Horrible Bosses (2011)

Original Theatrical Release Date: July 8, 2011
Director: Seth Gordon

Three lovable losers all have one thing in common: They have horrible bosses. One is a narcissistic elitist prick. One is a conniving, sexual predator. One is a coke fiend with a penchant for martial arts weapons. Nick (Jason Bateman), Kurt (Jason Sudeikis), and Dale (Charlie Day) decide to do something about it and enlist a murder consultant named Dean “Mother Fucker” Jones (Jamie Foxx) to help them off their bosses.

When I first heard about this movie, I wasn’t too keen on going to see it. Sure, it seemed like it could be a good time but I’ve been growing increasingly tired of the “three dude bros” comedy formula made popular by movies like The Hangover. Still, my girlfriend and I popped this one in for a movie night with a friend and we enjoyed some genuine laughs, despite the “tried-and-true” movie formula.

First off, what the movie has going for it is mainly star power. Jason Bateman, Charlie Day, Kevin Spacey, Colin Farrell – you can’t beat that. Jennifer Aniston and Jason Sudeikis are just “okay”. The second thing the movie has going for it is a solid premise. Who doesn’t hate their boss, at least a little bit? This provides instant sympathy when Jason Bateman is berated for being a mere two minutes late on his clock-in. Plus, just look at how the bosses are portrayed on screen – just looking at them, without even seeing the film, you know what kind of characters they are.

Kevin Spacey – not to be trifled with.

Jennifer Aniston – lax on the dress code at work.

Colin Farrell – sleazeball, anyone?

Unfortunately, what this movie doesn’t have going for it is a compelling enough story to keep the interest for as long as the movie is. Seriously, it seemed like it took forever to end. I like my comedies short and sweet. The director could have dumped about a quarter of schlock and jokes that didn’t work and it would have been much more succinct and enjoyable. Add to that the promising premise being washed away in unfulfilling payoffs for the main characters and we have ourselves just a “meh” comedy.

With all the star power these comedians provided, along with the dark/funny premise – this should have been a knockout. As it is, I’m sure it’s fine for a watch or two but I’m guessing that it’s not going to knock your socks off.

JOE Rating: ★★★

Movie Trailer For Horrible Bosses

 

The Tall Man (2012)

Original Theatrical Release Date: August 1, 2012
Director: Pascal Laugier

In the town of Cold Rock, the children are going missing and locals are blaming it on an entity from an urban legend, known as The Tall Man. A local nurse named Julia Denning (Jessica Biel) has a child of her own, which is taken in the night. As Julia searches for her child, the truth about the disappearances begins to surface and the townsfolk have a lot to say about it.

I’d never even heard of this film but my girlfriend and I picked it up at a local video store called Bull Moose here in Maine. Jessica Biel has never been on my short list of favorite actresses, but it seemed like it could be good so we bought it.

During the opening of the movie and probably through about half of it, it had me hooked. It had great atmosphere, an intriguing villain in the form of The Tall Man – and a cool-sounding, creepy town. I mean, Cold Rock – how much cooler can you get than that? However, the director and/or story aims to trick the viewer and basically lie to them in order to achieve its hidden message/twist ending. This could have been a decent horror flick but instead it turns out to be a benign sort of social commentary about bad parents.

Jessica Biel was just okay as Julia Denning, and unfortunately she was basically the only character we should’ve cared much about but she even failed to make me do that. If I were you, I’d avoid this confusing and misleading film but maybe it’s worth a single watch on a night when you have nothing else on your plate.

JOE Rating: ★★

Movie Trailer For The Tall Man

Gone Girl (2014)

Original Theatrical Release Date: October 3, 2014
Director: David Fincher

Author Nick Dunne (Ben Affleck) arrives home on the eve of his 5th wedding anniversary to find his wife Amy (Rosamund Pike) is missing under mysterious circumstances. After calling the police, Nick finds himself in the middle of an intense media circus as the search for Amy goes underway. Soon, the clues begin to pile up and fingers begin to point Nick’s way.

I went to see this film with a couple of friends last night as I’d been hearing good things about it. I’ve never read the novel it’s based on by Gillian Flynn (who also penned the screenplay) but according to online sources, the movie differs only slightly in some ways from the book version. Movies always differ from their book counterparts, though, so this shouldn’t really be a surprise to anyone.

It’s rare for me to want to watch a hyper-realistic crime movie – they aren’t my thing. Still, all the good things I heard about the various performances given by the actors made me want to check it out, so that’s what I did. Every single one of the actors in this movie, even Ben Affleck, really turned it up a notch. Affleck kept his cool just enough during the film to make me waffle on whether or not he had anything to do with Amy’s disappearance. Rosamund Pike, however, carried this movie with her role (in my opinion). She is not only accessible and sexy – but also terrifying. Another surprise was Neil Patrick Harris in his short role which added a lot of subtext to the film, regardless of how small a part his character played in the overall story.

The direction was great – Fincher hardly ever fails at that (except maybe with Mulholland Drive). The music was low-key enough to not interfere but still added just enough mood for a thriller. The length was a bit too long, however, clocking in at a whopping 149 minutes. The only real reason I’m giving this film four stars instead of five is the ending – which I felt was maybe a little rushed. I dunno if it was due to time, or due to something else – but the entire movie built up the characters to be solid and absolutely believable within the context of the story, except for the last half hour or so, which was unbelievable and completely took me out of the movie. I’d love to see a director’s cut in the future to see if maybe the motivations of the characters were a little more clear before some of the film hit the cutting room floor.

All in all this is one worth watching at least a couple times so you can catch all the little “easter eggs” (like the Scott Peterson novel one of the characters are reading at one point) and nuances in background scenes and in the subtleties of the characters and their actions. Good job again, Fincher – you do great work.

JOE Rating: ★★★★

Movie Trailer For Gone Girl

Red State (2011)

Original Theatrical Release Date: September 01, 2011
Director: Kevin Smith

In middle-America, all is not as sleepy and peaceful as it would seem. A fundamentalist church called The Five Points Church, led by pastor Abin Cooper (Michael Parks), preaches anti-gay and almost anti-everything hate gospel. Unfortunately, their bite is worse than their bark and when three teenage boys; Travis (Michael Angarano), Billy-Ray (Nicholas Braun), and Jarod (Kyle Gallner) – find an older woman soliciting sex on an internet site similar to Craigslist – they agree to meeting up with her for a foursome, which lands them squarely in the hungry religious jaws of the Cooper clan.

This movie blew me away. If you’re a Kevin Smith/View Askew fan like myself, you’ve come to expect a certain quality and tone of movie from the man and the studio behind him which produced films such as Clerks, Dogma and Chasing Amy. Red State is NOTHING like those other films. This is intense, this is gritty. As Smith himself points out – the Jay and Silent Bob films are like a smooth milkshake while Red State is like drinking straight whiskey. This is a film that none other than Quentin Tarantino strongly endorses, if that gives you any sort of idea as to what the tone is.

First of all, the film is especially poignant and is almost like a satire of the Westboro Baptist Church. We see it in the news every day, but in reality – the crazy religious zeal of some of these people is one incident away from an actual, real-life horror film. Red State is part horror film, part thriller and absolutely riveting.

With Michael Parks as Abin Cooper – the charismatic and terrifying patriarch of the Five Points Church – Smith hit gold. Everyone cast in this film not only does their jobs, but does them well. This movie is often overlooked because it goes beyond the fandoms of the Jay And Silent Bob/View Askew universe, which is understandable in some ways because Red State is so different from those others that it’s almost like another director is at the helm – though Smith can definitely be felt within the context of the film by the acerbic dialogue.

This film is amazing. Absolutely amazing. Do yourself a favor and go watch it. You’ll be uneasy for a long while and it’s perfect for a Halloween horror movie night.

JOE Rating:  ★★★★★

Movie Trailer For Red State

Sin City (2005)

Original Theatrical Release Date: April 1, 2005
Director: Frank Miller, Robert Rodriguez, Quentin Tarantino

Basin City, AKA “Sin” City, is a vile place of corruption, sex, and murder. Marv (Mickey Rourke), Dwight (Clive Owen) and Hartigan (Bruce Willis) are just three hard-boiled characters with intersecting paths who are rays of light standing against the dark. Part comic book, part noir and all thrill – this adaptation of Frank Miller’s graphic novel is very faithful to the source material.

Since the sequel to this film just came out, Sin City: A Dame To Kill For, I felt like I needed to bone up on this film franchise once more before seeing the new one.

The narrative layout of the film is interesting. Vignettes showing each “main” character and their interactions with the film’s secondary characters including villains and allies, makes the world of Sin City seem large and real. Most of the shots in the film are lifted right from Frank Miller’s pages of artwork and the casting was all done very wonderfully, particularly with Mickey Rourke as Marv. (Seriously, look at the guy). You also get to see Brittany Murphy in one of her last good roles before she died….and the same with Michael Clarke Duncan as Manute.

The special effects are all very stylized, very slick, but a couple of times they look wonky. Most of that was due to the artwork not translating well to film, because of how stylized Frank Miller’s artwork is. The black and white look of the film kept everything very visually appealing. The dialogue was great noir fare, if you’re into noir – but if you’re not into noir at all it may seem hokey and even terrible in spots.

If Robert Rodriguez and/or Quentin Tarantino were to direct a comic book film, Sin City was the perfect choice for them and you can tell that they had fun directing it, which means if you’re like me – you’ll have fun watching it.

If you’re looking for strong women characters, then this typical noir setting probably isn’t for you. The women of Old Town run their prostitution rings with cold efficiency, keeping the mob and corrupt police officers on the level, but that’s about it. Most of the other women in the film gasp and toss their hands against their foreheads while the men do the real work.

The one drawback to the film is that the three main characters – Marv, Dwight and Hartigan – are all fairly similar, making the story arcs seem pretty repetitive. Clive Owen was underwhelming as Dwight. Mickey Rourke nailed Marv (as I said before) and Bruce Willis was great as Hartigan. Rosario Dawson was kinetic as Gail, and Jessica Alba was decent as Nancy Callahan. Also, Elijah Wood was surprisingly creepy in his role as Kevin and Benicio Del Toro as Jackie Boy. They weren’t in the film for very long but they definitely added very interesting bits to the story.

JOE Rating: ★★★★

Movie Trailer For Sin City

Bronson (2008)

Original Theatrical Release: March 13, 2009
Director: Nicolas Winding Refn

Michael Petersen (Tom Hardy) aka “Charles Bronson” is the U.K.’s most violent convict. Based on a true story, this biopic delves into the psyche of a truly twisted individual who was sent to prison for seven years after a robbery at a post office and then managed to up his sentence to over thirty years in solitary confinement due to his violent nature and poor life choices.

Nicolas Winding Refn creates a very snappy and stylized account of this man’s life, treating major points in his life as if it were performance art, while Tom Hardy bravely and brilliantly inhabits the role of Bronson completely and most convincingly with his bald head and handlebar mustache. The feel of this film, to me, was essentially Drive mixed with Warrior.

If you’re not into full frontal male nudity, however – beware…because apparently every time Bronson decided to fight someone in prison he had to get naked to do so. This resulted in a lot of fights where Tom Hardy just swings away, in more than one sense of the word. For me, it didn’t detract from the film because it seemed like a logical thing for Bronson to do and melded with the whole “performance art” theme going on.

For the most part, this film seemed like a vehicle to showcase Tom Hardy’s terrific acting, but the other actors involved played their parts well. Though the film wasn’t straight action, Hardy carried himself so kinetically that it’s hard not to keep watching and be invested and see what crazy thing he’ll do next to get himself into trouble.

This is really a beautiful film, let alone an interesting biopic. Go check it out.

JOE Rating: ★★★★★

Movie Trailer For Bronson

 

Machine Gun Preacher (2011)

Sam Childers (Gerard Butler) is a real-life hero formed from the virtual ashes of a hardened criminal who found God and became a construction worker. While on the job, Childers meets a priest from Africa and is inspired to visit, ending up in Sudan and Northern Uganda, where he helps to build an orphanage and ultimately moves on to becoming a liberation fighter trying to save Africa’s children from the clutches of an evil warmonger who uses them as children soldiers in his army.

Machine Gun Preacher is based on the true story events of the real Sam Childers, who endorses the film. The movie is more drama than the trailer and cover art depict, and less action, but there is not enough action OR real-life documentary-style filming to make this as interesting as it could have been. Gerard Butler is passable in the role but looks nothing like the real Childers (not to mention his accent slipping through more than once) and the filmmakers could have dealt more with the more interesting side of Childers’ story which saw him pitting his Christian faith against acts of violence. If they had explored that side of the equation, then the movie could have been great….but as it stands, the movie is just sort of ho-hum with no real staying power. It doesn’t really distinguish itself from other generic action films and there are much better dramas out there to boot.

Still, I think it’s at least worth watching once, if only for your introduction to Sam Childers himself, so you can know a bit about his back story if you’re so inclined. Michelle Monaghan is nice to look at and it was cool to see Michael Shannon as well.

JOE Rating: ★★★

Drive (2011)

A stunt driver and wheelman-for-hire (Ryan Gosling) finds himself drawn to his neighbor, the damaged and vulnerable Irene (Carey Mulligan). Though he is a loner by nature, he ends up in the middle of way more contact than he bargained for when Irene’s ex-con husband, Standard (Oscar Isaac), returns from behind bars and “Driver” needs to step in to ensure that Irene and her boy are safe from thugs trying to extort money from the newly-freed con. After agreeing to help Standard with a heist, it goes belly-up and Driver finds his own life in danger as he tries to make his way to the source of all the trouble.

First of all, this movie is based on the novel Drive by James Sallis. The film’s plot and the movie’s plot have virtually the same identical plots but many of the book’s characters have been combined to form singular characters in the movie for the sake of film, which for me, works.

Ryan Gosling is hit or miss with me. I have no doubt about his acting chops, but he often seems relegated to the same non-speaking roles aside from a few exceptions. I was looking forward to his role in this film after seeing him in Lars and the Real Girl, which is the complete opposite of his role in this film. The normal charm and boyish innocence were gone in this movie, which was refreshing, and I think he held up great next to the presence of Ron Perlman. It was nice to see Bryan Cranston in something, since he’s so great in Breaking Bad.

The soundtrack was great and the opening scene was intense and made my heart rate go up, which is a nice achievement. The whole film had sort of a 1980’s feel about it, from the movie’s logo writing to the music and dress. It was neat.

The silence of the Driver character played by Gosling worked in the context of this movie but I’d really like him to go for roles with more dialogue so I can get more of a feel for his acting ability, aside from his great use of facial expression. Still, this movie (like the book) was all about the noir feel….and Driver not having much dialogue and being so mysterious obviously works for this.

Aside from a few minor nitpicks, this movie delivered on all levels. Good action reminiscent of driving scenes straight out of The French Connection….good acting….good story.

JOE Rating: ★★★★

Kick Ass 2 (2013)

Dave Lizewski (Aaron Taylor-Johnson), aka the crime-fighting everyman named Kick-Ass who inspired many people to take arms and assume the role of city protectors is looking to form a superhero team with none other than Hit Girl (Chloë Grace Moretz) – the closest thing to a real superhero that Dave has ever seen. However, Hit Girl has her own problems with the “Queen Bee” of the school, Brooke (Claudia Lee), who’s raining on her parade and her new adoptive father-figure Detective Marcus Williams (Morris Chestnut) who forbids her from participating in antics as Hit Girl. This leaves Dave to look elsewhere, which leads him to Colonel Stars and Stripes (Jim Carrey) and his ragtag group of superhero hopefuls. As Dave tries to continue on his path as defender of the innocent, he must contend with the likes of The Motherfucker (Christopher Mintz-Plasse) – formerly Red Mist, who has gone insane with revenge bloodlust resulting from Kick-Ass killing his crime-kingpin father, Frank D’Amico (Mark Strong)….as well as all of the hired killers that money can buy.

In my opinion, this film was much more enjoyable than Kick-Ass, the previous entry. While I love both movies, this one kept my interest the entire time and it did not waver. The characters, especially Colonel Stars and Stripes and Mother Russia (Olga Kurkulina) really jumped out and distinguished themselves within the context of the film.

The action was fast-paced, there weren’t a lot of slogging story problems and the special effects were decent. There were a couple of silly elements which almost ruined some of the movie for me, but other than that the only thing I can really complain about is Hit Girl and her dealings with high school students and high school life: Nobody really cares. We spent far too much time dealing with the likes of Brooke, and exposing ourselves to Hit Girl’s vulnerable side…but Hit Girl doesn’t NEED a vulnerable side. I wanted to see more of her, well…hitting stuff.

So, if you liked the first one or other films in this genre (Super, Defendor) then you’re sure to love Kick-Ass 2.

JOE Rating: ★★★★

Batman Begins (2005)

Original Theatrical Release: June 15, 2005
Director: Christopher Nolan

Billionaire playboy, Bruce Wayne (Christian Bale), was made an orphan when his parents were brutally murdered in the streets by a common thug. Vowing revenge, as an adult he began training himself to fight before ending up as a student of Henri Ducard (Liam Neeson) and Ra’s Al Ghul (Ken Watanabe) – both in a shadowy group dedicated to eradicating evil called the League of Shadows. When Bruce disagrees with their methods, he takes what he’s learned and finances himself as a vigilante superhero called Batman. With enemies from his past and present arrayed against him, Batman has a lot of work to do to clean up Gotham.

This isn’t your 1989 Batman, that’s for sure.

This movie starts and ends with a bang. There isn’t much time to think about anything except for the awesomeness up on the screen, but there are just a couple of scenes that are a little too slow or bog down the action.

The acting is all top-notch (aside from how anyone looks at Christian Bale’s Batman voice) and the characters from Batman’s canon were all brought to life, more vibrant than any incarnation that came before it. We had the amazing Gary Oldman as Commissioner Gordon, Morgan Freeman as Lucius Fox, Michael Caine as Alfred. Not as great was the wooden Katie Holmes as Rachel Dawes, but hey, she’s still easy on the eyes.

Nolan’s vision ties everything together and by the end of the film, we see a story that has been artfully pieced together that leaves us nodding our heads in appreciation as the credits roll. I still think the second film, The Dark Knight is the best in the trilogy, but this is a close second.

All in all, this is a wonderful start to the Batman Trilogy by Christopher Nolan, and I’m glad that we’ve gone away from the campy nature of the Batman films of the 1990’s.

Batman is pretty damned serious.

JOE Rating: ★★★★

Movie Trailer For Batman Begins