Mac, the mysterious main character, finds himself involved in a cross-desert race with only a rucksack full of odds and ends to aid him. In the meantime, he is doggedly pursued by another mysterious man known only as “Patch”, who seems to be paying everyone off. His end goals are unknown, only that he needs to somehow make it to the finish line – wherever that may be.
In this existential dark comedy, Ramon Perez and Ian Herring beautifully and expertly bring to life the only un-produced full-length script by Jim Henson (Muppets, etc…duh) and Jerry Juhl (Muppets, Fraggle Rock). Written between 1967 and 1968, the creators take you through what feels like a Terry Gilliam dreamworld fantasy rife with surreal and amazing images.
Though the dialogue is sparse, it’s meant to be that way. What really shines are the images with Perez’s pencils and Herring’s colors bringing us as close as possible to a full cinematic experience. From Arabs, to cowboys to football players you’ll be caught up in Mac’s dreamlike experiences right up until the last page.
If you love Jim Henson, you owe it to yourself to check this out. However, it IS dark and it’s not something that’s quite for the kiddos. There’s violence, gunfire and sexual themes (boobie alert) and undertones. If that doesn’t pique your curiosity, I don’t know what will.
JOE Rating: ★★★★★
Marvel’s 1985 collects issues #1-6 of the miniseries written by Mark Millar (Civil War, Fantastic Four) and art by Tommy Lee Edwards (Bullet Points, The Question).
The year is 1985 and a young boy named Toby loves all things Marvel. When super-villains from the Marvel Universe find a way into OUR world and begin to tear it apart , Toby doesn’t realize that he may be the key to finding the Marvel superheroes so that they can put a stop to the killing and destruction. With the help of his father, a divorced comic book nerd, as well as his intimate knowledge of the Marvel universe, he has a difficult task ahead of him.
I picked this up at the library the other day, The title spoke to me, as I’m very familiar with the comic books of those years in the 1980’s when I was first introduced to the medium. (I was born in 1981)
Mark Millar’s expert storytelling combined with the amazing, life-like (yet comic-book-styled) artwork by Tommy Lee Edwards makes for an almost cinematic-quality experience in the form of a comic book.
We get to see the Marvel villains and how truly horrible they’d be in “real” life, with no superheroes to quash their evil doings, as well as the touching and all-too-real modern relationship gone awry in the form of Toby’s parents.
What you end up with as the reader is something that’s hard to put down if you’re like me and you’ve ever wondered if the Hulk smells really bad (According to Toby….he does) or if it were possible for someone like M.O.D.O.K. to murder an entire town by leading them to their deaths like the Pied Piper.
JOE Rating: ★★★★★
So, I’ve been sort of sporadic about updating the blog because not only have I been busy with school (I get my Master’s Degree in June, hopefully!) but also….it has been Halloween/Comic Convention season during the past couple of months.
If any of you know me, you know what this entails: Lots and lots of time and money spent costuming.
So, I went to Coast City Comicon in Portland, Maine (where I live) and also to Super Megafest in Framingham, Massachusetts. Both were really fun, with Coast City Comicon being a true comic convention while Super Megafest was more of a pop culture convention.
I dressed up as Obi-Wan Kenobi for all of the events and was able to meet some really cool people. Ray Park (Darth Maul from Star Wars: Episode One) stabbed me with my own lightsaber. I taught Ernie Hudson (Winston from Ghostbusters) the ways of the Force. I also got to meet Lee Weeks (Artist from Daredevil) and J.K. Woodward (Dr. Who/Star Trek).
Here are some of the pics to show you how busy I’ve been. 🙂
Me with my friends Spencer Doe (Snake Eyes) and Nicole Marie Jean (Shredder) at Super Megafest
Me with some other Obi-Wan cosplayers of various ages at Super Megafest
Me with Ray Park (Darth Maul from Star Wars: Episode One) at Super Megafest
Me with Sergeant Slaughter at Super Megafest! He was one of my childhood heroes!
Lots of other talented Super Megafest Star Wars Cosplayers.
Me, teaching Ernie Hudson (Winston from Ghostbusters) some new tricks!
Me with Slave Leia at Super Megafest
Me with Chewie in Salem, Mass
Me with Boba Fett and a Stormtrooper in Portland, Maine on Halloween
Me squaring off against Vader in Salem, Mass
Me with Strawberry Shortcake in Salem, Mass
Me promoting artist J.K. Woodward’s site as Obi-Wan at Coast City Comicon
The Mandalorian Mercs finally got me as Obi-Wan at Coast City Comicon
Faced with cleaning up Asgard after Loki’s (Tom Hiddleston) treachery in the first Thor film and in The Avengers, Thor (Chris Hemsworth) has a huge task ahead before he can be with Jane Foster (Natalie Portman) on Earth. Between Thor and his flame on Midgard (Earth) stands Malekith (Christopher Eccleston) and the remnants of the Dark Elves, who want to return the universe to darkness. With Odin (Anthony Hopkins) wanting to step down from the throne and his brother Loki imprisoned, Thor must find the strength to stop the Dark Elf threat and return order to Asgard once and for all.
The tricky thing about making a Thor film is to not make it like a Superman film. Unfortunately, while this wasn’t the worst film I’ve seen….it’s just not unique enough to truly set it apart from other superhero films in the genre and it’s definitely not different enough from Man of Steel to set it apart from DC Comics’ much more popular, titular character.
The comic book version of Thor really is interesting. He’s noble and follows a code of honor but can also be a real misogynistic asshole. I mean, he’s a viking. He’s a demigod. He’s a womanizing tough guy with a heart of gold, somehow. So what we have in the movie version is a lame, good-looking, soft, warrior-archetype Superman clone with a hammer and an accent.
While I love Natalie Portman, her character in this film (and in the first) is mostly superfluous and unnecessary. It’s a way to tie him to Midgard, but the chemistry and connection between Thor and Jane doesn’t really exist on-screen and so when Thor wants to return to Earth to be with her, it’s just not believable. They should have focused more on his relationship with Sif (who is much more interesting than Jane, and a much stronger woman character). Whatever time Sif and Thor share onscreen is more dramatic and poignant than time spent between Jane and Thor. (I also want to note that people think Jane’s character is a sexist trope, but Thor is a demigod. She’s meant to be smitten by him. Guys would be equally as smitten by Sif if she showed up, as long as she didn’t disembowel them.)
Thor: The Dark World had the promise of being a more rich and intensive film experience than the first film, but really….it sort of fell short. Loki was the one saving grace of the film, not only because Hiddleston is a fantastic actor but because Loki’s character is allowed to roam free in the realm of human morality. Thor has that ability, too. He’s not just a jock with a hammer. He’s not just an alien demigod with a penchant for eating mutton and bedding babes. He’s Thor. He’s badass. Too bad he really wasn’t in this film.
It’s worth seeing at least once to complete the Avengers tie-ins (and it IS Thor), and there’s kind of a weird/creepy/unexpected cameo bit after the credits with someone you wouldn’t expect to see in a Marvel film. It just should’ve been better.
JOE Rating: ★★★