Hardbodies (1984)

Original Theatrical Release Date: May 4, 1984
Director: Mark Griffiths

When three older men come to the beach to score chicks, they learn fast that just because they have the money doesn’t mean they’ll be able to charm the ladies any easier. Seeing an opportunity, young beach-bum Scotty (Grant Cramer) offers to give the three men lessons in how to “dialogue” with women. They agree and frivolous partying ensues in true 1980’s fashion.

Yes, I know what you’re thinking – and, yes…this is one of those films.

Yup, you guessed it.

There’s really nothing I can say that would justify this piece of 1980’s cinema, other than it may have been funny to someone, once. While watching, I wasn’t so much able to laugh as I was trying to figure out why it was labeled as a comedy. I guess if you can call three older dudes trying to score with a bevy of beautiful women funny, then this is it. Otherwise, it is basically the story of a ladies magnet trying to train a bunch of creepers to not be so creepy and rapey.

Most of the humor came from men being spurned in “hilarious” ways or from “ugly” jokes or from physical jokes. Aside from that, there were just a lot of boobs and man ass. (Obviously more boobs, though)

I wouldn’t really recommend this to anyone in particular. If you want the boobs, there are tons of them online and there are pornos out there with a better storyline. Aside from that, there are no real redeeming qualities about this. Revenge of the Nerds did it much better. Thanks, 1980’s.

JOE Rating: ★

Movie Trailer For Hardbodies

Big Trouble In Little China (1985)

Original Theatrical Release Date: July 2, 1986
Director: John Carpenter

Jack Burton (Kurt Russell) is an all-American truck driver with a penchant for gambling. When his friend in Chinatown, Wang Chi (Dennis Dun), loses a bet to Jack – he has to pay up. But first, he needs to pick up his girlfriend from the airport. However, all does not go as planned and instead ol’ Jack finds himself in the middle of a mystical battle between an evil Chinese sorcerer named Lo Pan (James Hong) and the forces of good, led by the cantankerous old Egg Shen (Victor Wong).

This film is a classic now, though it flopped when it was first released. If you haven’t seen it yet, I envy you because that means you can see it for the first time. Granted, some of the special effects in the movie are a bit dated (it was 1986, after all) but overall – the film has held up over time. Kurt Russell gives a great performance as Jack Burton – a sort of bumbling badass who manages to “accidentally” achieve his goals, though most of the time he just talks tough and likes to spout one-liners that don’t quite hit the mark. Kim Cattrall is great as the sexy-yet-annoying love interest, Gracie Law, and Dennis Dun is decent as the ass-kicking “sidekick” to Burton.

John Carpenter, for me, either is right on the money or far off base with his films. (John Carpenter’s Vampires was terrible, for instance) With Big Trouble In Little China – he did right by everyone. It’s got the right mix of adventure, style, horror and camp to make it an enduring franchise. Also – there is currently a comic book adaptation being published that relays events which take place after the film ends. You can check that out HERE. If you loved Army Of Darkness, then you’ll love this movie too.

JOE Rating: ★★★★★

Movie Trailer For Big Trouble In Little China

Legend (1985)

Original Theatrical Release: April 18, 1986
Director: Ridley Scott

Jack (Tom Cruise) is a boy at one with the forest, embraced by the Elves and other faerie creatures. He is pure of heart and has fallen in love with a girl, Lili (Mia Sara), and has decided to let her see a Unicorn up close and personal. Lili, overcome by wonder, touches one of the horned creatures of myth and unwittingly lures it into a trap set by the forces of Darkness (Tim Curry). One unicorn is felled and its horn chopped off, plunging the world into an ice age from which it may never recover and Lili is abducted by Darkness and his minions, leaving Jack to save the world, the woman he loves and the remaining unicorn from a terrible fate.

This is one of those films that sort of just slipped through the cracks. Against films such as Willow, Dark Crystal, Labyrinth and others, this movie was swallowed up and lost in the shuffle. Because of its sometimes-meandering story, it doesn’t hold up against those other films all the time. However, the visuals and the mood captured by Ridley Scott still hold up after all these years. I recently re-watched this film, since I hadn’t seen it in more than a decade, and I was extremely impressed with how almost none of it looks cheesy – even by 1980’s standards.

The acting style used by all of the actors is very Shakespearian and fits the tone of the piece well. Everyone is very dramatic and classical. Evil creatures wave their hands and belly-laugh as they take delight in that evil. Darkness, played by the very-talented Tim Curry, looks like something that stepped out of Hell. Jack, played by a very young Tom Cruise, crouches in his forest rags and does somersaults and climbs on trees. The landscape is surreal and fantastical and embodies everything fantasy – which makes sense because Ridley Scott reviewed many classical fairy tales in order to get the right feel for the film. He definitely succeeded on that front.

If anything, give this film a shot just to look at it. The story is a bit more complex than people think, so take your time to analyze all that Legend has to offer before dismissing it. Is it the most perfect fantasy film? No, not by any means – but its voice is one that should be heard.

JOE Rating: ★★★

Movie Trailer For Legend

Anchorman 2: The Legend Continues (2013)

After Ron Burgundy (Will Ferrell) is fired by his boss – Mack Tannen (Harrison Ford) and Ron’s wife, Veronica Corningstone (Christina Applegate) is given a promotion, Ron is unexpectedly asked by Freddie Shapp (Dylan Baker) to head one of the news teams on the new 24-hour Global News Network. To do so, he gathers his old team – Champ Kind (David Koechner), Brick Tamland (Steve Carell) and Brian Fantana (Paul Rudd) – but finds that maybe he’s bitten off more than he can chew.

I went with a bunch of my friends to see this. I figured it was going to be one of those kind of movies, and I was right. So, let me start things off with the obvious: It was a funny movie. However, it wasn’t quite as consistently funny (in my opinion) as the first film.

Most of the jokes we see in this second installment of the legend of Ron Burgundy are recycled from the first flick and beefed up a little more. It’s not a terrible thing, but I would have liked to have seen more original material as well as more play on the fact that this takes place in the 1980’s. In the first film, the sense of 1970’s style was pervasive, but you barely notice the time period in this film and at times, could even be interchangeable. Also, Anchorman 2 is a little bit longer so it’s pretty noticeable.

Still, there are enough genuinely funny parts involved, and there was an effort made to up the ante so that counts for something. If you didn’t like the first film – don’t bother….because it basically is the first film in new trappings. If you loved the first film, try to be content with how great the first one was and look at this second film as a separate entity. Don’t have crazy expectations and you’ll have a good time.

Also, one other thing – the amount of cameos in this film was impressive and worth watching for that alone.

JOE Rating: ★★★★

Ghostbusters (1984)

When three parapsychology professors – Dr. Peter Venkman (Bill Murray), Dr. Raymond Stantz (Dan Aykroyd) and Dr. Egon Spengler (Harold Ramis) – lose their government grant, they go into business on their own as paranormal exterminators, eventually hiring on Winston Zeddmore (Ernie Hudson) as the fourth Ghostbuster once their business takes off and they can’t handle the volume. However, an ancient Babylonian demon appears in Dana Barrett’s (Sigourney Weaver) refrigerator and summons an army of ghosts which invade New York City, leaving it up to the Ghostbusters to save the day.

I don’t know why I haven’t reviewed this movie yet – it’s pretty much the perfect film.

In any case, those who weren’t born in the 80’s may not appreciate this film franchise. I’ve found that to be the case no matter how good a film is. However, I still think Ghostbusters holds its own against most of today’s comedies, and I think I can say that without being a snob.

The comedic genius of Bill Murray and Dan Aykroyd and Rick Moranis is just unbeatable. Sigourney Weaver was the Megan Fox of her time (but with much better acting talent) and Harold Ramis plays the perfect counterpoint to Murray. Some of the effects are dated, but not too badly. I’ve seen worse production quality on films nowadays, to be honest.

This movie has it all: Action, comedy, horror, sex appeal and proton packs. What more could you ask for? Go see it, if you haven’t. It’s on Netflix!

JOE Rating: ★★★★★

PS – I met Ernie Hudson recently while I was at Super Megafest in Massachusetts. In case you didn’t catch me posing with him, here are a couple pictures of Zeddmore and I together. I was dressed up as Obi-Wan Kenobi from Star Wars: Episode One, and I got him to use my lightsaber. Initially, he didn’t seem to want to, but once I turned it on he started waving it around for the camera and making karate noises. It was the best day of my life. How can you beat a Ghostbuster swinging around a lightsaber? Here are some pics:

Me, teaching Ernie Hudson (Winston from Ghostbusters) some new tricks!

Winston Zeddmore

Blurry

 

Forrest Gump (1994)

Forrest Gump (Tom Hanks) lives a charmed life, despite being born with a lower I.Q. than most – as well as a physical deformity of the spine which forces him to wear corrective leg braces. Gump’s mother (Sally Field) pushes and encourages him enough that he eventually sets out on his own and ends up witnessing lots of events in recent history that have shaped the world. On his journey of self, he chases love – in the form of Jenny Curran (Robin Wright), his childhood friend and crush – and also experiences war, happiness, loss and the gamut of the human experience, proving that despite his setbacks, Gump is wiser than most of us can say we are.

I remember seeing this back around the time it first came out, and I remember being blown away. So, I figured I’d revisit it, since it’s on Netflix, and to tell you the truth – Forrest Gump holds up pretty well over time.

Forrest Gump, the character, is one of Tom Hanks’ better roles. I’m no Hanks hater by any means, but he has a particular style that doesn’t lend to camouflaging his own personality. When I see him in films, I have a hard time separating film Hanks from real-life Hanks that I’ve seen. In Forrest Gump, this isn’t a problem.

Much like Billy Bob Thornton’s role in Slingblade, this is one of those times where you wonder if they’d have been able to make a film like this nowadays. There are some questionable messages in the film that critics would pounce on in present times, but for the time it was made it was a nice reflection on the Baby Boomer generation.

The movie is based, of course, on the novel of the same name by Winston Groom from 1986, although in the book, Forrest Gump is a pretty different character. Also, there are a few different events in the book that never made it to the movie version – like when Forrest went to space (would’ve been strange to see Hanks in space in Forrest Gump as well as in Apollo 13, amirite?!)

The only thing that didn’t really hold up too well was when it showed footage of Forrest in the old newsreels and footage from things and events that Forrest was privy to witnessing as history in the film progressed. You could really notice it. Other than that, though, the cinematography was great and the pacing of the film was really well done.

If you haven’t seen this one yet – do. It’s a classic.

JOE Rating: ★★★★

Elvira: Mistress of the Dark (1988)

When Elvira’s (Cassandra Peterson) great aunt dies, she heads to the sleepy and conservative New England town of Falwell where an inheritance is waiting for her. Quitting her job and believing she’ll get millions, she instead finds that she’s inherited a creepy old house, a weird cookbook and a punk-rock poodle. Elvira’s ample “charms” and strange ways unsettle some of the residents of Falwell and in the meantime, not everyone of her relatives is happy with Elvira getting what she got…because the cookbook may hold more secrets than just the recipe for an awesome chicken Kiev.

Elvira is a force of nature. Many people might not remember her, but she was super-popular back in the late 80’s and early 90’s. Her acting is sort of hammy, but then again, Elvira films are meant to be campy and ribald and showcase her many talents (and by talents, I mean boobs).

The plot is similar to one you’d find in an old B film from the early movie years and that works well because Mistress of the Dark IS a B film. There are enough laughs and titillation to make this a Halloween classic. Though it’s obviously not set during Halloween, Elvira is everything people love about Halloween.

(And the boobs don’t hurt, either)

JOE Rating: ★★★

The Breakfast Club (1985)

Original Theatrical Release Date: February 15, 1985
Director: John Hughes

Five high-school kids end up in detention who couldn’t be more different from one another; “The Brain” Brian Johnson (Anthony Michael Hall), “The Athlete” Andrew Clark (Emilio Estevez), “The Basket Case” Allison Reynolds (Ally Sheedy), “The Princess” Claire Standish (Molly Ringwald) and “The Criminal” John Bender (Judd Nelson) – they are all different stereotypes who find out that they are all the same in more ways than they imagined.

John Hughes made lots of films, but this one resonated with me more than most. It was set in high school and although I wasn’t in high school when it was released (I was only four years old at the time) I saw it later on in life when I needed to see it and it actually helped me with my own mindset during high school in different ways.

Ringwald and the rest of the cast are well-chosen for their individual roles, especially Judd Nelson as the kinetic John Bender and Ally Sheedy as the creepy girl, Allison. Paul Gleason played a great villain in the form of the teacher looking over detention, Richard Vernon. Ringwald doesn’t really do much different in this film than she did in other Hughes films – which isn’t necessarily a bad thing.

The Breakfast Club plays out almost in a vignette fashion as the hours in the day move on and on and while at first being tongue-in-cheek and sort of silly, actually moves on to be relevant and full of heart – a love/hate letter to high school life in the 1980’s.  The performances bring life to a vehicle with not a lot of actual story content – at face value, this is a film about kids in detention….but as far as deeper meanings go, this is an allegory which teaches us that we are all human and all have something akin with one another.

JOE Review: ★★★★★

Movie Trailer For The Breakfast Club

Road House (1989)

Dalton (Patrick Swayze) is a legendary “Cooler” who directs and backs up bouncers in rough-and-tumble bars. When a man known as Tilghman (Kevin Tighe) offers to pay him whatever he wants to charge in order to clean up his own bar, the Double Deuce, Dalton accepts and when he moves there and begins cleaning up house, he finds that some folks are resistant to his changes – chief among them Brad Wesley (Ben Gazzarra), who is a lot more dangerous than he looks.

I put off watching the film for years, due to a love-hate relationship I had with Patrick Swayze. I finally found it on Netflix and decided to watch it.

I have to say right off the bat that I did enjoy the film, despite anything that was wrong with it. If anyone could pull off playing a philosopher/bouncer….it was Swayze. Of course, in Road House, he doesn’t really get to pull out all the stops with his lines or dialogue…but he does kick some serious ass, even while wearing mom jeans.

Sam Elliott also has a role in this film as Wade Garrett, although his screen time is far too short. It was great to see HIM kick some ass, too. Most of the fights are your run-of-the mill 80’s bar fights but there were also generous amounts of topless scenes and even a few explosions (I know, right?).

If anything, Road House is worth watching in honor of the now-deceased Patrick Swayze. Though his acting chops weren’t quite up to par like they were in Donnie Darko, you can definitely see why Swayze was all the rage back in the day.

Whether you appreciate Swayze or just need a good, cheesy flick to watch on a Friday night – this one’s for you.

JOE Rating: ★★★★

Skateland (2010)

It’s the early 1980’s in small-town Texas and Ritchie Wheeler (Shiloh Fernandez) knows that things are changing. The skating rink he manages is going under, his friends are all on the verge of moving away and his parents are getting divorced. All of these events converge and force Ritchie to take new stock of his life and where he wants to be, but sometimes that’s hard to do.

I went into this expecting an Almost Famous vibe, but it didn’t really turn out that way. What I did find was a movie that I wanted to like, but ultimately found to fall flat in a lot of places.

The acting was all really well done. Shiloh Fernandez’s character, Ritchie, seems authentically from that time period. Ashley Greene and Heath Freeman are also really up to par for their roles as his friends.

However, there was a lot of meandering. At first, I couldn’t really tell what the message of the film was supposed to be. It felt sort of like a one-note, reminiscence-fest – which is fine, but it wasn’t really for me. There were some good scenes, but the tempo of the movie switched around too much for me to really sink my teeth into it.

JOE Rating: ★★