Star Wars: Episode I – The Phantom Menace (1999)

Original Theatrical Release Date: May 19, 1999
Director: George Lucas

Two Jedi Knights – Qui-Gon Jinn (Liam Neeson) and Obi-Wan Kenobi (Ewan McGregor) – are in the middle of a trade dispute and narrowly escape a hostile blockade by the Trade Federation army. Making their way to the desert planet of Tatooine, the two Jedi warriors find a young boy named Anakin Skywalker (Jake Lloyd) who may be the one prophesied to bring balance to the Force. Qui-Gon takes an interest in freeing the boy from a savvy gambler named Watto (Andy Secombe), but meanwhile the threat of the Sith is rising – with a vicious Sith lord, Darth Maul (Ray Park), hot on the heels of the two Jedi.

I’ve been a Star Wars fan for as long as I can remember. When I was a kid, I used to have hand-me-down action figures from my uncle. They came in a carrying case shaped like Darth Vader’s helmet and I would play with them for hours. So, naturally – when this movie came out during my high school years – back in 1999….I was more than excited. I’d seen previews where Darth Maul was speeding across the desert surface of Tatooine, only to leap from his speeder and attack some Jedi and it gave me goosebumps. Darth Maul truly looked like a badass.

The real experience in the theater wasn’t as amazing as I’d hoped. There was a certain quality to it that I didn’t like. Everything was too clean – even in the dirty, rundown slums of Tatooine. The CGI looked out of place for the Jim Henson style Star Wars experience I remembered as a kid. Everything was bright. The ships were polished and sounded like high-end vibrators. (Not that I’d know about that or anything)

In short, it didn’t feel real. Despite the excitement of the initial ambush sequence and the eventual podrace – I fell asleep in the theater. This is, to date, the only movie I’ve ever fallen asleep to during the time it was showing on the big screen. This hasn’t changed fifteen years later. The film boasts one of the best fight scenes in Star Wars history between Darth Maul, Obi-Wan, and Qui-Gon – but other than that it’s a lot of politics and talk of trade embargoes and underhanded dealings. Jar-Jar Binks is MUY ANNOYING and seeing Darth Vader as a youngster is sort of a letdown. And don’t get me started on Midichlorians.

Recently, I’ve reverted to watching the Star Wars films in the “Machete Order“. I recommend you do the same, which enables you to skip out on Episode I entirely. As snarky as some hardcore Star Wars fans are about the prequel films – there is actually some decent stuff in them. When combined into a single narrative with every film aside from Episode I – it actually makes a lot more sense and is more enjoyable to watch.

In any case, after all the hype – Episode I just has way too many problems as a film – let alone as an installment of a beloved franchise. So, while I may watch it once in a while (mostly for the fight scenes), I will usually avoid this Lucas offering altogether.

PS – In case you didn’t know – I cosplay as Obi-Wan Kenobi. Exhibit A –

I was recently at Super Megafest 2013 in Framingham, Mass last November and I ran into Ray Park (the actor who played Darth Maul in Episode I) at his booth. He was only doing one photo per person, but after finishing with mine (I let him use my lightsaber) he told me to pretend I was being impaled so he could get his “revenge” on me. Exhibit B –

Me with Ray Park (Darth Maul from Star Wars: Episode One) at Super Megafest

JOE Rating: ★★

Movie Trailer For Star Wars: Episode I – The Phantom Menace

Starship Troopers (1997)

Original Theatrical Release Date: November 7, 1997
Director: Paul Verhoeven

In the distant future, the world is a fascist and militaristic society where a person can only become a citizen by joining the military and its never ending fight against an insectoid alien race looking to destroy humanity. Johnny Rico (Casper Van Dien) is the son of two wealthy non-citizens who is looking to join his girlfriend Carmen (Denise Richards) in the armed forces in order to be with her and to gain his citizenship. Soon, though, the realities of military life and the hardships of the war separate Johnny, Carmen, and their friends from one another and they must overcome the chitinous tide of the Bugs if they are ever to reunite.

This film is based on the (much better) science fiction novel by Robert A. Heinlein – adapted to the screen by Edward Neumeier.

It’s been a while since the last time I watched this movie, but my brother gave me the DVD for my birthday this year. I was kind of interested to see how all the special effects and everything held up over the last 17 years. I was not disappointed to find out that most of it still looked pretty decent after all that time. The only thing that seemed dated at times was the retro-futuristic 1950’s-as-interpreted-by-the-late-1990’s hairdos and clothing styles for the characters. Other than that, though, I was transported through the film’s fun tongue-in-cheek narrative style.

I still have no idea where Casper Van Dien went to after the late 1990’s – but as Johnny Rico he was decent (if somewhat unbelievable) as the screaming, gun-firing, tough-guy lead. Denise Richards co-stars with her full and pouty lips as the always-effervescent (but still wooden) pilot Carmen Ibanez. Also, I was shocked to see Neil Patrick Harris in his role as Carl Jenkins – a role I forgot he’d done. (The last thing I remember him in was Harold And Kumar)

The bugs were creepy and not cheesy. The “internet” – style videos interspersed throughout the film add a nice touch, though the internet of the “future” looks pretty dated compared to our own, now. There is a creepy and unbelievable love triangle in the movie, but the real draw is the action sequences – which are peppered liberally throughout the movie. Still, the movie is a bit too long for an action flick.

All in all, not a perfect movie – but a nice flick to come back to every now and then if you want some sci-fi action.

JOE Rating: ★★★★

Movie Trailer For Starship Troopers

Comics, Comix & Graphic Novels: A History Of Comic Art (1996)

Author Roger Sabin weaves together a tight narrative of the entire history of the comic book medium, moving from its beginnings in the Middle Ages (yes, that’s right, way back in medieval times) and how it has evolved into the art form and pop culture powerhouse we know and love today. Explore how the comic book moved from being newspaper fodder to hard-hitting social commentary and how it fell from grace before rising like a phoenix once the comic book witch hunt ended after the 1950’s. With plenty of great full-cover photo references to go along with the narrative, Sabin creates a helpful tome of comic book knowledge that will give you a one-up on all of your nerdy comic book friends who THINK they’ve heard everything there is to hear about comic books. I picked this book up at the library because I was writing a research paper and was pleased with just how much information was packed into its pages. It provided a good chunk of my research content and on top of that, I learned a ton of new stuff.

I have seen some folks posting about this, saying it was biased or what have you, but I didn’t really get any of those vibes from anything within. It was a great trip down memory lane, too, seeing all the old comic book covers and comic book pages displayed throughout the entirety of the book.

Give this a shot if you can find it. I think it’s on Amazon.com. It would make a killer addition to the coffee table collection, or in an office somewhere.

JOE Rating: ★★★★★

Forrest Gump (1994)

Forrest Gump (Tom Hanks) lives a charmed life, despite being born with a lower I.Q. than most – as well as a physical deformity of the spine which forces him to wear corrective leg braces. Gump’s mother (Sally Field) pushes and encourages him enough that he eventually sets out on his own and ends up witnessing lots of events in recent history that have shaped the world. On his journey of self, he chases love – in the form of Jenny Curran (Robin Wright), his childhood friend and crush – and also experiences war, happiness, loss and the gamut of the human experience, proving that despite his setbacks, Gump is wiser than most of us can say we are.

I remember seeing this back around the time it first came out, and I remember being blown away. So, I figured I’d revisit it, since it’s on Netflix, and to tell you the truth – Forrest Gump holds up pretty well over time.

Forrest Gump, the character, is one of Tom Hanks’ better roles. I’m no Hanks hater by any means, but he has a particular style that doesn’t lend to camouflaging his own personality. When I see him in films, I have a hard time separating film Hanks from real-life Hanks that I’ve seen. In Forrest Gump, this isn’t a problem.

Much like Billy Bob Thornton’s role in Slingblade, this is one of those times where you wonder if they’d have been able to make a film like this nowadays. There are some questionable messages in the film that critics would pounce on in present times, but for the time it was made it was a nice reflection on the Baby Boomer generation.

The movie is based, of course, on the novel of the same name by Winston Groom from 1986, although in the book, Forrest Gump is a pretty different character. Also, there are a few different events in the book that never made it to the movie version – like when Forrest went to space (would’ve been strange to see Hanks in space in Forrest Gump as well as in Apollo 13, amirite?!)

The only thing that didn’t really hold up too well was when it showed footage of Forrest in the old newsreels and footage from things and events that Forrest was privy to witnessing as history in the film progressed. You could really notice it. Other than that, though, the cinematography was great and the pacing of the film was really well done.

If you haven’t seen this one yet – do. It’s a classic.

JOE Rating: ★★★★

Bordello of Blood (1996)

The second in a series of Tales From The Crypt movies finds Rafe Guttman (Dennis Miller) investigating a funeral parlor that just so happens to be a front for a whorehouse….run by vampires. Lilith (Angie Everheart), the Queen of all vampires, plans on shedding her shackles and turning on the world (and also taking it over). That is, of course, if Rafe doesn’t get in the way of her plans.

If I have to say something about Dennis Miller, all I’ll say is that he’s a fine comedian but he’s never really been cut out for the acting gig. This is the only real instance in which I can say that I liked his presence within the context of a film.

This movie bombed at the box office but it’s always been a sort of guilty pleasure for me. Angie Everheart is gorgeous, despite her terrible acting…and so is Erika Eleniak. Corey Feldman shows up, too, and actually isn’t bad in his role although it’s kind of a similar role to the one he had in The Lost Boys.

The film itself is just silly and campy….sort of as if Quentin Tarantino directed an SNL skit. The puns are abundant and so are the boobs and the blood. This movie is definitely good to laugh-bond over, for sure.

JOE Rating: ★★★

Clerks (1994)

Dante Hicks (Brian O’Halloran) is supposed to have a day off from his job as a convenience store clerk, but when a co-worker calls out, he ends up having to go in and deal with a massive amount of problems when he’s not even supposed to be there.

If you haven’t seen this movie, then c’mon…really?! It’s been out since 1994.

This was Kevin Smith’s directorial debut and I can’t say enough good things about it. It’s hilarious, raunchy and poignant with a lot of heart. Some of the sequels in the slew of films Kevin Smith created weren’t as great or well-received, but this is what started ALL of the View Askew productions.

The black and white film and gritty quality really set it apart and it still holds up to this day. If you’ve ever worked a day of retail in your life, this should really hit home with you. It has humor, it has philosophy and it has drama, even. The characters are all really well-put together and the quality of the storytelling is really nice.

Watch it, now. You can find it on Netflix at the time of this review.

JOE Rating: ★★★★★

Escape From L.A. (1996)

Original Theatrical Release Date: August 9, 1996
Director: John Carpenter

It’s 2013 and Los Angeles is now an island for undesirables, deported from America by the U.S. Government. Once you go there, you can never get back. The President’s daughter, Utopia (A.J. Langer), steals a doomsday device and heads for the island in order to help free the prisoners there and daddy isn’t happy. He gets Snake Plissken (Kurt Russell) to go after her by having him injected with a disease that will end his life in hours and promising him the cure if he’s successful. However, a revolutionary named Cuervo Jones (Georges Corraface) and L.A.’s many dangerous denizens stand in the way.

Sequels are rarely ever able to outshine the originals, and this film is no exception.

The entire movie is a tongue-in-cheek commentary on the entire culture of Los Angeles, and that it probably the most entertaining aspect of the film. It’s an action film that doesn’t take itself too seriously, and that is fun for the most part but makes for a movie that’s hard to become attached to, unlike the first film Escape From New York.

Kurt Russell really channels his inner Clint Eastwood for this installment, and other actors such as Steve Buscemi and Peter Fonda fall into their roles with seemingly great joy. Who doesn’t want to see Bruce Campbell as the Surgeon General of Beverly Hills?

The movie plays out like an Extreme Sports story, with Kurt Russell taking on extreme forms of basketball, hang gliding and surfing, which is really strange in the context of this film, but made for some entertaining scenes.

The special effects have not held up well over time and some of them, while laughably funny, tend to take you right out of the movie. However, at this point in his career it seemed like John Carpenter was just having some fun, and the fun did shine through and it’s sort of infectious.

Still, for those who weren’t introduced to this series of films back when they originally came out, it might be hard to fully appreciate this sequel by today’s standards, though the original still holds up.

JOE Rating: ★★★

Movie Trailer For Escape From L.A.

The Sandman Volume 1: Preludes & Nocturnes (1991)

Publisher: DC/Vertigo
Creative Team: Neil Gaiman, Sam Keith, Mike Dringenberg, Malcolm Jones III

Set in the DC Universe, The Sandman Volume 1 collects issues 1-8 of the comic book series written by Neil Gaiman and illustrated by Sam Keith, Mike Dringenberg and Malcolm Jones III.

A wizard who wants to live forever attempts to summon and trap Death, but inadvertantly traps her younger brother, Dream (aka Morpheus). Fearing retaliation, the wizard and his cohorts keep Morpheus imprisoned in a magical cell for a couple of lifetimes. When his captors make a mistake and Morpheus breaks free, he is weak from his time in imprisonment and also finds that his captors have stolen and have sold three of his possessions which help give him power. His helm, his bag of dust and his ruby pendant. With these items he will be close to full strength again, so he sets out to find them…but they are spread wide and though he is a god, Morpheus finds that some of them are guarded more closely than he would think. Teaming with well-known DC Comics characters like John Constantine and Martian Manhunter, Morpheus must go to Hell and back to find his things. Literally.

While this is not the strongest entry in the Sandman series, issues 1-8 are a great introduction to the world Morpheus inhabits and is a good set up to the wonderment that follows in later volumes. The artwork is great, but the colors in the collection versus the originals are a little bit off, a little bit darker. This might be problematic for some purists, but I think for the tone of the piece, the colors suit it well. Then again, the original colors were more dreamlike. It’s a coin toss on which you’ll like better.

This beginning collection is a story about starting over. Morpheus was content with where he was and with his station, overconfident that he had everything nailed down. When this was proven false by his imprisonment by a bunch of mortals, it shook him up a little. Weakened and forced to find alternate ways to deal with things, Morpheus becomes a compelling character. Though a god, he is still fallible.

The characters are all really interesting. We get to meet the perky character of Death, we get to see a new and frightening/sad interpretation of Cain and Abel. There are dangerous and fantastical dream creatures and lots of magic thrown in.

If other DC characters weren’t tossed into the mix, you wouldn’t even think of it as a comic book story that exists in the world of superheroes, but Neil Gaiman has seamlessly integrated Morpheus and his mythos into the existing DC canon.

Give this a read, and especially the later collections.

JOE Rating: ★★★★

Check Out This Sample Page From Sandman: Preludes & Nocturnes!

Fight Club (1999)

Original Theatrical Release: October 15, 1999
Director: David Fincher

An office worker (Edward Norton) caught up in the doldrums of his job meets up with an eccentric soap maker (Brad Pitt) who challenges his views on everything he’s ever known. The two of them conceive and begin a new form of therapy called Fight Club, and the idea catches on, sparking a new underground club that nobody is supposed to talk about. When Marla Singer (Helena Bonham Carter) starts to come between the soap maker and the office jockey, things start to spiral out of control and in the end, the very fibers of reality are tested.

This is one of my favorite movies and it’s based on a book of the same name, written by Chuck Pahlaniuk. When I first saw this film, I had no idea who Chuck Pahlaniuk even was. (Lemme tell you, I soon went out and tried to read everything of his I could) However, I knew who David Fincher was and this movie was perfect for him to direct.

Edward Norton and Brad Pitt are amazing in this film. At the time, I wasn’t even a big Pitt fan, but this is one of his roles that definitely turned the tables on that. Actually, for that matter, the same goes for Helena Bonham Carter. She was perfect in this (unlike some of her other films, in my opinion).

The snappy narration and dialogue, the dark tone, the testosterone-fueled punching matches, the commentary. It’s all great. It’s a trip through someone’s brain, that’s for sure. Also, with a twist at the end that puts Shyamalan to shame, it was an awesome movie for its time and still holds up more than ten years later.

Go see it, go see it, go see it.

JOE Rating: ★★★★★

Movie Trailer For Fight Club

Blade (1998)

Original Theatrical Release: August 21, 1998
Director: Stephen Norrington

Blade (Wesley Snipes) is a Vampire/Human hybrid that has all of the vampires’ strengths and none of their weaknesses, and he has vowed to destroy every last one of the bloodsuckers that he comes across with his crazy arsenal of weapons and martial arts training. A vampire named Deacon Frost (Stephen Dorff) has other plans for humanity and is tired of vampires having to stay below the surface of civilization, so Blade must put a stop to his machinations with the help of his mentor, Whistler (Kris Kristofferson) or else mankind will be enslaved, or wiped out, by Frost and his vampire army.

People often forget about this Marvel movie that came out before the X-Men brought Marvel flicks into the spotlight. It, unfortunately, was left in the dust despite it being a halfway-decent comic-to-movie translation from that era. Based on the comic book title published by Marvel of the same name, Blade does a great job capturing the essence of the original character.

The special effects in this film look a little dated, but other than that, the action dominates in this short-of-story movie that has Wesley Snipes doing what he does best: kicking ass and talking in a deep voice.

The film is flashy and fun, but forgettable. It seems to have regained some popularity as of late with an animated Blade show, so who knows…maybe this will also get a reboot like the original Spider-Man  (My review for that movie linked here) movie did? I think with today’s special effects capabilities and Marvel’s rising ability to make big-budget films, this one could be given a great overhaul.

As it is, most of the actors do their jobs well. Kris Kristofferson is a real badass sidekick for Blade and Stephen Dorff is a really great villain. As said above, Wesley Snipes killed it in this film.

JOE Rating: ★★★

Movie Trailer For Blade