Forrest Gump (1994)

Forrest Gump (Tom Hanks) lives a charmed life, despite being born with a lower I.Q. than most – as well as a physical deformity of the spine which forces him to wear corrective leg braces. Gump’s mother (Sally Field) pushes and encourages him enough that he eventually sets out on his own and ends up witnessing lots of events in recent history that have shaped the world. On his journey of self, he chases love – in the form of Jenny Curran (Robin Wright), his childhood friend and crush – and also experiences war, happiness, loss and the gamut of the human experience, proving that despite his setbacks, Gump is wiser than most of us can say we are.

I remember seeing this back around the time it first came out, and I remember being blown away. So, I figured I’d revisit it, since it’s on Netflix, and to tell you the truth – Forrest Gump holds up pretty well over time.

Forrest Gump, the character, is one of Tom Hanks’ better roles. I’m no Hanks hater by any means, but he has a particular style that doesn’t lend to camouflaging his own personality. When I see him in films, I have a hard time separating film Hanks from real-life Hanks that I’ve seen. In Forrest Gump, this isn’t a problem.

Much like Billy Bob Thornton’s role in Slingblade, this is one of those times where you wonder if they’d have been able to make a film like this nowadays. There are some questionable messages in the film that critics would pounce on in present times, but for the time it was made it was a nice reflection on the Baby Boomer generation.

The movie is based, of course, on the novel of the same name by Winston Groom from 1986, although in the book, Forrest Gump is a pretty different character. Also, there are a few different events in the book that never made it to the movie version – like when Forrest went to space (would’ve been strange to see Hanks in space in Forrest Gump as well as in Apollo 13, amirite?!)

The only thing that didn’t really hold up too well was when it showed footage of Forrest in the old newsreels and footage from things and events that Forrest was privy to witnessing as history in the film progressed. You could really notice it. Other than that, though, the cinematography was great and the pacing of the film was really well done.

If you haven’t seen this one yet – do. It’s a classic.

JOE Rating: ★★★★

Jim Henson’s Tale of Sand (2011)

Mac, the mysterious main character, finds himself involved in a cross-desert race with only a rucksack full of odds and ends to aid him. In the meantime, he is doggedly pursued by another mysterious man known only as “Patch”, who seems to be paying everyone off. His end goals are unknown, only that he needs to somehow make it to the finish line – wherever that may be.

In this existential dark comedy, Ramon Perez and Ian Herring beautifully and expertly bring to life the only un-produced full-length script by Jim Henson (Muppets, etc…duh) and Jerry Juhl (Muppets, Fraggle Rock). Written between 1967 and 1968, the creators take you through what feels like a Terry Gilliam dreamworld fantasy rife with surreal and amazing images.

Though the dialogue is sparse, it’s meant to be that way. What really shines are the images with Perez’s pencils and Herring’s colors bringing us as close as possible to a full cinematic experience. From Arabs, to cowboys to football players you’ll be caught up in Mac’s dreamlike experiences right up until the last page.

If you love Jim Henson, you owe it to yourself to check this out. However, it IS dark and it’s not something that’s quite for the kiddos. There’s violence, gunfire and sexual themes (boobie alert) and undertones. If that doesn’t pique your curiosity, I don’t know what will.

JOE Rating: ★★★★★

All-New X-Men #1 (January 2013)

Publisher: Marvel Comics
Creative Team: Brian Michael Bendis, Stuart Immonen, Wade Von Grawbadger, Marte Gracia

Cyclops, one of the most prominent members of the X-Men and one of its original members, is now a fugitive wanted by almost every costumed hero and government entity in existence after the Phoenix Force corrupted him and he killed his former mentor, Professor Charles Xavier. Dying from another mutant transformation, and out of ideas, Hank McCoy (aka Beast) goes back in time to bring back the younger version of Cyclops to hopefully talk some sense into the present-day version. Maybe together they can save mutantkind.

I hadn’t really heard much about this series as I’d been out of the comic loop for a few months, but I noticed the older costumes on the cover. I am hoping to cosplay as the 60’s version of Cyclops, so I figured I’d pick up the first three issues to not only use for reference, but also to see what it was all about.

I was pleasantly surprised.

Issue #1 opens with Beast writhing on the ground, dying from a new manifestation of his mutation. He prays that he is allowed to do something good for mutantkind before he dies, and then we move on to Cyclops and his new teammates, Magneto and Emma Frost, liberating and recruiting new mutants who are popping up everywhere.

This first issue started out just a LITTLE slower than I would have liked, but the action picks up toward the end enough to have kept me hooked until the next issue. Bendis knows what he’s doing, I think we all know that. There were a couple of typos I noticed here and there (way to go, editor), but otherwise it was a good read.

The art by Stuart Immonen (Pencils), Wade Von Grawbadger (Inks) and Marte Gracia (Colorist) was amazing. Sometimes I noticed that, for whatever reason, it looked like Immonen phoned it in on the faces in some of the smaller panels but he really does action very well. The inks give his work some solid depth and the coloring, of course, makes it pop.

I think this series is going to do pretty well.

JOE Rating: ★★★★

Here’s a sample page from All-New X-Men #1!