at rendering women who aren’t just waify, sexy supermodel-types who just happen to have super-strength spouting from some unseen source – Shanna actually looks the part. Her thighs are dense and her arms and back muscular, and when she impales a dinosaur with a massive tree trunk, you believe that she did it. When you see her knocked into a car by a T-Rex and still manages to get up, you believe it. Shanna is also not stupid and while different men try to take advantage of her in the book, she sets them straight pretty fast.
The colors only add to the visuals, and the dinosaurs are all very nicely-rendered as well as backgrounds, vehicles….everything. Nothing is forgotten and everything stands out in an exceptional way.
This is worth a read if you like adventure stories, dinosaur tales and books like Red Sonja or Vampirella. You may come for the titillation and gorgeous art but you’ll stay for the substance. Give it a try.
Mac, the mysterious main character, finds himself involved in a cross-desert race with only a rucksack full of odds and ends to aid him. In the meantime, he is doggedly pursued by another mysterious man known only as “Patch”, who seems to be paying everyone off. His end goals are unknown, only that he needs to somehow make it to the finish line – wherever that may be.
In this existential dark comedy, Ramon Perez and Ian Herring beautifully and expertly bring to life the only un-produced full-length script by Jim Henson (Muppets, etc…duh) and Jerry Juhl (Muppets, Fraggle Rock). Written between 1967 and 1968, the creators take you through what feels like a Terry Gilliam dreamworld fantasy rife with surreal and amazing images.
Though the dialogue is sparse, it’s meant to be that way. What really shines are the images with Perez’s pencils and Herring’s colors bringing us as close as possible to a full cinematic experience. From Arabs, to cowboys to football players you’ll be caught up in Mac’s dreamlike experiences right up until the last page.
If you love Jim Henson, you owe it to yourself to check this out. However, it IS dark and it’s not something that’s quite for the kiddos. There’s violence, gunfire and sexual themes (boobie alert) and undertones. If that doesn’t pique your curiosity, I don’t know what will.
So, I’ve been sort of sporadic about updating the blog because not only have I been busy with school (I get my Master’s Degree in June, hopefully!) but also….it has been Halloween/Comic Convention season during the past couple of months.
If any of you know me, you know what this entails: Lots and lots of time and money spent costuming.
So, I went to Coast City Comicon in Portland, Maine (where I live) and also to Super Megafest in Framingham, Massachusetts. Both were really fun, with Coast City Comicon being a true comic convention while Super Megafest was more of a pop culture convention.
I dressed up as Obi-Wan Kenobi for all of the events and was able to meet some really cool people. Ray Park (Darth Maul from Star Wars: Episode One) stabbed me with my own lightsaber. I taught Ernie Hudson (Winston from Ghostbusters) the ways of the Force. I also got to meet Lee Weeks (Artist from Daredevil) and J.K. Woodward (Dr. Who/Star Trek).
Here are some of the pics to show you how busy I’ve been. 🙂
Me with my friends Spencer Doe (Snake Eyes) and Nicole Marie Jean (Shredder) at Super Megafest
Me with some other Obi-Wan cosplayers of various ages at Super Megafest
Me with Ray Park (Darth Maul from Star Wars: Episode One) at Super Megafest
Me with Sergeant Slaughter at Super Megafest! He was one of my childhood heroes!
Lots of other talented Super Megafest Star Wars Cosplayers.
Me, teaching Ernie Hudson (Winston from Ghostbusters) some new tricks!
Me with Slave Leia at Super Megafest
Me with Chewie in Salem, Mass
Me with Boba Fett and a Stormtrooper in Portland, Maine on Halloween
Me squaring off against Vader in Salem, Mass
Me with Strawberry Shortcake in Salem, Mass
Me promoting artist J.K. Woodward’s site as Obi-Wan at Coast City Comicon
The Mandalorian Mercs finally got me as Obi-Wan at Coast City Comicon
Professor John Oldman (David Lee Smith) is moving away from everything he knows after ten years or so. He says that he just has the itch to leave and get out, to go somewhere new…but his friends are skeptical and after interrogating him, John reveals to them a secret that he’s been holding on to for 14,000 years: He’s a cro-magnon man who has never aged past 35.
A friend recommended this film to me and I watched it the other night on Netflix. It was pretty enjoyable for the most part.
The movie was probably better off as being a play, It was lots of sedentary characters sitting around talking and not doing much, so it’s kind of hard to watch it as a straight movie probably, for people who wouldn’t normally have the patience for stage plays.
However, the writing was very good so every conversation led to some new revelation that made me say “what’s next?” I didn’t get bored much at all. It was maybe a teensy bit too long. Other than that, the acting could have used a touch-up, too.
Overall, this is pretty entertaining. It has the feeling of one of those late-night conversations you have with your friends around a bonfire.