Reign Of Fire (2002)

Original Theatrical Release: July 12, 2002
Director: Rob Bowman

Humanity has been decimated by dragons; creatures thought to only have existed in myths and fairy tales. Quinn Abercromby (Christian Bale) and Creedy (Gerard Butler) lead a ragtag group of survivors living in an abandoned castle in the English countryside, trying to survive day by day. When a group of American warriors led by Denton Van Zan (Matthew McConaughey) shows up and claim to be able to slay the dragons once and for all, Quinn has to decide if they can do what they say they can do.

This is one of those movies I always seem to forget about, and I think a lot of other people do, too. I recently re-watched it because my girlfriend had never seen it so I figured what the heck.

The first half of the movie is really interesting and draws you in, but then it seems to lose focus in the later half. I appreciate the dark feel of the film and I think the idea behind the “Archangels” is really great, where specialized shock troops jump out of the helicopter to attack the dragons. (Life expectancy of an Archangel: 17 Seconds) And hooray for the Star Wars reference, as well!

Bale and McConaughey are actually really great in this, playing off one another and bringing their acting chops into this action film, which is always refreshing. Butler is good, too, as well as Izabella Scorupco as Alex Jensen – the pilot of the chopper – though they don’t really get as much screen time as Bale and McConaughey.

For a film that’s around ten years old, the special effects hold up surprisingly well. There are only a few instances where you can tell they were using a green screen, which, in the scheme of things isn’t too shabby. It could’ve been a lot worse! My only other gripe is that one of the characters, toward the end, dies in a really anti-climactic way. My jaw dropped open and I just sat there in disbelief in how lame it was.

This film is a fun option if you’ve been jonesing for a dragon movie, but it has its own particular take on the dragon species and there may be other films out there like How To Train Your Dragon that provides a better dragon experience, especially for the kiddos – because this is definitely not a kid’s flick. (But it is a completely different flavor of movie so I guess it’s like comparing apples to oranges.)

JOE Rating: ★★★

Movie Trailer For Reign Of Fire

Star Trek: Into Darkness (2013)

Original Theatrical Release: May 16, 2013
Director: J. J. Abrams

It seems that Captain James T. Kirk (Chris Pine) of the USS Starship Enterprise has a hard time reeling in his rule-breaking habits. When he breaks the Prime Directive to save the life of his friend and crew member, Spock (Zachary Quinto) the ship is handed back to Captain Pike (Bruce Greenwood), the ship’s original captain. When it seems that Kirk still has a lot of learning left to do, he pulls together when a Starfleet secret emerges to unravel the entire government in a play for revenge in the form of a one-man army, Khan (Benedict Cumberbatch) – but all might not be as it seems.

This movie is essentially a remake of Star Trek II: Wrath Of Khan but there are enough differences that it’s really only the same due to some characters and plot themes. If you’ve seen the original, you may prefer it to this newer incarnation but who knows.

The movie opens with a scene you’d probably find in a Star Wars movie, so I think JJ Abrams has his Star Wars cap on right now in anticipation of the 2015 films. With that being said, I think the same holds true for this second installment as held true for the previous Star Trek film from 2009 – some Trekkies may take issue with the fact that it feels more like Wars than Trek. However,  Into Darkness still has a lot to offer, especially for people like me who didn’t get into the original Star Trek films as much.

My major issues with the film were mostly some spots where terrible acting and some bad sound effects detracted from the action and story. Peter Weller had a terrible scene where I was just laughing because of how ridiculous he sounded during a rant. Also, one fight sequence on a ship made it seem like Abrams was using sound effects left over from Kevin Sorbo’s Hercules television series.

Other than that, some of the character interactions seemed a bit forced and tired, such as the Uhura/Spock dynamic, which I know they threw in because they needed a solid love story (because Kirk’s weird, borderline-bestiality womanizing isn’t enough)…but the dynamic isn’t exactly working because Uhura seems to just let her emotions overtake her while Spock, of all people, does the same – illogical. I was giving it a chance to work after Star Trek from 2009, but it just doesn’t feel right.

Alice Eve as Carol was very appealing to the eye, but her character is really just a plot device. I’m not going to complain about an underwear scene featuring her, other than that it seemed just thrown in there for sexuality’s sake and nothing else. Aside from her role as a plot device and as eye candy, she was pretty useless as a character.

All in all, this was a fun movie. Very good visually (aside from an entire scene with JJ Abrams’ signature lens flare blocking out the characters talking to one another) and I think Benedict Cumberbatch’s acting was the best part of the film. He made a damn good villain, for sure. (Also much less goofy-looking than his predecessor from Star Trek II: The Wrath Of Khan – though they should have used an Indian actor for the role in this one, as much as I like Cumberbatch)

Star Trek: Into Darkness is not the worst Star Trek film I’ve seen, by any means, but it could have performed a little better. Still, it’s fun for a night out at the movies and I don’t regret seeing it.

JOE Rating: ★★★

Movie Trailer For Star Trek: Into Darkness

Star Trek (2009)

Original Theatrical Release: May 08, 2009
Director: J. J. Abrams

James Tiberius Kirk (Chris Pine) is a hot-headed young man with a lot of potential. Under the tutelage of Captain Christopher Pike (Bruce Greenwood), he is expected to rise in rank although he sometimes goes against the grain and earns the ire of instructors such as Spock (Zachary Quinto). When the planet of Vulcan becomes endangered, the newly-commissioned USS Enterprise and her crew must come together to stop an evil Romulan named Nero (Eric Bana).

Let me start out by saying that I was never a massive Star Trek fan, so I’m not sure how my review would hold up against a true fan of the original series. I did watch a lot of the original, with Leonard Nimoy and William Shatner as Spock and Kirk, but it was such a long time ago that I don’t remember a lot of it. I am more familiar with Star Trek: The Next Generation, and even then, I’m a little fuzzy on the Star Trek mythos.

With that said, I do have to say that I enjoyed this entry into the Star Trek franchise. Say what you will about JJ Abrams, but the man knows how to direct action. There were plenty of fight scenes to wet the palate, and there is even a Beastie Boys cameo (in the form of music – lest we forget, the Beastie Boys are huge Star Trek nerds) during a cool action scene.

In this first film, the characters (I think) were a little more true to their television counterparts than in the second film, Star Trek: Into Darkness. I actually liked the casting choices of Zoe Saldana as Uhura and Zachary Quinto as Spock. (And, of course we get to see Leonard Nimoy back as Spock as well. Shhhhh!) I think Chris Pine plays a great Kirk. He is arrogant, a womanizer and indeed looks “corn-fed”. You want to hate him but his charm wins out.

Bana was lackluster as Nero – screaming and full of rage.  The Romulan ship was pretty neat. Not sure I was sold on the Uhura/Spock love entanglement, however.

All in all, this film might frustrate some hardcore Trekkies I know, but people must remember that it’s supposed to be an alternate timeline. Whether or not that helps, I’m not sure. As a non-Trekkie, I found this an easy introduction to the Star Trek characters, and I enjoyed the ride. It didn’t get too involved in the normal political mess (boring) of the television program and instead focused on the action and drama.

(Oh, and the weird thing is that you get to see Chris Hemsworth as Captain Kirk’s dad. Yup.)

JOE Rating: ★★★★

Movie Trailer For Star Trek

 

Joe The Barbarian (2011)

Publisher: Vertigo
Creative Team: Grant Morrison, Sean Murphy

Joe The Barbarian collects issues #1-8 of the limited DC/Vertigo series written by Grant Morrison (Batman Inc., Supergods) with artwork by Sean Murphy (Hellblazer, American Vampire: Survival Of The Fittest).

Joe Manson is an eleven-year-old kid with type 1 diabetes. On top of that, his father died overseas in the ongoing war in the Middle East. It’s no wonder that he spends all day in a dream world of action figures and drawings of noble knights and scary creatures. However, after some school bullies steal his candy he gets home and begins to go into hypoglycemia, but unexpectedly also into another world…one so real he cannot discern it from reality. Traversing this new fantasy world, in the real world he is only trying to get to the kitchen. Realities blur and soon it’s apparent that there is a purpose behind the visions and that he must stay alive.

First off, I love Morrison and I love Murphy. Two great talents working together. Can I refer to them as M&M? Haha, no, but really.

The story is evocative of Alice In Wonderland and Tellos, sort of mixed together in one awesome stew. Tellos will always be my favorite but this book managed to capture that feeling and the wonder of that book, if a little bit darker….yet it had almost as much heart.

It was nice to see a story dealing with a character who must battle diabetes. Coming from a family where diabetes is a constant concern, Joe The Barbarian was especially poignant to me. My great grandmother recently died after choosing not to continue with her dialysis treatments but she’d been battling diabetes for years.

In any case, I loved Murphy’s work on American Vampire, and I think he did an amazing job with Morrison’s fantastical vision in this book. The art has a nice steampunky type of style to it, which somehow fit the theme nicely.

You should really check it out, especially if you enjoyed Todd Dezago and Mike Weiringo’s work on Tellos.

JOE Rating: ★★★★

Here’s A Sample Page From Joe The Barbarian

Northlanders: The Cross And The Hammer (2009)

Publisher: Vertigo
Creative Team: Brian Wood, Ryan Kelly

Set in Viking-era Ireland, Northlanders Book Two: The Cross And The Hammer, collects issues #11-16 of the DC/Vertigo comic book series written by Brian Wood (DMZ, Demo) and illustrated by Ryan Kelly (Lucifer, The New York Four).

It is 1014 in Viking-occupied Ireland. One lone man, only known as Magnus, refuses to bow to the will of the Viking overlords and is leaving a bloody trail of insurgency in his wake. Magnus has no ties, no weaknesses, nothing to lose…except his daughter Brigid. Magnus’ killing spree and defiance catches the attention of Lord Ragnar Ragnarsson, a forensic specialist and confidant of the King who becomes obsessed with finding Magnus and ending his uprising.

When it becomes apparent that the only way to draw Magnus out of hiding is to provoke him by senselessly murdering innocent Irish families, it sends the two foes into a circle of psychological warfare and intrigue.

I was really looking forward to this volume after having already read Northlanders: Sven The Returned, which was amazing…so maybe my hopes were a little too high.

First off, don’t get me wrong. I would rather read this volume than not read this volume. Northlanders is a great series, and Brian Wood is doing some great stuff. Even the premise of the arc in this volume is decent and had me intrigued, but it all ended up falling a little flat.

Ryan Kelly is a great artist but I was honestly, the entire time, comparing his style (without meaning to) to Davide Gianfelice’s, who did the art for the issues collected in the first volume. In some ways, Kelly’s artwork is better for this Irish story but in others it just doesn’t feel up to par. There was nothing wrong for it save for the flavor, and despite some great splash page work some of it seemed a bit cartoony.

On top of that, I was sort of brought out of the story some by the way Lord Ragnar Ragnarsson spoke/wrote in the way that you might see a character do on an episode of CSI. I kept thinking to myself “This is so modern sounding. WTF is going on here?”

Another thing to watch out for is the twist ending. It seems to be all the rage nowadays to give a twist ending on everything, but I don’t think they had to do so, here. It wasn’t super-compelling as it was and then to sort of glaze over it all with a twist ending such as the one found within the pages of this TPB, it just dulled everything down even more.

Overall, I wouldn’t miss this entry into the series, but it could have been much better. I hear that Volume III is, indeed, much better…so I’ll have to check it out. So, give this a read if you follow along but I’m not so sure this will be a favored volume in the series.

JOE Rating: ★★★

Here’s A Sample Page From Northlanders, Vol. 2: The Cross And The Hammer

Teenage Mutant Ninja Turtles: Change Is Constant, Vol. 1 (2012)

Publisher: IDW Publishing
Creative Team: Kevin Eastman, Tom Waltz, Dan Duncan

This TMNT reboot is set about fifteen months after the Turtles and their master, Splinter, were exposed to some slime which mutated them into humanoids. Teenage Mutant Ninja Turtles: Change Is Constant, Vol. 1 collects issues 1-4 of the new IDW series, written by Kevin Eastman (co-creator of the TMNT) and Tom Waltz (Children of the Grave, Silent Hill: Sinner’s Reward) with art by Kevin Eastman (layouts) and Dan Duncan (Hulk And The Agents Of S.M.A.S.H.).

The Turtles, as you knew them, are no more. This new incarnation has the team split up after the ooze transformed them into humanoid creatures, but this time, along with a cat named Old Hob – who may turn out to be the TMNT’s greatest enemy. Raphael is split from the team and has amnesia and the others are searching for him before Old Hob finds him first to settle an old score.

I wasn’t really sure what to expect from this. I wasn’t aware that it was supposed to be a complete reboot, but with Kevin Eastman involved, how could I say “no” as a true TMNT fan?

I appreciated being able to see Eastman’s influence in the art style as well as on some of the covers and Dan Duncan did a good job trying to emulate the feeling of Eastman’s gritty art. The colors were okay, but they were sort of too muted or not muted enough to be super-effective.

The writing was decent enough, but I have to say that I wasn’t really surprised with where the story took me, even being a reboot. No big surprises, but that didn’t make it unbearable. It was just sort of predictable. (And somewhat anti-climactic.)

All the familiar faces can be found within the pages; Casey Jones, April O’Neil, Splinter, Raphael, Michaelangelo, Donatello, Leonardo.

One thing I didn’t really like, and I need to read further on to make sure I really feel this way for sure, is Old Hob. Yeah, it’s cool to see another humanoid creature running around, especially if it’s an enemy of the TMNT, but Old Hob was not especially intimidating or powerful. Also, I thought it was really weird that nobody cared about a bunch of humanoid monsters walking around.

I’m pretty sure fans of the original TMNT comics might be a bit let down, but c’mon…it’s the Teenage Mutant Ninja Turtles. I’m sure it will only get better.

JOE Rating: ★★★★

Here’s A Sample Page From Teenage Mutant Ninja Turtles: Change Is Constant Vol. 1

Captain America: The First Avenger (2011)

Original Theatrical Release: July 22, 2011
Director: Joe Johnston

It’s 1942 and Steve Rogers (Chris Evans) wants desperately to join in the fight for his country during World War II. The problem is, he’s too scrawny and sickly. However, Doctor Erskine (Stanley Tucci) sees within Rogers something special and offers to change his sickly demeanor. Eagerly, Rogers accepts and changes his life forever as he is injected with the Super Soldier Syrum which enhances his strength, speed, stamina and agility. Steve then becomes Captain America, and must go up against the evil Red Skull (Hugo Weaving) with the fate of America and the world hanging in the balance.

Overall, I think they did a good job with Cap in this rendition of his character. Joe Johnston directs something that feels appropriately pulpy and 1940’s-retro-nostalgic.

The supporting cast is amazing, with talents such as Tommy Lee Jones, Stanley Tucci and others. Sometimes, I felt their individual talents were put to waste on such minor roles, but hey…it’s great that they’re even in the film to begin with.

I’m still not really sold on Chris Evans as Captain America, even after Captain America: The First Avenger and The Avengers. I guess I’ll have to see what I think once Captain America: The Winter Soldier comes out. I still really think of Evans as The Human Torch/Johnny Storm from The Fantastic Four. He was perfect for that character, but Steve Rogers had a lot of good-guy charisma, where Evans has cocky-guy charisma.

The action was all pretty decent and the special effects were neat for the most part. Most notable was how they managed to work their CGI magic and camera tricks on Evans to turn him into the 90 lb asthmatic he portrays at the beginning of the film. It looked really convincing for a good portion of when they showed him onscreen, even while he was shirtless.

If you love Marvel movies, you obviously have probably seen this…but you can also get behind this if you like action flicks or war movies or are just curious. I don’t think it’s really as good as Iron Man was, but it can hold its own (and sadly, might be better than Thor in some ways).

JOE Rating: ★★★★

Movie Trailer For Captain America: The First Avenger

Hulk Vs. (2009)

Original Theatrical Release: January 27, 2009
Director: Sam Liu, Frank Paur

The Incredible Hulk (Fred Tatasciore) is one of Marvel Comics’ most powerful and dangerous characters. In this animated double feature, the Hulk goes up against The Mighty Thor (Matt Wolf) and Wolverine (Steve Blum) in two separate vignettes.

In the first, Hulk is transported to Asgard by the mischievous Loki (Graham McTavish), Thor’s jealous brother, and placed under a spell with the help of Enchantress/Amora (Kari Wahlgren). With Bruce Banner (Bryce Johnson) separated from his monstrous other half, the Hulk, he can only watch as Loki uses Hulk to smash his way through Asgard with only Thor and his Asgardian friends to stand in the way.

In the second, the Canadian military is after the Hulk when he is suspected of making attacks on defenseless wilderness homesteads. They call in Wolverine, who uses his superior senses to track Hulk down. However, as the two rage away at each other in the forest they are both attacked by members of the Weapon X program which created Wolverine’s adamantium-laced bones and claws and Wolverine is left to fight Sabretooth (Mark Acheson), Lady Deathstrike (Janyse Jaud), Omega Red (Colin Murdock) and Deadpool (Nolan North) all at the same time, with Hulk as the wild card.

It was an interesting choice to package this as a double feature. The whole thing, with both movies, runs to about an hour and a half.

I found the first story with Thor to be a little underwhelming. It’s always cool to see Thor go up against Hulk, but this one wasn’t as exciting as I thought it was going to be. There were a few instances in which Thor really went to town on Hulk, but overall, to create more drama, the writers sort of overpowered Hulk a little bit. I felt like with these two titans beating on each other, there should’ve been more destruction, more action.

Luckily, the second story redeemed the entire movie.

Wolverine versus Hulk, to me, is always really great…and this one tried to re-create, at least a little bit, the fight they had in Incredible Hulk #180, which was Wolverine’s first appearance in 1974. Notable differences being the involvement of Omega Red, Lady Deathstrike, Sabretooth and Deadpool. For the movie version, it worked however because a fight between Hulk and Wolverine would be pretty brutal but also pretty short, so having the villains show up enabled the pacing to be the way it was.

Overall, it was a fun watch. I just wish they had tweaked the Thor section a little bit more.

JOE Rating: ★★★★

Also, just a side note: If you’re interested in all-things-Hulk….check out The Collectionary, which features tons of Hulk-related merchandise to peruse and consider purchasing for gifts or for yourself.

Trailer For Hulk Vs.

Breaking Bad: Season 1 (2008)

Original Air Date: January 20, 2008
Stations Airing: AMC
Number Of Episodes In Season: 7

Walter White (Bryan Cranston) is a high school chemistry teacher who discovers that he only has two more years left to live because of his unexpected stage III cancer. With nothing left to lose, and no other means to provide for his family, he enlists the aid of Jesse Pinkman (Aaron Paul), a bright but broken junkie and former student to help him distribute some crystal meth, which “Walt” is very proficient at creating. Soon, the duo find themselves not only at odds with each other but also crossing paths with heavy-duty drug dealers like the insane and violent Tuco (Raymond Cruz) as Walt and Jesse shoulder in on the meth-dealing business.

I had been extremely excited for this show upon seeing the original trailers on AMC back when I had cable. When it finally came on, I was not disappointed. I missed most of the original airing, but recently caught up on all the episodes using Netflix.

Right off the bat, the series and season one starts off at a decent pace, and you really get to both fear and love Walt by the end. I would say that the beginning half of the season is a nice segway into the dark, frenetic and chaotic second half with episodes like Crazy Handful of Nothin’ where Walt shaves his head and begins to really embrace his inner gangster. The dichotomy of Walter White, chemistry teacher with an extreme illness and Heisenberg, the meth-producing hard-ass is amazing and I can think of no better-written show in memory that could stand up to this series.

The relationship between Walt and Jesse is really, extremely well-done and is the subject of discussion even now among some of my friends. One of my friends, actually, (if you’re interested at all) has many theories about the show, especially when it comes to color symbolism. Check her out, but be careful because there might be spoilers if you haven’t seen the entire series yet. She makes some good points and observations, for sure, though. Her name is Erin Enberg and her website is HERE.

Breaking Bad has inspired so much conversation, between things like plot and characters, to other things like color symbolism. It’s that good. Do yourself a favor and check it out if you haven’t already. Just be prepared to become addicted to the show and not see the light of day until the series is over.

And even if you’ve already followed the show through to its satisfying conclusion, I found that it’s best to re-watch the series again right away from the beginning. You’ll really see how the characters have changed, mostly for the worse. Now get out of here and go watch it.

JOE Rating: ★★★★★

Trailer For Season One Of Breaking Bad 

Justice League: Doom (2012)

Original Theatrical Release: February 28, 2012
Director: Lauren Montgomery

The Justice League is a team of powerful superheroes dedicated to protecting Earth from all manner of supervillains and other dangers. Batman (Kevin Conroy), the most human of the Justice League, has created contingency plans to defeat each individual member of the famed superhero team. Vandal Savage (Phil Morris) has plans of world domination and decides to send Mirror Master (Alexis Denisof) to sneak into the Batcave and steal all of Batman’s files, including the weaknesses of the Justice League. This results in Batman, Superman (Tim Daly), Wonder Woman (Susan Eisenberg), Green Lantern (Nathan Fillion), Martian Manhunter (Carl Lumbly), The Flash (Michael Rosenbaum) and Cyborg (Bumper Robinson) all having to fight for their very lives as Batman’s contingency plans prove all too effective.

Taken from the Tower of Babel story line, the events in this film mostly mirror those found in DC Comics, with some differences. However, with only 77 minutes to tell this story, I think they managed to do a good job, overall. Still, some fans of the original material might feel like this doesn’t adequately translate Mark Waid’s original writing. Movies will almost always lack the depth of their source material, so it’s best to treat them as separate entities if you can.

The animation was very slick and stylized. The voice acting was consistently very good, and it was nice to see the Legion Of Doom go up against the Justice League. You could get a sense of the classic rivalries between the characters even without knowing all of the years of back story behind them.

DC seems to really have a handle on all of their animated features – I will give them that. DC characters are sort of larger than life and tend to lend themselves more to animated adventures, where Marvel characters tend to be more gritty and aside from characters like Spider-Man, are more suited to the big screen.

With that said, in this (too) short animated feature, you will find copious amounts of action, danger and adventure…and you will feel that the League really is close to being defeated, because they are…and it’s because of one of their own members. (Thanks a lot, Batman…)

JOE Rating:  ★★★★

Trailer for Justice League: Doom