Horrible Bosses (2011)

Original Theatrical Release Date: July 8, 2011
Director: Seth Gordon

Three lovable losers all have one thing in common: They have horrible bosses. One is a narcissistic elitist prick. One is a conniving, sexual predator. One is a coke fiend with a penchant for martial arts weapons. Nick (Jason Bateman), Kurt (Jason Sudeikis), and Dale (Charlie Day) decide to do something about it and enlist a murder consultant named Dean “Mother Fucker” Jones (Jamie Foxx) to help them off their bosses.

When I first heard about this movie, I wasn’t too keen on going to see it. Sure, it seemed like it could be a good time but I’ve been growing increasingly tired of the “three dude bros” comedy formula made popular by movies like The Hangover. Still, my girlfriend and I popped this one in for a movie night with a friend and we enjoyed some genuine laughs, despite the “tried-and-true” movie formula.

First off, what the movie has going for it is mainly star power. Jason Bateman, Charlie Day, Kevin Spacey, Colin Farrell – you can’t beat that. Jennifer Aniston and Jason Sudeikis are just “okay”. The second thing the movie has going for it is a solid premise. Who doesn’t hate their boss, at least a little bit? This provides instant sympathy when Jason Bateman is berated for being a mere two minutes late on his clock-in. Plus, just look at how the bosses are portrayed on screen – just looking at them, without even seeing the film, you know what kind of characters they are.

Kevin Spacey – not to be trifled with.

Jennifer Aniston – lax on the dress code at work.

Colin Farrell – sleazeball, anyone?

Unfortunately, what this movie doesn’t have going for it is a compelling enough story to keep the interest for as long as the movie is. Seriously, it seemed like it took forever to end. I like my comedies short and sweet. The director could have dumped about a quarter of schlock and jokes that didn’t work and it would have been much more succinct and enjoyable. Add to that the promising premise being washed away in unfulfilling payoffs for the main characters and we have ourselves just a “meh” comedy.

With all the star power these comedians provided, along with the dark/funny premise – this should have been a knockout. As it is, I’m sure it’s fine for a watch or two but I’m guessing that it’s not going to knock your socks off.

JOE Rating: ★★★

Movie Trailer For Horrible Bosses

 

Sucker Punch (2011)

Original Theatrical Release Date: March 25, 2011
Director: Zack Snyder

Babydoll (Emily Browning) has to deal with her abusive father. He goes too far one night and directs his attention toward her younger sister in retaliation, forcing Babydoll to take drastic action. When her attempt to kill him fails, she is placed in an institution. Attempting to cope with her new situation, Babydoll escapes into her own mind and tries to find a way out of her new prison.

I really, really wanted to like this film more than I did. Zack Snyder, because he did 300 – said he wanted to do a movie with mostly women. I liked 300 and thought this could be great. It had beautiful women in scant clothing, intense action scenes, appealing music, and fantastic imagery. It seems like the perfect formula, but unfortunately the film fell short in many places.

First off – the pacing. I’m a fan of the occasional slow-motion sequence every now and then but in Sucker Punch, I felt like the entire movie was in slow motion…and most of it literally was. If done correctly, slow-motion can be a powerful tool. However, this film almost seemed more like a music video. Actually, that’s really what it became, when you look at it objectively. Lots of slow-motion sequences set to popular music. Scantily-clad women. Fantastical action sequences. Throw in some hair metal and you’re good to go.

The story was threadbare, and Babydoll’s journey felt tedious and repetitious when it should have been exciting. The action scenes were cool for the most part but the heavy use of CGI takes you out of the established narrative sometimes, creating a break in the link between belief and disbelief. The only real reason I can think of that would make anyone want to watch this film more than once is just to see the beautiful actresses doing their thing. I can admit that I’ve now seen it a few times, because that’s where the film does succeed – visuals (and I’m a visual person). All the work the artists put into creating the various worlds inhabiting the Sucker Punch universe was very good and interesting. My main question, though, is why wasn’t this movie turned into a video game? It would almost certainly be more interesting than the movie.

For all its epic aspirations, this film could have been a lot better. See it if you must, appreciate it for its visuals, but I’m sure you’ll come away feeling sort of empty and blah. Perhaps even like you’ve been….SUCKER PUNCHED?! Hahahahahahahahaha…….. *ahem* ha.

JOE Rating: ★★

Movie Trailer for Sucker Punch

 

Red State (2011)

Original Theatrical Release Date: September 01, 2011
Director: Kevin Smith

In middle-America, all is not as sleepy and peaceful as it would seem. A fundamentalist church called The Five Points Church, led by pastor Abin Cooper (Michael Parks), preaches anti-gay and almost anti-everything hate gospel. Unfortunately, their bite is worse than their bark and when three teenage boys; Travis (Michael Angarano), Billy-Ray (Nicholas Braun), and Jarod (Kyle Gallner) – find an older woman soliciting sex on an internet site similar to Craigslist – they agree to meeting up with her for a foursome, which lands them squarely in the hungry religious jaws of the Cooper clan.

This movie blew me away. If you’re a Kevin Smith/View Askew fan like myself, you’ve come to expect a certain quality and tone of movie from the man and the studio behind him which produced films such as Clerks, Dogma and Chasing Amy. Red State is NOTHING like those other films. This is intense, this is gritty. As Smith himself points out – the Jay and Silent Bob films are like a smooth milkshake while Red State is like drinking straight whiskey. This is a film that none other than Quentin Tarantino strongly endorses, if that gives you any sort of idea as to what the tone is.

First of all, the film is especially poignant and is almost like a satire of the Westboro Baptist Church. We see it in the news every day, but in reality – the crazy religious zeal of some of these people is one incident away from an actual, real-life horror film. Red State is part horror film, part thriller and absolutely riveting.

With Michael Parks as Abin Cooper – the charismatic and terrifying patriarch of the Five Points Church – Smith hit gold. Everyone cast in this film not only does their jobs, but does them well. This movie is often overlooked because it goes beyond the fandoms of the Jay And Silent Bob/View Askew universe, which is understandable in some ways because Red State is so different from those others that it’s almost like another director is at the helm – though Smith can definitely be felt within the context of the film by the acerbic dialogue.

This film is amazing. Absolutely amazing. Do yourself a favor and go watch it. You’ll be uneasy for a long while and it’s perfect for a Halloween horror movie night.

JOE Rating:  ★★★★★

Movie Trailer For Red State

The Marvel Art Of Mike Deodato Jr. (2011)

Deodato Taumaturgo Borges Filho – AKA Mike Deodato – is one of the biggest talents in comic books today. His pencils have appeared in works such as Thor, Incredible Hulk, Thunderbolts, Amazing Spider-Man and Dark Avengers – and they present a realistic-looking take on the Marvel Universe that gives weight to this imaginary world of caped crusaders and dastardly villains.

Each chapter of the book is dedicated to his work on different titles – like Thor, Elektra, Incredible Hulk, Amazing Spider-Man, Spectacular Spider-Man, Spider-Man Unlimited, Thunderbolts, Avengers, New Avengers, Dark Avengers, Secret Avengers, Wolverine: Origins, X-Men: Legacy, X-Men: Unlimited, Witches, Tigra, Moon Knight, Punisher and more.

Additional chapters focus on Mike’s development as a comic book artist and samples of his cover art from 2002-2010. It’s nice to hear in Mike’s own words about how he became the artist he is today, and the cover samples are nice to look at.

Basically, unless you hate Deodato’s art style then this book is for you. Art galore and Marvel goodness all mixed up in one easily-accessible coffee-table book.

JOE Rating: ★★★★★

Jim Henson’s Tale of Sand (2011)

Mac, the mysterious main character, finds himself involved in a cross-desert race with only a rucksack full of odds and ends to aid him. In the meantime, he is doggedly pursued by another mysterious man known only as “Patch”, who seems to be paying everyone off. His end goals are unknown, only that he needs to somehow make it to the finish line – wherever that may be.

In this existential dark comedy, Ramon Perez and Ian Herring beautifully and expertly bring to life the only un-produced full-length script by Jim Henson (Muppets, etc…duh) and Jerry Juhl (Muppets, Fraggle Rock). Written between 1967 and 1968, the creators take you through what feels like a Terry Gilliam dreamworld fantasy rife with surreal and amazing images.

Though the dialogue is sparse, it’s meant to be that way. What really shines are the images with Perez’s pencils and Herring’s colors bringing us as close as possible to a full cinematic experience. From Arabs, to cowboys to football players you’ll be caught up in Mac’s dreamlike experiences right up until the last page.

If you love Jim Henson, you owe it to yourself to check this out. However, it IS dark and it’s not something that’s quite for the kiddos. There’s violence, gunfire and sexual themes (boobie alert) and undertones. If that doesn’t pique your curiosity, I don’t know what will.

JOE Rating: ★★★★★

Machine Gun Preacher (2011)

Sam Childers (Gerard Butler) is a real-life hero formed from the virtual ashes of a hardened criminal who found God and became a construction worker. While on the job, Childers meets a priest from Africa and is inspired to visit, ending up in Sudan and Northern Uganda, where he helps to build an orphanage and ultimately moves on to becoming a liberation fighter trying to save Africa’s children from the clutches of an evil warmonger who uses them as children soldiers in his army.

Machine Gun Preacher is based on the true story events of the real Sam Childers, who endorses the film. The movie is more drama than the trailer and cover art depict, and less action, but there is not enough action OR real-life documentary-style filming to make this as interesting as it could have been. Gerard Butler is passable in the role but looks nothing like the real Childers (not to mention his accent slipping through more than once) and the filmmakers could have dealt more with the more interesting side of Childers’ story which saw him pitting his Christian faith against acts of violence. If they had explored that side of the equation, then the movie could have been great….but as it stands, the movie is just sort of ho-hum with no real staying power. It doesn’t really distinguish itself from other generic action films and there are much better dramas out there to boot.

Still, I think it’s at least worth watching once, if only for your introduction to Sam Childers himself, so you can know a bit about his back story if you’re so inclined. Michelle Monaghan is nice to look at and it was cool to see Michael Shannon as well.

JOE Rating: ★★★

Drive (2011)

A stunt driver and wheelman-for-hire (Ryan Gosling) finds himself drawn to his neighbor, the damaged and vulnerable Irene (Carey Mulligan). Though he is a loner by nature, he ends up in the middle of way more contact than he bargained for when Irene’s ex-con husband, Standard (Oscar Isaac), returns from behind bars and “Driver” needs to step in to ensure that Irene and her boy are safe from thugs trying to extort money from the newly-freed con. After agreeing to help Standard with a heist, it goes belly-up and Driver finds his own life in danger as he tries to make his way to the source of all the trouble.

First of all, this movie is based on the novel Drive by James Sallis. The film’s plot and the movie’s plot have virtually the same identical plots but many of the book’s characters have been combined to form singular characters in the movie for the sake of film, which for me, works.

Ryan Gosling is hit or miss with me. I have no doubt about his acting chops, but he often seems relegated to the same non-speaking roles aside from a few exceptions. I was looking forward to his role in this film after seeing him in Lars and the Real Girl, which is the complete opposite of his role in this film. The normal charm and boyish innocence were gone in this movie, which was refreshing, and I think he held up great next to the presence of Ron Perlman. It was nice to see Bryan Cranston in something, since he’s so great in Breaking Bad.

The soundtrack was great and the opening scene was intense and made my heart rate go up, which is a nice achievement. The whole film had sort of a 1980’s feel about it, from the movie’s logo writing to the music and dress. It was neat.

The silence of the Driver character played by Gosling worked in the context of this movie but I’d really like him to go for roles with more dialogue so I can get more of a feel for his acting ability, aside from his great use of facial expression. Still, this movie (like the book) was all about the noir feel….and Driver not having much dialogue and being so mysterious obviously works for this.

Aside from a few minor nitpicks, this movie delivered on all levels. Good action reminiscent of driving scenes straight out of The French Connection….good acting….good story.

JOE Rating: ★★★★

The Sixth Gun – Book One: Cold Dead Fingers (2011)

 

The Sixth Gun – Book One is a trade paperback which collects issues of the Oni Press comic book written by Cullen Bunn with art by Brian Hurtt.

Six guns with individual arcane powers were found during the American Civil War by General Oleander Hume and distributed among his most trusted (and wicked) associates. Over time, however, one of them – with the ability to grant its wielder visions of the future – disappeared. Then, in a time of need, the gun makes its way into the hands of a young girl – Rebecca Moncrief – who is later joined by a mysterious gunfighter and treasure hunter, Drake Sinclair. The two of them must unlock the secrets of the gun and its origins and figure out a way to lose their pursuers who are none other than a long-dead-but-returned-to-life General Oleander Hume and his posse.

If you know me at all, you know I love comic books and that I also love anything having to do with the American Civil War, so this book was a natural choice for me to check out. I had seen it once or twice and then one of the local comic book guys I know reminded me to try the first volume and I picked it up.

The artwork by Brian Hurtt is really nice and perfect (in my opinion) for the type of story The Sixth Gun is. The writing was pretty decent, too. The story moved along at a nice pace and I never really wanted to take a break. I flew through the first volume and it has a real cinematic feel to it. I’m betting this will be a mini-series or a movie in the future. I liked the characters, too. They never really felt forced and some of them were kind of complex (while others were throw-aways).

If you’re looking for straight-up Civil War action, this book doesn’t have a ton. The Civil War aspect is more just for “flavor” than anything else and provides a bit of context for the story and the world this book is set in. I’m sure if you like magic or fantasy or westerns or steampunk, then you’ll enjoy this.

JOE Rating: ★★★★

American Horror Story: Season 1 (2011)

American Horror Story is in an anthology format, with the first season focusing on a haunted house while later seasons are focused on an asylum and then a witch coven.

The Harmon family, a father-mother-daughter combo, moves from Boston to Los Angeles on the heels of a family scandal. Ben Harmon (Dylan McDermott) has cheated on his wife, Vivien (Connie Britton) and they hope to reconcile things by moving to a new house in a new part of the country. However, things are not what they seem at their new home – it is a dark place full of tragedies and past murders and lurid secrets, and the Harmons soon discover that they may not have the house all to themselves.

The show has an interesting format. I didn’t expect there to be a different focus for each season, which is a nice touch. I thought for sure that they couldn’t go on with the same premise for more than one season so I’m glad of the focus switch. It really allows for some flexibility with later seasons.

The show is sexy, violent and pretty terrifying at times and seems to blend all of the urban legends and horror stories we’ve all heard over the years into a compelling drama.

Sometimes, it can be a bit over-dramatic and somewhat like a soap opera, so I had to look past that at times but overall it was really enjoyable. The acting was solid, especially from veterans like Jessica Lange and Frances Conroy. Some of the characters are likable but most are pretty damaged and only likable because of their quirks as opposed to any humanity they might have.

JOE Rating: ★★★★

Butter (2011)

Butter is a way of life in Iowa, and the king of butter carving, Bob (Ty Burrell), is retiring. Angry that Bob isn’t trying to use his butter-carving talents to get into politics, his too-ambitious Sarah-Palin-clone of a wife Laura (Jennifer Garner) steps up despite never butter-carving before to try and fill his shoes. However, there is a little girl named Destiny (Yara Shahidi) who discovers her own butter-carving talents who just may undo everything Laura has tried to achieve.

I had no idea what to expect with this film. I had never seen it advertised and the premise seemed hokey, but interesting, so I gave it a shot. It was okay, but it wasn’t the best film ever.

The thing that intrigued me was the butter carving aspect. The whole “Midwest” thing has been done to death with these kinds of movies, but the butter aspect played itself out really early on in the movie. Some of the sculptures were neat, but the whole thing went way over my head because some of the sculptures were unbelievable just in terms of character achievement.

The acting was pretty good, overall. Most of the big-name talent was wasted, though. (There was even a bit part played by Hugh Jackman).

The story was pretty weak. I felt like it wasn’t sure if it was supposed to be an allegory, a comedy/farce or a drama. There wasn’t enough heart for it to be an allegory or a drama, and there weren’t enough funny parts for it to be a great comedy. By themselves, the main characters were boring. Bob is a cuckolded husband character while Laura is, as I wrote above, an over-achieving Sarah-Palin clone. Destiny is an okay character, but her development arc gets confused with that of Laura’s. The stripper character, Brooke (Olivia Wilde), was funny but she was tossed into the mix as well in an unbelievable way (the same old boring stripper clone who is uneducated and poor and would shit on someone’s lawn). The way everyone was introduced and interacted was just chaotic.

Overall, this movie wasn’t groundbreaking in any way. There are a couple of scenes that made me chuckle. Olivia Wilde is nice to look at. Seeing Hugh Jackman as a car salesman is kind of funny. So, you may be entertained for one viewing.

JOE Rating: ★★★