Original Theatrical Release: April 18, 1986 Director: Ridley Scott
Jack (Tom Cruise) is a boy at one with the forest, embraced by the Elves and other faerie creatures. He is pure of heart and has fallen in love with a girl, Lili (Mia Sara), and has decided to let her see a Unicorn up close and personal. Lili, overcome by wonder, touches one of the horned creatures of myth and unwittingly lures it into a trap set by the forces of Darkness (Tim Curry). One unicorn is felled and its horn chopped off, plunging the world into an ice age from which it may never recover and Lili is abducted by Darkness and his minions, leaving Jack to save the world, the woman he loves and the remaining unicorn from a terrible fate.
This is one of those films that sort of just slipped through the cracks. Against films such as Willow, Dark Crystal, Labyrinth and others, this movie was swallowed up and lost in the shuffle. Because of its sometimes-meandering story, it doesn’t hold up against those other films all the time. However, the visuals and the mood captured by Ridley Scott still hold up after all these years. I recently re-watched this film, since I hadn’t seen it in more than a decade, and I was extremely impressed with how almost none of it looks cheesy – even by 1980’s standards.
The acting style used by all of the actors is very Shakespearian and fits the tone of the piece well. Everyone is very dramatic and classical. Evil creatures wave their hands and belly-laugh as they take delight in that evil. Darkness, played by the very-talented Tim Curry, looks like something that stepped out of Hell. Jack, played by a very young Tom Cruise, crouches in his forest rags and does somersaults and climbs on trees. The landscape is surreal and fantastical and embodies everything fantasy – which makes sense because Ridley Scott reviewed many classical fairy tales in order to get the right feel for the film. He definitely succeeded on that front.
If anything, give this film a shot just to look at it. The story is a bit more complex than people think, so take your time to analyze all that Legend has to offer before dismissing it. Is it the most perfect fantasy film? No, not by any means – but its voice is one that should be heard.
Marvel’s 1985 collects issues #1-6 of the miniseries written by Mark Millar (Civil War, Fantastic Four) and art by Tommy Lee Edwards (Bullet Points, The Question).
The year is 1985 and a young boy named Toby loves all things Marvel. When super-villains from the Marvel Universe find a way into OUR world and begin to tear it apart , Toby doesn’t realize that he may be the key to finding the Marvel superheroes so that they can put a stop to the killing and destruction. With the help of his father, a divorced comic book nerd, as well as his intimate knowledge of the Marvel universe, he has a difficult task ahead of him.
I picked this up at the library the other day, The title spoke to me, as I’m very familiar with the comic books of those years in the 1980’s when I was first introduced to the medium. (I was born in 1981)
Mark Millar’s expert storytelling combined with the amazing, life-like (yet comic-book-styled) artwork by Tommy Lee Edwards makes for an almost cinematic-quality experience in the form of a comic book.
We get to see the Marvel villains and how truly horrible they’d be in “real” life, with no superheroes to quash their evil doings, as well as the touching and all-too-real modern relationship gone awry in the form of Toby’s parents.
What you end up with as the reader is something that’s hard to put down if you’re like me and you’ve ever wondered if the Hulk smells really bad (According to Toby….he does) or if it were possible for someone like M.O.D.O.K. to murder an entire town by leading them to their deaths like the Pied Piper.
Original Theatrical Release Date: February 15, 1985 Director: John Hughes
Five high-school kids end up in detention who couldn’t be more different from one another; “The Brain” Brian Johnson (Anthony Michael Hall), “The Athlete” Andrew Clark (Emilio Estevez), “The Basket Case” Allison Reynolds (Ally Sheedy), “The Princess” Claire Standish (Molly Ringwald) and “The Criminal” John Bender (Judd Nelson) – they are all different stereotypes who find out that they are all the same in more ways than they imagined.
John Hughes made lots of films, but this one resonated with me more than most. It was set in high school and although I wasn’t in high school when it was released (I was only four years old at the time) I saw it later on in life when I needed to see it and it actually helped me with my own mindset during high school in different ways.
Ringwald and the rest of the cast are well-chosen for their individual roles, especially Judd Nelson as the kinetic John Bender and Ally Sheedy as the creepy girl, Allison. Paul Gleason played a great villain in the form of the teacher looking over detention, Richard Vernon. Ringwald doesn’t really do much different in this film than she did in other Hughes films – which isn’t necessarily a bad thing.
The Breakfast Club plays out almost in a vignette fashion as the hours in the day move on and on and while at first being tongue-in-cheek and sort of silly, actually moves on to be relevant and full of heart – a love/hate letter to high school life in the 1980’s. The performances bring life to a vehicle with not a lot of actual story content – at face value, this is a film about kids in detention….but as far as deeper meanings go, this is an allegory which teaches us that we are all human and all have something akin with one another.
Original Theatrical Release: October 4, 1985 Director: Mark L. Lester
Retired colonel John Matrix (Arnold Schwarzenegger), lives with his daughter Jenny (Alyssa Milano) in the mountains. An exiled Latin-American dictator named Arius (Dan Hedaya) sends henchmen to find Matrix and force him to assassinate the president of his country, using Jenny as a hostage. Matrix becomes a one-man army as he fights to get his daughter back from the clutches of an evil madman.
No matter what I think of the actual film, this is one of those movies that’s just classic and re-watchable over and over again.
Despite some bad acting, sloppy politics and logic, and some cheesy one-liners and action scenes, this movie is a real guilty pleasure as far as Schwarzenegger movies are concerned.
There are better action movies from the time period, for sure. The one female character is annoying and almost all the bad guys have fake-looking mustaches and can’t hit the broad side of a barn with their bullet sprays, but it’s one of those films you can watch with your buddies and laugh at. (Also, it made me feel like a creepy perv seeing Alyssa Milano so young in this movie after seeing her in a film like Embrace of the Vampire which was made about a decade later)